Supervising Sound Editor: Warner Bros. Post Production Creative Services
Baywatch (2017)
Directed by: Seth Gordon
Cinematography by: Eric Steelberg
Edited by: Peter S. Elliot
Cameras: ARRI ALEXA XT Plus Camera
Composer
The Ridiculous 6 (2015)
Directed by: Frank Coraci
Cinematography by: Dean Semler
Edited by: Tom Costain
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Get Hard (2015)
Directed by: Etan Cohen
Cinematography by: Tim Suhrstedt
Edited by: Michael L. Sale
Cameras: ARRI ALEXA XT Plus Camera
Re-recording Mixer / Supervising Sound Editor
Horrible Bosses 2 (2014)
Directed by: Sean Anders
Cinematography by: Julio Macat
Edited by: Eric Kissack
Cameras: ARRI ALEXA XT Camera
Lenses: Leitz Summilux-C Series Lenses
Re-recording Mixer
We're the Millers (2013)
Directed by: Rawson Marshall Thurber
Cinematography by: Barry Peterson
Edited by: Michael L. Sale
Cameras: ARRI ALEXA Camera
Re-recording Mixer / Supervising Sound Editor
The Incredible Burt Wonderstone (2013)
Directed by: Don Scardino
Cinematography by: Matthew Clark
Edited by: Lee Haxall
Re-recording Mixer / Supervising Sound Editor
Identity Thief (2013)
Directed by: Seth Gordon
Cinematography by: Javier Aguirresarobe
Edited by: Peter Teschner
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Supervising Sound Editor
That's My Boy (2012)
Directed by: Sean Anders
Cinematography by: Brandon Trost
Edited by: Tom Costain
Re-recording Mixer / Supervising Sound Editor
Bucky Larson: Born to Be a Star (2011)
Directed by: Tom Brady
Cinematography by: Michael Barrett
Edited by: Jason Gourson
Re-recording Mixer / Supervising Sound Editor
Undefeated (2011)
Supervising Sound Editor
Jack and Jill (2011)
Directed by: Dennis Dugan
Cinematography by: Dean Cundey
Edited by: Tom Costain
Cameras: ARRI ALEXA Camera
Sound Designer / Supervising Sound Editor
Just Go with It (2011)
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Supervising Sound Editor
Zookeeper (2011)
Directed by: Frank Coraci
Cinematography by: Michael Barrett
Edited by: Scott Hill
Cameras: Panavision Genesis Camera
Re-recording Mixer / Supervising Sound Editor
Horrible Bosses (2011)
Directed by: Seth Gordon
Cinematography by: David Hennings
Edited by: Peter Teschner
Cameras: Panavision Genesis Camera
Supervising Sound Editor
The Ides of March (2011)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Cameras: Panavision Panaflex Platinum Camera
Supervising Sound Editor
Grown Ups (2010)
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Cameras: Panavision Genesis Camera
Re-recording Mixer / Sound Designer / Sound Supervisor
The Kids Are All Right (2010)
Directed by: Lisa Cholodenko
Cinematography by: Igor Jadue-Lillo
Edited by: Jeffrey M. Werner
Lenses: Zeiss Ultra Prime Lenses
Temp Mix Re-recording Mixer
Transformers: Revenge of the Fallen (2009)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Additional Sound Re-recording Mixer
In the Electric Mist (2009)
Directed by: Bertrand Tavernier
Cinematography by: Bruno de Keyzer
Supervising Sound Editor
Paul Blart: Mall Cop (2009)
Directed by: Steve Carr
Cinematography by: Russ T. Alsobrook
Edited by: Jeff Freeman
Cameras: Panavision Genesis Camera
Re-recording Mixer / Supervising Sound Editor
Four Christmases (2008)
Directed by: Seth Gordon
Cinematography by: Jeffrey L. Kimball
Supervising Sound Editor
You Don't Mess with the Zohan (2008)
Directed by: Dennis Dugan
Cinematography by: Michael Barrett
Edited by: Tom Costain
Cameras: Panavision Genesis Camera
Supervising Sound Editor
Bedtime Stories (2008)
Directed by: Adam Shankman
Cinematography by: Michael Barrett
Re-recording Mixer / Supervising Sound Editor
Reign Over Me (2007)
Directed by: Mike Binder
Cinematography by: Russ T. Alsobrook
