Adr Mixer
Escape Room (2019)
Directed by: Adam Robitel
Cinematography by: Marc Spicer
Edited by: Steve Mirkovich
Cameras: ARRI ALEXA Mini Camera
Lenses: Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Foley Recordist
The Haunting in Connecticut (2009)
Directed by: Peter Cornwell
Cinematography by: Adam Swica
Edited by: Tom Elkins
Cameras: Moviecam Compact Camera, Panavision Cameras
Lenses: Angenieux Optimo Zoom Lenses
ADR Mixer
New in Town (2009)
Directed by: Jonas Elmer
Cinematography by: Chris Seager
Edited by: Troy Takaki
Adr Mixer , Re-recording Mixer
Afghan Knights (2007)
Directed by: Allan Harmon
Cinematography by: Randal Platt
Edited by: Daria Ellerman
Adr Mixer
Pathfinder (2007)
Directed by: Marcus Nispel
Cinematography by: Daniel Pearl
Foley Recordist
A Dog's Breakfast (2007)
Directed by: David Hewlett
Cinematography by: James Alfred Menard
Edited by: Jason Schneider
Adr Mixer
Code Name: The Cleaner (2007)
Directed by: Les Mayfield
Cinematography by: David Franco
Edited by: Michael Matzdorff
Adr Mixer
Running Scared (2006)
Directed by: Wayne Kramer
Cinematography by: Jim Whitaker
Edited by: Arthur Coburn
Adr Mixer / Re-recording Mixer
Slither (2006)
Directed by: James Gunn
Cinematography by: Gregory Middleton
Edited by: John Axelrad
Adr Mixer
Fido (2006)
Directed by: Andrew Currie
Cinematography by: Jan Kiesser
Edited by: Roger Mattiussi
Adr Mixer
Lucky Number Slevin (2006)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Andrew Hulme
Adr Mixer
Eight Below (2006)
Directed by: Frank Marshall
Cinematography by: Don Burgess
Edited by: Christopher Rouse
Adr Mixer
Edison (2005)
Directed by: David J. Burke
Cinematography by: Francis Kenny
Edited by: Casey O. Rohrs
Adr Mixer
'The Wonderful World of Disney' Once Upon a Mattress (2005)
Directed by: Kathleen Marshall
Cinematography by: Robert McLachlan
Edited by: Scott Vickrey
Adr Mixer
Desolation Sound (2005)
Directed by: Scott Weber
Cinematography by: Randal Platt
Edited by: Roger Mattiussi
Adr Mixer
Severed (2005)
Directed by: Carl Bessai
Cinematography by: James Liston
Edited by: Julian Clarke
Adr Mixer
Alone in the Dark (2005)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: Richard Schwadel
Adr Mixer
White Noise (2005)
Directed by: Geoffrey Sax
Cinematography by: Chris Seager
Edited by: Nick Arthurs
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Walla Recordist
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Adr Mixer: Vancouver
Fierce People (2005)
Directed by: Griffin Dunne
Cinematography by: William Rexer
Edited by: Allyson C. Johnson
Adr Mixer
The Long Weekend (2005)
Directed by: Pat Holden
Cinematography by: Brian Pearson
Edited by: Martin Brinkler
Adr Mixer
We Don't Live Here Anymore (2004)
Directed by: John Curran
Cinematography by: Maryse Alberti
Edited by: Alexandre de Franceschi
Adr Mixer
Miracle (2004)
Directed by: Gavin O'Connor
Cinematography by: Dan Stoloff
Cameras: Panavision Cameras
Adr Mixer
Shark Tale (2004)
Adr Mixer
Good Boy! (2003)
Directed by: John Hoffman
Cinematography by: James Glennon
Edited by: Craig Herring
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
Belly of the Beast (2003)
Directed by: Siu-Tung Ching
Cinematography by: Danny Nowak
Edited by: David M. Richardson
Adr Mixer
Killer Bees (2002)
Directed by: Penelope Buitenhuis
Cinematography by: Mahlon Todd Williams
Edited by: Earl Fudger
Adr Mixer
Try Seventeen (2002)
Directed by: Jeffrey Porter
Cinematography by: Blake T. Evans
Edited by: David M. Richardson
