Dolly Grip: "b" Camera
'The Resident' Identity Crisis (2018)
Directed by: Bill D'Elia
Cinematography by: John Brawley
Edited by: William Paley
Dolly Grip: "b" Camera
'The Resident' The Elopement (2018)
Directed by: Rob Corn
Cinematography by: John Brawley
Edited by: William Paley
Dolly Grip: "b" Camera
'The Resident' Family Affair (2018)
Directed by: Thomas Carter
Cinematography by: John Brawley
Edited by: Nicole Vaskell
Dolly Grip: "b" Camera
'The Resident' Lost Love (2018)
Directed by: Bronwen Hughes
Cinematography by: John Brawley
Edited by: Timothy A. Good
Dolly Grip: "b" Camera
'The Resident' No Matter the Cost (2018)
Directed by: David Rodriguez
Cinematography by: John Brawley
Edited by: Nicole Vaskell
Dolly Grip: "b" Camera
'The Resident' Independence Day (2018)
Directed by: Phillip Noyce
Cinematography by: John Brawley
Edited by: Timothy A. Good
Dolly Grip: "b" Camera
'The Resident' None the Wiser (2018)
Directed by: James Roday
Cinematography by: John Brawley
Edited by: Timothy A. Good
Dolly Grip: "b" Camera
'The Resident' Haunted (2018)
Directed by: David Crabtree
Cinematography by: John Brawley
Edited by: Nicole Vaskell
Dolly Grip: "b" Camera
'The Resident' And the Nurses Get Screwed (2018)
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: John Brawley
Edited by: William Paley
Dolly Grip: "b" Camera
'The Resident' Comrades in Arms (2018)
Directed by: Rob Corn
Cinematography by: John Brawley
Edited by: Nicole Vaskell
Dolly Grip: "b" Camera
'The Resident' Rude Awakenings and the Raptor (2018)
Directed by: James Roday
Cinematography by: John Brawley
Edited by: Timothy A. Good
Dolly Grip: "b" Camera
'The Resident' Run, Doctor, Run (2018)
Directed by: James Roday
Cinematography by: John Brawley
Edited by: William Paley
Dolly Grip: "b" Camera
'The Resident' Total Eclipse of the Heart (2018)
Directed by: Rob Corn
Cinematography by: John Brawley
Dolly Grip: "b" Camera - 13 Episodes, 2018
The Resident (2018)
Directed by: Rob Corn, David Crabtree, Bronwen Hughes, James Roday, Paul McCrane, Jann Turner, Phillip Noyce, Thomas Carter, Bill D'Elia, Rob Greenlea, Geary McLeod, David Rodriguez, Elizabeth Allen Rosenbaum, Nicole Rubio, James Whitmore Jr., Satya Bhabha, John Brawley, Timothy A. Good, Robert Duncan McNeill, Edward Ornelas, Valerie Weiss, Kelli Williams
Edited by: Timothy A. Good, William Paley, Nicole Vaskell, Greg Babor, Amanda Panella, Emily Mendez, Patrick McMahon
Cameras: ARRI ALEXA Mini Camera, Blackmagic Micro Cinema Camera, Blackmagic Pocket Cinema 4K Camera, Blackmagic URSA Mini Pro 4.6K G2 Camera, Blackmagic URSA Mini Pro Camera
Lenses: Leitz Summicron-C 135 mm T2.0 Lens, Leitz Summicron-C 18 mm T2.0 Lens, Leitz Summicron-C 21 mm T2.0 Lens, Leitz Summicron-C 25 mm T2.0 Lens, Leitz Summicron-C 29 mm T2.0 Lens, Leitz Summicron-C 35 mm T2.0 Lens, Leitz Summicron-C 40 mm T2.0 Lens, Leitz Summicron-C 50 mm T2.0 Lens, Leitz Summicron-C 75 mm T2.0 Lens, Panavision Primo Primes Spherical Lenses, SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens, Zeiss Lenses
Editing System: Avid Editing System
Dolly Grip: "b" Camera, Second Unit
Den of Thieves (2018)
Directed by: Christian Gudegast
Cinematography by: Terry Stacey
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Zeiss Master Prime Lenses
Grip: Daily , Grip: Day Player
Spider-Man: Homecoming (2017)
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Grip
The Hollars (2016)
Directed by: John Krasinski
Cinematography by: Eric Alan Edwards
Edited by: Heather Persons
Cameras: ARRI ALEXA Plus 4:3 Camera
Grip
Trumbo (2015)
Directed by: Jay Roach
Cinematography by: Jim Denault
Edited by: Alan Baumgarten
Cameras: ARRI ALEXA XT Camera
Grip
Pitch Perfect 2 (2015)
Directed by: Elizabeth Banks
Cinematography by: Jim Denault
Edited by: Craig Alpert
Cameras: ARRI ALEXA Plus Camera
Grip
'Ravenswood' I'll Sleep When I'm Dead (2014)
Directed by: Mick Garris
Cinematography by: Peter B. Kowalski
Edited by: Charles Bornstein
Grip
'Ravenswood' Home Is Where the Heart Is (Seriously Check the Floorboards) (2014)
Directed by: Janice Cooke
Cinematography by: Peter B. Kowalski
Edited by: Rick Tuber
Grip
'Ravenswood' Revival (2014)
Directed by: Mick Garris
Cinematography by: Peter B. Kowalski
Edited by: Charles Bornstein
Grip
The Best of Me (2014)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Matt Chesse
Cameras: ARRI ALEXA XT Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses
Grip
The Loft (2014)
Directed by: Erik Van Looy
Cinematography by: Nicolas Karakatsanis
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA Plus Camera
Lenses: Zeiss Master Prime Lenses
Grip
'Treme' ... To Miss New Orleans (2013)
Directed by: Agnieszka Holland
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Grip
'Ravenswood' Scared to Death (2013)
Directed by: Norman Buckley
Cinematography by: Peter B. Kowalski
Edited by: Rick Tuber
Grip
'Ravenswood' The Devil Has a Face (2013)
Directed by: Arlene Sanford
Cinematography by: Peter B. Kowalski
Edited by: Lois Blumenthal
Grip
Texas Chainsaw 3D (2013)
Directed by: John Luessenhop
Cinematography by: Anastas N. Michos
Edited by: Randy Bricker
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Grip
