Sound Designer
Brooklyn's Finest (2009)
Directed by: Antoine Fuqua
Cinematography by: Patrick Murguia
Edited by: Barbara Tulliver
Adr Loop Group
Marie Antoinette (2006)
Directed by: Sofia Coppola
Cinematography by: Lance Acord
Edited by: Sarah Flack
Sound Designer
Signs (2002)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Supervising Sound Editor
Chicago (2002)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Martin Walsh
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Lightworks Editing System
Adr Looping / Re-recording Mixer / Supervising Sound Editor
Heist (2001)
Directed by: David Mamet
Cinematography by: Robert Elswit
Edited by: Barbara Tulliver
Adr Loop Group , Supervising Sound Editor
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Supervising Sound Editor
The Deep End of the Ocean (1999)
Directed by: Ulu Grosbard
Cinematography by: Stephen Goldblatt
Edited by: John Bloom
Adr Loop Group , Re-recording Mixer / Supervising Sound Editor
The Winslow Boy (1999)
Directed by: David Mamet
Cinematography by: Benoît Delhomme
Edited by: Barbara Tulliver
Supervising Sound Editor
The Cider House Rules (1999)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Lisa Zeno Churgin
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Supervising Sound Editor
Twilight (1998)
Directed by: Robert Benton
Cinematography by: Piotr Sobocinski
Edited by: Carol Littleton
Cameras: Panavision Cameras
Adr Loop Group , Re-recording Mixer / Supervising Sound Editor
Snake Eyes (1998)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Bill Pankow
Lenses: Panavision C Series Anamorphic Lenses, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens
Editing System: Avid Editing System
Supervising Sound Editor
In & Out (1997)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Supervising Sound Editor
The Spanish Prisoner (1997)
Directed by: David Mamet
Cinematography by: Gabriel Beristain
Edited by: Barbara Tulliver
Adr Loop Group , Supervising Sound Editor
Marvin's Room (1996)
Directed by: Jerry Zaks
Cinematography by: Piotr Sobocinski
Edited by: Jim Clark
Supervising Sound Editor
Nobody's Fool (1994)
Directed by: Robert Benton
Cinematography by: John Bailey
Edited by: John Bloom
Cameras: ARRI Cameras
Adr Loop Group , Foley Artist , Supervising Sound Editor
Carlito's Way (1993)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Panaflex Gold II Camera
Foley Artist , Supervising Sound Editor
Whispers in the Dark (1992)
Directed by: Christopher Crowe
Cinematography by: Michael Chapman
Adr Loop Group, Supervising Sound Editor
HouseSitter (1992)
Directed by: Frank Oz
Cinematography by: John A. Alonzo
Edited by: John Jympson
Adr Loop Group, Foley Artist , Supervising Sound Editor
The Bonfire of the Vanities (1990)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Adr Loop Group: David Kramer's Looping Group
Green Card (1990)
Directed by: Peter Weir
Cinematography by: Geoffrey Simpson
Edited by: William M. Anderson
Foley Artist , Supervising Sound Editor
Valmont (1989)
Directed by: Milos Forman
Cinematography by: Miroslav Ondrícek
Adr Loop Group, Supervising Sound Editor
Casualties of War (1989)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Bill Pankow
Adr Loop Group , Supervising Sound Editor
Family Business (1989)
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Andrew Mondshein
Sound Designer
School Daze (1988)
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Barry Alexander Brown
Supervising Sound Editor
The Morning After (1986)
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Joel Goodman
Supervising Sound Editor
Power (1986)
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Andrew Mondshein
Cameras: Panavision Cameras
Supervising Sound Editor
Desperately Seeking Susan (1985)
Directed by: Susan Seidelman
Cinematography by: Edward Lachman
Edited by: Andrew Mondshein
Sound Editor
Places in the Heart (1984)
Directed by: Robert Benton
Cinematography by: Néstor Almendros
Edited by: Carol Littleton
Sound Editor
The Muppets Take Manhattan (1984)
Directed by: Frank Oz
Cinematography by: Robert Paynter
Edited by: Evan A. Lottman
Adr Crowd / Foley Artist , Adr Loop Group , Sound Editor
The Cotton Club (1984)
Directed by: Francis Ford Coppola
Cinematography by: Stephen Goldblatt
Cameras: Panavision Cameras
Foley Artist , Supervising Sound Editor
Tender Mercies (1983)
Directed by: Bruce Beresford
Cinematography by: Russell Boyd
Edited by: William M. Anderson
Adr Crowd / Foley Artist , Adr Loop Group , Sound Editor
Scarface (1983)
Directed by: Brian De Palma
Cinematography by: John A. Alonzo
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Editor
The Verdict (1982)
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Peter C. Frank
Cameras: Panavision Cameras
Foley Artist , Sound Editor
Still of the Night (1982)
Directed by: Robert Benton
Cinematography by: Néstor Almendros
Cameras: Panavision Cameras
Adr Loop Group , Adr Voice Casting , Sound Editor
Reds (1981)
Directed by: Warren Beatty
Cinematography by: Vittorio Storaro
Cameras: Technovision Cameras
Lenses: Technovision Lenses
Sound Editor
Melvin and Howard (1980)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
Foley Artist , Supervising Sound Editor
All That Jazz (1979)
Directed by: Bob Fosse
Cinematography by: Giuseppe Rotunno
Edited by: Alan Heim
Cameras: Panavision Cameras
Assistant Editor, Sound Effects Editor
Last Embrace (1979)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Barry Malkin
Sound Editor
Apocalypse Now (1979)
Directed by: Francis Ford Coppola
Cinematography by: Vittorio Storaro
Lenses: Technovision Lenses, Todd-AO Lenses
Editing System: K.E.M. Editing System, Moviola Editing System
Assistant Sound Editor
Luna (1979)
Directed by: Bernardo Bertolucci
Cinematography by: Vittorio Storaro
Edited by: Gabriella Cristiani
Cameras: ARRIFLEX 35 BL Camera
Assistant Editor, Foley Editor
The Missouri Breaks (1976)
Directed by: Arthur Penn
Cinematography by: Michael C. Butler
Assistant Editor, Sound Effects Editor
The Taking of Pelham One Two Three (1974)
Directed by: Joseph Sargent
Cinematography by: Owen Roizman
Adr Voice Casting
The Godfather: Part II (1974)
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
Cameras: Mitchell BNCR Camera
Assistant Sound Editor / Foley Editor
Serpico (1973)
Directed by: Sidney Lumet
Cinematography by: Arthur J. Ornitz
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Loop Group , Assistant Editor
The Godfather (1972)
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
Cameras: Mitchell BNCR Camera
Editing System: Moviola Editing System
Assistant Editor
The French Connection (1971)
Directed by: William Friedkin
Cinematography by: Owen Roizman
Edited by: Gerald B. Greenberg
Cameras: ARRIFLEX 35 IIC Camera
Lenses: ARRI / Zeiss Lenses
