Re-recording Engineer
Brooklyn Rules (2007)
Directed by: Michael Corrente
Cinematography by: Richard Crudo
Edited by: Kate Sanford
Sound Re-recordist
The Groomsmen (2006)
Directed by: Edward Burns
Cinematography by: William Rexer
Edited by: Jamie Kirkpatrick
Sound Recordist
Eternal Sunshine of the Spotless Mind (2004)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Valdís Óskarsdóttir
Cameras: ARRICAM Lite (LT) Camera
Re-recordist
School of Rock (2003)
Directed by: Richard Linklater
Cinematography by: Rogier Stoffers
Edited by: Sandra Adair
Mix Coordinator
Murder by Numbers (2002)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Sound Recordist
Signs (2002)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Machine Room Operator
Chicago (2002)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Martin Walsh
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Lightworks Editing System
Sound Re-recordist
Changing Lanes (2002)
Directed by: Roger Michell
Cinematography by: Salvatore Totino
Edited by: Christopher Tellefsen
Sound Re-recording Assistant
The Score (2001)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Richard Pearson
Sound Recordist
A Beautiful Mind (2001)
Directed by: Ron Howard
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Editing System: Avid Editing System
Re-recordist: Sound One Corp.
Chocolat (2000)
Directed by: Lasse Hallström
Cinematography by: Roger Pratt
Edited by: Andrew Mondshein
Sound Recordist
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Sound Re-recordist
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Sound Recordist
Unbreakable (2000)
Directed by: M. Night Shyamalan
Cinematography by: Eduardo Serra
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Sound Recordist
The Cider House Rules (1999)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Lisa Zeno Churgin
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Sound Recordist
Sleepy Hollow (1999)
Directed by: Tim Burton
Cinematography by: Emmanuel Lubezki
Cameras: Panavision Panaflex Platinum Camera
Sound Recordist
Gloria (1999)
Directed by: Sidney Lumet
Cinematography by: David Watkin
Edited by: Tom Swartwout
Sound Recordist: Todd-AO Studios, East
Inventing the Abbotts (1997)
Directed by: Pat O'Connor
Cinematography by: Kenneth MacMillan
Edited by: Ray Lovejoy
Sound Recordist
Ransom (1996)
Directed by: Ron Howard
Cinematography by: Piotr Sobocinski
Sound Recordist
Apollo 13 (1995)
Directed by: Ron Howard
Cinematography by: Dean Cundey
Sound Recordist
Dead Man Walking (1995)
Directed by: Tim Robbins
Cinematography by: Roger Deakins
Cameras: ARRI Cameras
Sound Recordist
Wolf (1994)
Directed by: Mike Nichols
Cinematography by: Giuseppe Rotunno
Edited by: Sam O'Steen
Sound Recordist
Bob Roberts (1992)
Directed by: Tim Robbins
Cinematography by: Jean Lépine
Edited by: Lisa Zeno Churgin
Cameras: Aaton Cameras, ARRIFLEX Camera
Lenses: ARRI Lenses
Sound Recordist
The Untouchables (1987)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Panaflex Gold Camera
Sound Recordist
Dirty Dancing (1987)
Directed by: Emile Ardolino
Cinematography by: Jeffrey Jur
Edited by: Peter C. Frank
Sound Recordist
Silkwood (1983)
Directed by: Mike Nichols
Cinematography by: Miroslav Ondrícek
Edited by: Sam O'Steen
Sound Recordist
The King of Comedy (1982)
Directed by: Martin Scorsese
Cinematography by: Fred Schuler
Edited by: Thelma Schoonmaker
Cameras: ARRI ARRIFLEX Series Cameras
Sound Recordist
Reds (1981)
Directed by: Warren Beatty
Cinematography by: Vittorio Storaro
Cameras: Technovision Cameras
Lenses: Technovision Lenses
Sound Recordist
Just Tell Me What You Want (1980)
Directed by: Sidney Lumet
Cinematography by: Oswald Morris
Edited by: Jack Fitzstephens
Sound Recordist
All That Jazz (1979)
Directed by: Bob Fosse
Cinematography by: Giuseppe Rotunno
Edited by: Alan Heim
Cameras: Panavision Cameras
Sound Recordist
Kramer vs. Kramer (1979)
Directed by: Robert Benton
Cinematography by: Néstor Almendros
Edited by: Gerald B. Greenberg
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