'Treme' This City (2013)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Edited by: Naomi Geraghty
Grip
'Treme' Yes We Can Can (2013)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Edited by: Naomi Geraghty
Grip
'Treme' Dippermouth Blues (2013)
Directed by: Ernest R. Dickerson
Cinematography by: Ivan Strasburg
Edited by: Bill Pankow
Grip
'Treme' Sunset on Louisianne (2013)
Directed by: Alex Hall
Cinematography by: Ivan Strasburg
Edited by: Matthew Booras
Grip
'Treme' Knock with Me - Rock with Me (2012)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Company Grip: New Orleans
'True Blood' In the Beginning (2012)
Directed by: Michael Ruscio
Cinematography by: David Klein
Edited by: Mark Hartzell
Grip
'Treme' Tipitina (2012)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Grip
'Treme' Poor Man's Paradise (2012)
Directed by: Roxann Dawson
Cinematography by: Ivan Strasburg
Edited by: Naomi Geraghty
Grip
'Treme' Don't You Leave Me Here (2012)
Directed by: Ernest R. Dickerson
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Grip
'Treme' Promised Land (2012)
Directed by: Tim Robbins
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Grip
'Treme' Careless Love (2012)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Edited by: Naomi Geraghty
Grip
'Treme' The Greatest Love (2012)
Directed by: Ernest R. Dickerson
Cinematography by: Ivan Strasburg
Edited by: Naomi Geraghty
Grip
'Treme' I Thought I Heard Buddy Bolden Say (2012)
Directed by: Alex Hall
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Grip
'Treme' Me Donkey Want Water (2012)
Directed by: Adam Davidson
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Grip
'Treme' Saints (2012)
Directed by: Jim McKay
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Grip
Take Me Home Tonight (2011)
Directed by: Michael Dowse
Cinematography by: Terry Stacey
Edited by: Lee Haxall
Grip
Shark Night 3D (2011)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Dennis Virkler
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Editing System: Avid Editing System
Grip
Trespass (2011)
Directed by: Joel Schumacher
Cinematography by: Andrzej Bartkowiak
Edited by: Bill Pankow
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Company Grip
'Treme' Everything I Do Gonh Be Funky (2011)
Directed by: Tim Robbins
Edited by: Malcolm Jamieson
Company Grip
'Treme' That's What Lovers Do (2011)
Directed by: Agnieszka Holland
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Company Grip
'Treme' What is New Orleans? (2011)
Directed by: Adam Davidson
Cinematography by: Ivan Strasburg
Edited by: Brian A. Kates
Company Grip
'Treme' Accentuate the Positive (2011)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Company Grip
'Treme' Santa Claus, Do You Ever Get the Blues? (2011)
Directed by: Alex Zakrzewski
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Company Grip
'Treme' Slip Away (2011)
Directed by: Rob Bailey
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Company Grip
'Treme' Feels Like Rain (2011)
Directed by: Roxann Dawson
Cinematography by: Ivan Strasburg
Edited by: Brian A. Kates
Company Grip
'Treme' Carnival Time (2011)
Directed by: Brad Anderson
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Company Grip
'Treme' Do Watcha Wanna (2011)
Directed by: Ernest R. Dickerson
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Grip / Company Grip - 28 Episodes, 2010-2013
Treme (2010)
Directed by: Anthony Hemingway, Ernest R. Dickerson, Agnieszka Holland, Jim McKay, Brad Anderson, Simon Cellan Jones, Adam Davidson, Roxann Dawson, Tim Robbins, Alex Hall, Daniel Attias, Christine Moore, Rob Bailey, Alex Zakrzewski
Edited by: Alex Hall, Malcolm Jamieson, Naomi Geraghty, Brian A. Kates, Kate Sanford, Matthew Booras, Bill Pankow
Rigging Grip
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Grip
'Treme' I'll Fly Away (2010)
Directed by: Agnieszka Holland
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Grip
'Treme' Wish Someone Would Care (2010)
Directed by: Daniel Attias
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Grip
Gentlemen Broncos (2009)
Directed by: Jared Hess
Cinematography by: Munn Powell
Edited by: Yuka Ruell
Grip: Arizona
Away We Go (2009)
Directed by: Sam Mendes
Cinematography by: Ellen Kuras
Edited by: Sarah Flack
Company Grip: New Orleans - 1 Episode, 2012
True Blood (2008)
Directed by: Michael Lehmann, Scott Winant, Daniel Minahan, Howard Deutch, John Dahl, Michael Ruscio, Anthony Hemingway, Alan Ball, Lesli Linka Glatter, David Petrarca, Romeo Tirone, Stephen Moyer, Daniel Attias, Nick Gomez, Nancy Oliver, Marcos Siega, Michael Cuesta, Adam Davidson, Jeremy Podeswa, Gregg Fienberg, Simon Jayes, Angela Robinson, Lee Rose, Jesse Warn
Cinematography by: Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz
Edited by: Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Electrician: Arizona
The Savages (2007)
Directed by: Tamara Jenkins
Cinematography by: W. Mott Hupfel III
Edited by: Brian A. Kates
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4 Lenses
Rigging Electrician: Day Player
The Postman (1997)
Directed by: Kevin Costner
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
