Music Scoring Mixer - 10 Episodes, 2022
From (2022)
Edited by: Ana Yavari, Wendy Hallam Martin, Stephen Lawrence, Dan Briceno, Michele Conroy, Maxyme Tremblay
Cameras: ARRI ALEXA Series Cameras
Music Score Engineer
Under the Silver Lake (2018)
Directed by: David Robert Mitchell
Cinematography by: Mike Gioulakis
Edited by: Julio C. Perez IV
Cameras: ARRI ALEXA Mini Camera
Lenses: Cooke S4/i Lenses
Music Scoring Mixer
Whiplash (2014)
Directed by: Damien Chazelle
Cinematography by: Sharone Meir
Edited by: Tom Cross
Cameras: ARRI ALEXA Camera, Canon EOS-7D Camera
Music Engineer: Score
The Call (2013)
Directed by: Brad Anderson
Cinematography by: Thomas Yatsko
Edited by: Avi Youabian
Cameras: ARRI ALEXA Camera, Phantom Flex Camera
Lenses: Angenieux Optimo Zoom Lenses
Music Scoring Mixer - 1 Episode, 2019
The Blacklist (2013)
Directed by: Michael W. Watkins, Bill Roe, Andrew McCarthy, Donald E. Thorin Jr., Terrence O'Hara, Steven A. Adelson, John Terlesky, Michael Caracciolo, Karen Gaviola, Kurt Kuenne, Joe Carnahan, Christine Gee, Vincent Misiano, David Platt, Paul A. Edwards, Michael Zinberg, Alex Zakrzewski, Adam T. Weisinger, Jean de Segonzac, Cort Hessler, Solvan Naim, Jace Alexander, Adam Arkin, Nick Gomez, Stephen Surjik, Dan Lerner, Peter Werner, Randy Zisk, Guy Ferland, Omar Madha, Ami Canaan Mann, Michael Waxman, Anton Cropper, Michael Dinner, Eagle Egilsson, Tim Hunter, Mary Lambert, Edward Ornelas, Paul Holahan, Bethany Rooney, Stephanie A. Marquardt, Lin Oeding, Lisa Robinson, Daniel Willis
Cinematography by: Michael Caracciolo, Eric Moynier, Saade Mustafa, Frank Prinzi, Arthur Albert, Yasu Tanida, Peter Reniers
Edited by: Chris Brookshire, David Post, Emily Greene, Nathan Gunn, Orlando Machado Jr., Harvey Rosenstock, Amy M. Fleming, Kevin Hale, Jason Hellmann, Rhett Finch, Eric L. Beason
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Score Recording Engineer
Jobs (2013)
Directed by: Joshua Michael Stern
Cinematography by: Russell Carpenter
Edited by: Robert Komatsu
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Ultra Prime Lenses
Assistant Scoring Engineer
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Score Engineer
Trade of Innocents (2012)
Directed by: Christopher M. Bessette
Cinematography by: Philip Hurn
Edited by: Diane Brunjes
Cameras: Red One MX Camera
Editing System: Final Cut Pro Editing System
Music Mixer Assistant
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Scoring Engineer
50/50 (2011)
Directed by: Jonathan Levine
Cinematography by: Terry Stacey
Edited by: Zene Baker
Music Scoring Mixer
Fertile Ground (2011)
Directed by: Adam Gierasch
Cinematography by: Yaron Levy
Edited by: Andrew Cohen
Cameras: Red One Camera
Score Engineer Assistant
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Music Scoring Mixer
Shoot the Hero (2010)
Directed by: Christian Sesma
Cinematography by: Klemens Becker
Edited by: Bruce Feagle
Music Scoring Mixer
Amish Grace (2010)
Directed by: Gregg Champion
Cinematography by: Ross Berryman
Edited by: Anita Brandt Burgoyne
Score Engineer Assistant
Land of the Lost (2009)
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras: Panavision Cameras
Music Scoring Mixer
Bitch Slap (2009)
Directed by: Rick Jacobson
Cinematography by: Stuart Asbjornsen
Score Engineer Assistant
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Music Scoring Mixer, Sound Engineer
Forever Plaid (2008)
Directed by: Stuart Ross
Cinematography by: Christopher Gosch
Scoring Mixer
Sarah Landon and the Paranormal Hour (2007)
Directed by: Lisa Comrie
Cinematography by: Andrew Kuepper
Edited by: Andrew Cohen
Cameras: Panasonic AG-HVX200 Camera
Editing System: Final Cut Pro Editing System
Score Engineer Assistant
Ratatouille (2007)
Cinematography by: Robert Anderson
Edited by: Darren T. Holmes
Music Engineer
'House M.D.' Half-Wit (2007)
Directed by: Katie Jacobs
Cinematography by: Gale Tattersall