Cameras: Panavision Genesis Camera
Editing System: Final Cut Pro Editing System
Supervising Sound Editor
I Now Pronounce You Chuck & Larry (2007)
Directed by: Dennis Dugan
Cinematography by: Dean Semler
Edited by: Jeff Gourson
Cameras: Panavision Genesis Camera
Supervising Sound Editor
Click (2006)
Directed by: Frank Coraci
Cinematography by: Dean Semler
Edited by: Jeff Gourson
Cameras: Panavision Genesis Camera
Supervising Sound Editor
50 First Dates (2004)
Directed by: Peter Segal
Cinematography by: Jack N. Green
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Supervising Sound Editor
Anger Management (2003)
Directed by: Peter Segal
Cinematography by: Donald McAlpine
Edited by: Jeff Gourson
Supervising Sound Editor
The Hot Chick (2002)
Directed by: Tom Brady
Cinematography by: Tim Suhrstedt
Edited by: Peck Prior
Sound Designer / Supervising Sound Editor
The Master of Disguise (2002)
Directed by: Perry Andelin Blake
Cinematography by: Peter Lyons Collister
Cameras: Panavision Cameras
Supervising Sound Editor
The Animal (2001)
Directed by: Luke Greenfield
Cinematography by: Peter Lyons Collister
Sound Designer / Sound Supervisor
The Million Dollar Hotel (2000)
Directed by: Wim Wenders
Cinematography by: Phedon Papamichael
Edited by: Tatiana S. Riegel
Cameras: Panavision Cameras
Sound Designer / Supervising Sound Editor
Little Nicky (2000)
Directed by: Steven Brill
Cinematography by: Theo van de Sande
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Re-recording Mixer: Los Angeles / Sound Supervisor: Los Angeles
Buena Vista Social Club (1999)
Directed by: Wim Wenders
Cinematography by: Jörg Widmer
Edited by: Brian Johnson
Cameras: Sony Betacam (Unknown) Camera
Sound Designer / Supervising Sound Editor
The Waterboy (1998)
Directed by: Frank Coraci
Cinematography by: Steven Bernstein
Edited by: Tom Lewis
Cameras: Panavision Cameras
Sound Effects Editor
Half Baked (1998)
Directed by: Tamra Davis
Cinematography by: Steven Bernstein
Edited by: Don Zimmerman
Sound Effects Editor
Species II (1998)
Directed by: Peter Medak
Cinematography by: Matthew F. Leonetti
Edited by: Richard Nord
Sound Effects Editor
Lost Highway (1997)
Directed by: David Lynch
Cinematography by: Peter Deming
Edited by: Mary Sweeney
Sound Effects Designer
Hoodlum (1997)
Directed by: Bill Duke
Cinematography by: Frank Tidy
Edited by: Harry Keramidas
Cameras: Panavision Cameras
Sound Designer / Sound Supervisor
The End of Violence (1997)
Directed by: Wim Wenders
Cinematography by: Pascal Rabaud
Edited by: Peter Przygodda
Sound Designer
Austin Powers: International Man of Mystery (1997)
Directed by: Jay Roach
Cinematography by: Peter Deming
Sound Effects Supervisor
Switchback (1997)
Directed by: Jeb Stuart
Cinematography by: Oliver Wood
Edited by: Conrad Buff IV
Sound Designer / Sound Supervisor
River Made to Drown In (1997)
Cinematography by: Thomas L. Callaway
Edited by: Esther P. Russell
Sound Effects Editor
Spy Hard (1996)
Directed by: Rick Friedberg
Cinematography by: John R. Leonetti
Edited by: Eric A. Sears
Sound Designer
The Spitfire Grill (1996)
Directed by: Lee David Zlotoff
Cinematography by: Robert Draper
Edited by: Margaret Goodspeed
Sound Designer
Payback (1995)
Directed by: Anthony Hickox
Cinematography by: David Bridges
Edited by: Anita Brandt Burgoyne
Supervising Sound Effects Editor
3 Ninjas Kick Back (1994)
Directed by: Charles T. Kanganis
Cinematography by: Christopher Faloona
Cameras: ARRI Cameras
Re-recording Mixer / Sound Effects Editor
Warlock: The Armageddon (1993)
Directed by: Anthony Hickox
Cinematography by: Gerry Lively
Cameras: ARRIFLEX 35mm Cameras
Digital Sound Effects Editor
The Lawnmower Man (1992)
Directed by: Brett Leonard
Cinematography by: Russell Carpenter
Edited by: Alan Baumgarten
