Charles Gibson

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The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Second Unit Director, Visual Effects Supervisor

The Hunger Games: Mockingjay - Part 2 (2015)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Second Unit Director, Visual Effects Supervisor

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Lone Ranger | ShotOnWhat?

Second Unit Director

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

Priest | ShotOnWhat?

Second Unit Director

Priest (2011)

Directed by: Scott Stewart

Cinematography by: Don Burgess

Edited by: Lisa Zeno Churgin, Rebecca Weigold

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Second Unit Director, Visual Effects Supervisor

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Super | ShotOnWhat?

Additional Animator: Moonbot

Super (2010)

Directed by: James Gunn

Cinematography by: Steve Gainer

Edited by: Cara Silverman

Cameras: Red One Camera

Editing System: Avid Editing System

Terminator Salvation | ShotOnWhat?

Second Unit Director, Visual Effects Supervisor

Terminator Salvation (2009)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Conrad Buff IV

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Pirates of the Caribbean: At World's End | ShotOnWhat?

Second Unit Director, Visual Effects Supervisor

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

Second Unit Director, Visual Effects Supervisor: Additional Visual Effects

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Weather Man | ShotOnWhat?

Visual Effects Supervisor

The Weather Man (2005)

Directed by: Gore Verbinski

Cinematography by: Phedon Papamichael

Edited by: Craig Wood

Cameras: Panavision Panaflex Millennium XL2 Camera

The Terminal | ShotOnWhat?

Visual Effects Supervisor

The Terminal (2004)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Looney Tunes: Back in Action | ShotOnWhat?

Second Unit Director

Looney Tunes: Back in Action (2003)

Directed by: Joe Dante

Cinematography by: Dean Cundey

Edited by: Rick Finney, Marshall Harvey

Pirates of the Caribbean: The Curse of the Black Pearl | ShotOnWhat?

Visual Effects Consultant

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Ring | ShotOnWhat?

Second Unit Director, Visual Effects Supervisor

The Ring (2002)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Craig Wood

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses

Editing System: Final Cut Pro Editing System

Murder by Numbers | ShotOnWhat?

Visual Effects Supervisor

Murder by Numbers (2002)

Directed by: Barbet Schroeder

Cinematography by: Luciano Tovoli

Edited by: Lee Percy

The Majestic | ShotOnWhat?

Visual Effects Supervisor

The Majestic (2001)

Directed by: Frank Darabont

Cinematography by: David Tattersall

Edited by: Jim Page

Dr. T and the Women | ShotOnWhat?

Visual Effects Supervisor

Dr. T & the Women (2000)

Directed by: Robert Altman

Cinematography by: Jan Kiesser

Edited by: Geraldine Peroni

The Story of Us | ShotOnWhat?

Visual Effects Supervisor

The Story of Us (1999)

Directed by: Rob Reiner

Cinematography by: Michael Chapman

Edited by: Alan Edward Bell, Robert Leighton

The Green Mile | ShotOnWhat?

Second Unit Director, Visual Effects Supervisor

The Green Mile (1999)

Directed by: Frank Darabont

Cinematography by: David Tattersall

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Frazier Lenses, Panavision Primo Classic Spherical Lenses

Mousehunt | ShotOnWhat?

Visual Effects Supervisor

Mousehunt (1997)

Directed by: Gore Verbinski

Cinematography by: Phedon Papamichael

Edited by: Craig Wood

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Babe | ShotOnWhat?

Special Effects, Visual Effects Supervisor: Rhythm & Hues

Babe (1995)

Directed by: Chris Noonan

Cinematography by: Andrew Lesnie

Edited by: Marcus D'Arcy, Jay Friedkin

Cameras: Panavision Cameras

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