Digital Intermediate Colorist - 8 Episodes, 2023
Lessons in Chemistry (2023)
TV Mini Series
Edited by: Matthew Barbato, Geraud Brisson, Laura Zempel, Jack Cunningham, Daniel Martens, Lilly Wild
Cameras: ARRI ALEXA Mini LF Camera
Digital Intermediate Colorist
Marcel the Shell with Shoes On (2021)
Directed by: Dean Fleischer Camp
Cameras: ARRI ALEXA Mini Camera, Sony PMW-F5 Camera
Digital Intermediate Colorist
Blindspotting (2018)
Directed by: Carlos López Estrada
Cinematography by: Robby Baumgartner
Edited by: Gabriel Fleming
Digital Intermediate Colorist
Destroyer (2018)
Directed by: Karyn Kusama
Cinematography by: Julie Kirkwood
Edited by: Plummy Tucker
Cameras: ARRI ALEXA Mini Camera
Lenses: Panavision Lenses
Digital Intermediate Colorist
Brad's Status (2017)
Directed by: Mike White
Cinematography by: Xavier Grobet
Edited by: Heather Persons
Cameras: ARRI ALEXA Series Cameras
Additional Digital Intermediate Colorist
Hell or High Water (2016)
Directed by: David Mackenzie
Cinematography by: Giles Nuttgens
Edited by: Jake Roberts
Cameras: ARRI ALEXA XT Studio Camera
Digital Intermediate Colorist
Bad Santa 2 (2016)
Directed by: Mark Waters
Cinematography by: Theo van de Sande
Edited by: Travis Sittard
Cameras: Panasonic VariCam 35
Lenses: Cooke Lenses
Digital Intermediate Colorist
Anomalisa (2015)
Cinematography by: Joe Passarelli
Edited by: Garret Elkins
Cameras: Canon EOS-7D Camera
Digital Intermediate Colorist
Tracers (2015)
Directed by: Daniel Benmayor
Cinematography by: Nelson Cragg
Edited by: Peter Amundson
Cameras: Red Epic Camera
Digital Intermediate Colorist
The Bronze (2015)
Directed by: Bryan Buckley
Cinematography by: Scott Henriksen
Edited by: Jay Nelson
Cameras: Red Epic Camera
Digital Intermediate Colorist
Focus (2015)
Cinematography by: Xavier Grobet
Edited by: Jan Kovac
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Editing System: Final Cut Pro Editing System
Digital Intermediate Colorist
We Are Your Friends (2015)
Directed by: Max Joseph
Cinematography by: Brett Pawlak
Cameras: Red Epic Dragon Camera
Digital Intermediate Supervising Colorist
John Wick (2014)
Cinematography by: Jonathan Sela
Edited by: Elísabet Ronaldsdóttir
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Digital Intermediate Colorist
Gone Girl (2014)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: Kirk Baxter
Cameras: Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Adobe Premiere Editing System
Digital Intermediate Colorist
The Expendables 3 (2014)
Directed by: Patrick Hughes
Cinematography by: Peter Menzies Jr.
Digital Intermediate Colorist
That Awkward Moment (2014)
Directed by: Tom Gormican
Cinematography by: Brandon Trost
Cameras: ARRI ALEXA Plus Camera
Digital Intermediate Colorist
The Legend of Hercules (2014)
Directed by: Renny Harlin
Cinematography by: Sam McCurdy
Edited by: Vincent Tabaillon
Cameras: Red Epic Camera
Digital Intermediate Colorist
Dark Skies (2013)
Directed by: Scott Stewart
Cinematography by: David Boyd
Edited by: Peter Gvozdas
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo Zoom Lenses
Digital Intermediate Colorist
Big Sur (2013)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Cameras: Red Epic Camera, Red One Camera
Digital Intermediate Colorist
Enough Said (2013)
Directed by: Nicole Holofcener
Cinematography by: Xavier Grobet
Edited by: Robert Frazen
Cameras: ARRI ALEXA Studio Camera
Lenses: Leitz Summilux-C Series Lenses
Digital Intermediate Colorist: Light Iron
In a World... (2013)
Directed by: Lake Bell
Cinematography by: Seamus Tierney
Edited by: Tom McArdle
Cameras: Red Epic Camera
Lenses: Hawk C-Series Lenses
Digital Intermediate Colorist
Ender's Game (2013)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Cameras: Red Epic Camera
Digital Intermediate Colorist
Odd Thomas (2013)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Edited by: David Checel
