Bernhard Kimbacher

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Visual Effects Supervisor: Image Engine

Pokémon: Detective Pikachu (2019)

Motion Picture

Directed by: Rob Letterman

Cinematography by: John Mathieson

Edited by: Mark Sanger, James Thomas

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Visual Effects Supervisor: Umedia

The Meg (2018)

Motion Picture

Directed by: Jon Turteltaub

Cinematography by: Tom Stern

Edited by: Steven Kemper, Kelly Matsumoto

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Angenieux Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Visual Effects Supervisor: Image Engine

Skyscraper (2018)

Motion Picture

Directed by: Rawson Marshall Thurber

Cinematography by: Robert Elswit

Edited by: Julian Clarke, Michael L. Sale

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Visual Effects Supervisor

Straight Outta Compton (2015)

Motion Picture

Directed by: F. Gary Gray

Cinematography by: Matthew Libatique

Edited by: Billy Fox, Michael Tronick

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Cooke Anamorphic/i Prime Lenses, Fujinon Alura Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses

Compositing Supervisor

Child 44 (2015)

Motion Picture

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Pietro Scalia, Dylan Tichenor

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk Anamorphic Lenses

How to Deal with an Axe Murderer | ShotOnWhat?

Visual Effects Team

How to Deal with an Axe Murderer (2014)

Motion Picture

Directed by: Adam Estey

Cinematography by: Kevin Rigney

Edited by: Holly Pavlik

Cameras: ARRI ALEXA Camera

Visual Effects Supervisor

Non-Stop (2014)

Motion Picture

Directed by: Jaume Collet-Serra

Cinematography by: Flavio Martínez Labiano

Edited by: Jim May

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Compositing Supervisor / Plate Supervisor

Lone Survivor (2013)

Motion Picture

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr.

Cameras: Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

Compositing Lead: Image Engine

Elysium (2013)

Motion Picture

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke, Lee Smith

Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera

Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Compositing Lead: Image Engine

Battleship (2012)

Motion Picture

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Compositor

The Apparition (2012)

Motion Picture

Directed by: Todd Lincoln

Cinematography by: Daniel Pearl

Edited by: Jeff Betancourt, Tom Elkins, Harold Parker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Lead Compositor

Hop (2011)

Motion Picture

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot, Gregory Perler

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Twilight Saga: Eclipse | ShotOnWhat?

Compositor: Image Engine

The Twilight Saga: Eclipse (2010)

Motion Picture

Directed by: David Slade

Cinematography by: Javier Aguirresarobe

Edited by: Art Jones, Nancy Richardson

Cameras: Panavision Cameras

Compositor: Image Engine / Onset Visual Effects Data Coordinator: Image Engine

District 9 (2009)

Motion Picture

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke

Cameras: Phantom HD Gold Camera, Red One Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera, Sony PMW-EX3 Camera

Lenses: Angenieux Lenses, Cooke S4 Lenses

Editing System: Adobe Premiere Editing System

Digital Artist: Image Engine

Watchmen (2009)

Motion Picture

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Compositor: Image Engine

The Incredible Hulk (2008)

Motion Picture

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: Rick Shaine, Vincent Tabaillon, John Wright

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1Ds Camera, Panavision Cameras

Editing System: Avid Editing System

The Day the Earth Stood Still | ShotOnWhat?

Pre-visualization Artist: Image Engine

The Day the Earth Stood Still (2008)

Motion Picture

Directed by: Scott Derrickson

Cinematography by: David Tattersall

Edited by: Wayne Wahrman

Cameras: Panavision Cameras

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Bernhard Kimbacher

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Visual Effects Supervisor: Image Engine

Pokémon: Detective Pikachu (2019)

Visual Effects Supervisor: Umedia

The Meg (2018)

Visual Effects Supervisor: Image Engine

Skyscraper (2018)

Visual Effects Supervisor

Straight Outta Compton (2015)

Compositing Supervisor

Child 44 (2015)

Visual Effects Team

How to Deal with an Axe Murderer (2014)

Visual Effects Supervisor

Non-Stop (2014)

Compositing Supervisor / Plate Supervisor

Lone Survivor (2013)

Compositing Lead: Image Engine

Elysium (2013)

Compositing Lead: Image Engine

Battleship (2012)

Compositor

The Apparition (2012)

Lead Compositor

Hop (2011)

Compositor: Image Engine

The Twilight Saga: Eclipse (2010)

Compositor: Image Engine / Onset Visual Effects Data Coordinator: Image Engine

District 9 (2009)

Digital Artist: Image Engine

Watchmen (2009)

Compositor: Image Engine

The Incredible Hulk (2008)

Pre-visualization Artist: Image Engine

The Day the Earth Stood Still (2008)

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