Edited by: Kimberly Ray
Scoring Mixer
American Pastime (2007)
Directed by: Desmond Nakano
Cinematography by: Matthew Williams
Edited by: Mark Yoshikawa
Cameras: Moviecam Compact Camera
Scoring Mixer
The Final Season (2007)
Directed by: David Mickey Evans
Cinematography by: Dan Stoloff
Edited by: Harry Keramidas
Score Engineer Assistant
Rocky Balboa (2006)
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses: Zeiss Master Prime Lenses
Score Engineer Assistant
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Scoring Mixer
Recycled Life (2006)
Directed by: Leslie Iwerks
Cinematography by: Leslie Iwerks
Edited by: Leslie Iwerks
Score Engineer Assistant
The Family Stone (2005)
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Score Engineer Assistant
Sky High (2005)
Directed by: Mike Mitchell
Cinematography by: Shelly Johnson
Edited by: Peter Amundson
Scoring Mixer
One Six Right (2005)
Directed by: Brian J. Terwilliger
Cinematography by: Steven R. Miles
Edited by: Kimberley Furst
Music Recordist
Sin City (2005)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDC-F950 Camera, Sony Other Camera
Editing System: Avid Editing System
Music Scoring Mixer
Toolbox Murders (2004)
Directed by: Tobe Hooper
Cinematography by: Steve Yedlin
Edited by: Andrew Cohen
Music Engineer - 1 Episode, 2007
House M.D. (2004)
Directed by: Greg Yaitanes, Deran Sarafian, David Straiton, Daniel Attias, Daniel Sackheim, Miguel Sapochnik, David Platt, Matt Shakman, Juan José Campanella, Katie Jacobs, Andrew Bernstein, Sanford Bookstaver, Peter O'Fallon, Fred Gerber, David Semel, Lesli Linka Glatter, Newton Thomas Sigel, Bryan Spicer, Bryan Singer, Frederick King Keller, David Shore, James Hayman, Martha Mitchell, Hugh Laurie, Tucker Gates, Tim Southam, Peter Medak, Paris Barclay, Guy Ferland, Keith Gordon, Tim Hunter, Bill Johnson, Nelson McCormick, Gloria Muzio, Randy Zisk, Jace Alexander, Félix Enríquez Alcalá, Laura Innes, John F. Showalter, Tony To, Elodie Keene, Paul McCrane, Matthew Penn, Nick Gomez, S.J. Clarkson, Kate Woods, Colin Bucksey, Julian Higgins, Stefan Schwartz, Peter Weller
Cinematography by: Gale Tattersall, Roy H. Wagner, Anthony Gaudioz, Walt Lloyd, Newton Thomas Sigel, Cort Fey, James Dillinger
Edited by: Dorian Harris, Chris Brookshire, Amy M. Fleming, Kimberly Ray, Lawrence Curtis, Zeborah Tidwell, Bonnie Koehler, Chad Mochrie, Marta Evry, Sue Blainey, Bill Johnson, Christopher Nelson, Tatiana S. Riegel, Deborah Moran, Arge O'Neal, Jo Francis, Elliot Graham, Anthony Pinker, Scott Boyd, Seth Clark, David Post, Stephen Semel
Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Additional Music Recording Engineer
Elvis Has Left the Building (2004)
Directed by: Joel Zwick
Cinematography by: Paul Elliott
Edited by: Heather Persons
Music Scoring Mixer / Score Recordist
Finding Home (2003)
Directed by: Lawrence David Foldes
Cinematography by: Jeffrey Seckendorf
Edited by: Todd C. Ramsay
Scoring Mixer
P.S. Your Cat Is Dead! (2002)
Directed by: Steve Guttenberg
Cinematography by: David A. Armstrong
Edited by: Derek Vaughn
Music Engineer, Scoring Mixer
Susan's Plan (1998)
Directed by: John Landis
Cinematography by: Ken Kelsch
Edited by: Nancy Morrison
Music Scoring Mixer
Ed McBain's 87th Precinct: Ice (1996)
Directed by: Bradford May
Edited by: Buford F. Hayes
Music Mixer
In Search of Dr. Seuss (1994)
Directed by: Vincent Paterson
Cinematography by: Michael Lonzo
Edited by: Michael Kelly
Music Scoring Mixer
Tremors (1990)
Directed by: Ron Underwood
Cinematography by: Alexander Gruszynski
Edited by: O. Nicholas Brown
Music Scoring Mixer
A Killing in a Small Town (1990)
Directed by: Stephen Gyllenhaal
Cinematography by: Robert Elswit
Edited by: Harvey Rosenstock
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Mixer: Restored Score / Music Recordist: Restored Score
Wings (1927)
Cinematography by: Harry Perry