Cameras: Red Epic Camera
Digital Intermediate Colorist
Snitch (2013)
Directed by: Ric Roman Waugh
Cinematography by: Dana Gonzales
Edited by: Jonathan Chibnall
Cameras: Red Epic Camera
Digital Intermediate Colorist
Texas Chainsaw 3D (2013)
Directed by: John Luessenhop
Cinematography by: Anastas N. Michos
Edited by: Randy Bricker
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Digital Intermediate Colorist
Hitchcock (2012)
Directed by: Sacha Gervasi
Cinematography by: Jeff Cronenweth
Edited by: Pamela Martin
Cameras: Red Epic Camera
Digital Intermediate Colorist
Goats (2012)
Directed by: Christopher Neil
Cinematography by: Wyatt Troll
Edited by: Jeremiah O'Driscoll
Digital Intermediate Colourist
TimeScapes (2012)
Directed by: Tom Lowe
Cinematography by: Tom Lowe
Edited by: Tom Lowe
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red Epic Camera, Red One MX Camera
Editing System: Adobe Premiere Editing System
Digital Intermediate Colorist
The Scorpion King 3: Battle for Redemption (2012)
Directed by: Roel Reiné
Cinematography by: Roel Reiné
Digital Intermediate Colorist
The Girl with the Dragon Tattoo (2011)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System, Sony Vegas Editing System
Digital Intermediate Colorist
Atlas Shrugged: Part I (2011)
Directed by: Paul Johansson
Cinematography by: Ross Berryman
Cameras: Red One MX Camera
Digital Intermediate Colorist
Street Kings 2: Motor City (2011)
Directed by: Chris Fisher
Cinematography by: Marvin V. Rush
Edited by: Miklos Wright
Colorist
Julia X (2011)
Directed by: P.J. Pettiette
Cinematography by: Jason Goodman
Edited by: Rob Neal
Cameras: Red One Camera
Editing System: Final Cut Pro Editing System
Digital Intermediate Colorist
A Marine Story (2010)
Directed by: Ned Farr
Cinematography by: Alexandre Naufel
Edited by: Ned Farr
Digital Intermediate Colorist
Hunter Prey (2010)
Directed by: Sandy Collora
Cinematography by: Edward A. Gutentag
Edited by: Toby Divine
Digital Intermediate Colorist
The Social Network (2010)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red One MX Camera
Editing System: Adobe Premiere Editing System
Additional Digital Intermediate Visual Effects
Leaves of Grass (2009)
Directed by: Tim Blake Nelson
Cinematography by: Roberto Schaefer
Edited by: Michelle Botticelli
Cameras: Red One Camera
Digital Intermediate Colorist
A Fork in the Road (2009)
Directed by: Jim Kouf
Cinematography by: Claudio Rocha
Edited by: Dennis Virkler
Additional Visual Effects
S. Darko (2009)
Directed by: Chris Fisher
Cinematography by: Marvin V. Rush
Edited by: Kent Beyda
Cameras: Red One Camera
Digital Intermediate Colorist
One-Eyed Monster (2008)
Directed by: Adam Fields
Cinematography by: Joseph White
Edited by: Josh Rifkin
Digital Intermediate Colorist
Fling (2008)
Directed by: John Stewart Muller
Cinematography by: Frederick Schroeder
Digital Intermediate Colorist
Fast Girl (2008)
Directed by: Daniel Zirilli
Cinematography by: Jason Dittmer
Edited by: Tony Wise
Cameras: Panasonic VariCam Camera
Digital Intermediate Artist
Autopsy (2008)
Directed by: Adam Gierasch
Cinematography by: Anthony B. Richmond
Edited by: Andrew Cohen
Digital Intermediate Colorist
Sarah Landon and the Paranormal Hour (2007)
Directed by: Lisa Comrie
Cinematography by: Andrew Kuepper
Edited by: Andrew Cohen
Cameras: Panasonic AG-HVX200 Camera
Editing System: Final Cut Pro Editing System
Digital Intermediate Colorist
The Prince and the Pauper: The Movie (2007)
Directed by: James Quattrochi
Cinematography by: Jeff Baustert
Edited by: Jody Leggio
Digital Color Timer
Who Killed the Electric Car? (2006)
Directed by: Chris Paine
Cinematography by: Thaddeus Wadleigh
Digital Colorist
Hoboken Hollow (2006)
Directed by: Glen Stephens
Cinematography by: John-Paul Beeghly
Edited by: Steven Dieveney
