Alexandre Naufel

18 Titles

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A Marine Story | ShotOnWhat?

Cinematographer

A Marine Story (2010)

Directed by: Ned Farr

Cinematography by: Alexandre Naufel

Edited by: Ned Farr

O Brother, Where Art Thou? | ShotOnWhat?

Set Lighting

O Brother, Where Art Thou? (2000)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen, Tricia Cooke

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

The Haunting | ShotOnWhat?

Set Lighting

The Haunting (1999)

Directed by: Jan de Bont

Cinematography by: Karl Walter Lindenlaub

Edited by: Michael Kahn

Cameras: Panavision Cameras, VistaVision Cameras

Lenses: Panavision Lenses

I'll Be Home for Christmas | ShotOnWhat?

Best Boy: Los Angeles

I'll Be Home for Christmas (1998)

Directed by: Arlene Sanford

Cinematography by: Hiro Narita

Edited by: Anita Brandt Burgoyne

Shadrach | ShotOnWhat?

Gaffer: Los Angeles

Shadrach (1998)

Directed by: Susanna Styron

Cinematography by: Hiro Narita

Edited by: Colleen Sharp

Deep Impact | ShotOnWhat?

Set Lighting

Deep Impact (1998)

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: Paul Cichocki, David Rosenbloom

Cameras: ARRIFLEX 535 Camera

Dead Man on Campus | ShotOnWhat?

Set Lighting

Dead Man on Campus (1998)

Directed by: Alan Cohn

Cinematography by: John Thomas

Edited by: Debra Chiate

The Big Lebowski | ShotOnWhat?

Set Lighting

The Big Lebowski (1998)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen, Tricia Cooke

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera

Simon Birch | ShotOnWhat?

Assistant Chief Lighting Technician

Simon Birch (1998)

Directed by: Mark Steven Johnson

Cinematography by: Aaron Schneider

Edited by: David Finfer

Cameras: Panavision Cameras

Dante's Peak | ShotOnWhat?

Set Lighting

Dante's Peak (1997)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV, Tina Hirsch, Howard E. Smith

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Fast, Cheap & Out of Control | ShotOnWhat?

Set Lighting / Third Electrician

Fast, Cheap & Out of Control (1997)

Directed by: Errol Morris

Cinematography by: Robert Richardson

Edited by: Shondra Burke, Karen Schmeer

Wag the Dog | ShotOnWhat?

Set Lighting

Wag the Dog (1997)

Directed by: Barry Levinson

Cinematography by: Robert Richardson

Edited by: Stu Linder

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Spawn | ShotOnWhat?

Set Lighting

Spawn (1997)

Directed by: Mark A.Z. Dippé

Cinematography by: Guillermo Navarro

Edited by: Todd Busch, Michael N. Knue

Steel | ShotOnWhat?

Set Lighting

Steel (1997)

Directed by: Kenneth Johnson

Cinematography by: Mark Irwin

Edited by: John F. Link

Bean | ShotOnWhat?

Set Lighting

Bean (1997)

Directed by: Mel Smith

Cinematography by: Francis Kenny

Edited by: Chris Blunden

Most Wanted | ShotOnWhat?

Set Lighting

Most Wanted (1997)

Directed by: David Hogan

Cinematography by: Marc Reshovsky

Edited by: Michael J. Duthie, Mark Helfrich

Cameras: Panavision Cameras

Campfire Tales | ShotOnWhat?

Electrician: Additional Photography

Campfire Tales (1997)

Directed by: Matt Cooper, Martin Kunert, David Semel

Cinematography by: John Peters

Edited by: Luis Colina, Rick Fields, Steven Nevius, Martin Kunert

True Lies | ShotOnWhat?

Set Lighting: Digital Domain

True Lies (1994)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Beaumont Vista Vision Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

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