Re-recording Mixer
Dough (2015)
Directed by: John Goldschmidt
Cinematography by: Peter Hannan
Edited by: Michael Ellis
Cameras: ARRI ALEXA Camera
Re-recording Mixer: Supervising Sound Editor
Killing Season (2013)
Directed by: Mark Steven Johnson
Cinematography by: Peter Menzies Jr.
Edited by: Sean Albertson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Supervising Sound Editor
The Pirates! Band of Misfits (2012)
Cinematography by: Frank Passingham
Edited by: Justin Krish
Cameras: Canon EOS-5D Mark II Camera
Re-recording Mixer
Skellig: The Owl Man (2009)
Directed by: Annabel Jankel
Cinematography by: Steve Lawes
Edited by: Peter Christelis
Cameras: ARRIFLEX D-21 Camera
Additional Sound Re-recording Mixer / Additional Supervising Sound Editor
Boogie Woogie (2009)
Directed by: Duncan Ward
Cinematography by: John Mathieson
Edited by: Kant Pan
Cameras: Panavision Cameras
Sound
The Boys Are Back (2009)
Directed by: Scott Hicks
Cinematography by: Greig Fraser
Edited by: Scott Gray
Sound Designer
A Matter of Loaf and Death (2008)
Directed by: Nick Park
Cinematography by: Dave Alex Riddett
Edited by: David McCormick
Re-recording Mixer
The Boy in the Striped Pajamas (2008)
Directed by: Mark Herman
Cinematography by: Benoît Delhomme
Edited by: Michael Ellis
Re-recording Mixer / Sound Effects Editor
Death at a Funeral (2007)
Directed by: Frank Oz
Cinematography by: Oliver Curtis
Edited by: Beverley Mills
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Re-recording Mixer / Sound Editor
Strength and Honour (2007)
Directed by: Mark Mahon
Cinematography by: Alan Almond
Edited by: Kate Coggins
Re-recording Mixer / Sound Editor
The Christmas Miracle of Jonathan Toomey (2007)
Directed by: Bill Clark
Cinematography by: Emmanuel Kadosh
Edited by: David Freeman
Re-recording Mixer
The Queen (2006)
Directed by: Stephen Frears
Cinematography by: Affonso Beato
Edited by: Lucia Zucchetti
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Archangel (2005)
Directed by: Jon Jones
Cinematography by: Chris Seager
Edited by: Sue Wyatt
Cameras: ARRI Cameras
Re-recording Mixer
Mrs Henderson Presents (2005)
Directed by: Stephen Frears
Cinematography by: Andrew Dunn
Edited by: Lucia Zucchetti
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Battle of the Brave (2004)
Directed by: Jean Beaudin
Cinematography by: Louis de Ernsted
Cameras: ARRIFLEX Camera, Moviecam Cameras
Re-recording Mixer
Vera Drake (2004)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jim Clark
Cameras: Aaton XTR Prod Camera
Lenses: Cooke S4 Lenses
Re-recording Mixer
Seed of Chucky (2004)
Directed by: Don Mancini
Cinematography by: Vernon Layton
Edited by: Chris Dickens
Re-recording Mixer
Wondrous Oblivion (2003)
Directed by: Paul Morrison
Cinematography by: Nina Kellgren
Edited by: David Freeman
Additional Sound Re-recording Mixer
Hope Springs (2003)
Directed by: Mark Herman
Cinematography by: Ashley Rowe
Edited by: Michael Ellis
Re-recording Mixer
The Four Feathers (2002)
Directed by: Shekhar Kapur
Cinematography by: Robert Richardson
Edited by: Steven Rosenblum
Re-recording Mixer
Dirty Pretty Things (2002)
Directed by: Stephen Frears
Cinematography by: Chris Menges
Edited by: Mick Audsley
Editing System: Lightworks Editing System
Re-recording Mixer
All or Nothing (2002)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Lesley Walker
Lenses: Angenieux Lenses, Zeiss Lenses
Re-recording Mixer
The Importance of Being Earnest (2002)
Directed by: Oliver Parker
Cinematography by: Tony Pierce-Roberts
Edited by: Guy Bensley
Re-recording Mixer
Buffalo Soldiers (2001)
Directed by: Gregor Jordan
Cinematography by: Oliver Stapleton
Edited by: Lee Smith
Cameras: Panavision Cameras
Re-recording Mixer
Chicken Run (2000)
Cinematography by: Simon Jacobs, Andy MacCormack, Tristan Oliver, Frank Passingham, Dave Alex Riddett, Paul Smith
Re-recording Mixer
Ravenous (1999)
Directed by: Antonia Bird
Cinematography by: Anthony B. Richmond
Edited by: Neil Farrell
Dubbing Mixer
Solomon & Gaenor (1999)
Directed by: Paul Morrison
Cinematography by: Nina Kellgren
Edited by: Kant Pan
Re-recording Mixer
Topsy-Turvy (1999)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Robin Sales
Re-recording Mixer / Sound Effects Editor
The Avengers (1998)
Directed by: Jeremiah S. Chechik
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Re-recording Mixer / Sound Effects Editor
The Borrowers (1997)
Directed by: Peter Hewitt
Edited by: David Freeman
Re-recording Mixer
My Son the Fanatic (1997)
Directed by: Udayan Prasad
Cinematography by: Alan Almond
Edited by: David Gamble
Re-recording Mixer
The Full Monty (1997)
Directed by: Peter Cattaneo
Cinematography by: John de Borman
Cameras: Moviecam Cameras
Sound Effects Editor
Tomorrow Never Dies (1997)
Directed by: Roger Spottiswoode
Cinematography by: Robert Elswit
Cameras: Panavision Panaflex Gold II Camera
