Cg Supervisor: Asylum FX
Unstoppable (2010)
Directed by: Tony Scott
Cinematography by: Ben Seresin
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Cg Supervisor: Asylum FX / Visual Effects Supervisor: Asylum
The Next Three Days (2010)
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Cg Supervisor: Asylum
The Sorcerer's Apprentice (2010)
Directed by: Jon Turteltaub
Cinematography by: Bojan Bazelli
Edited by: William Goldenberg
Technical Director: Asylum FX
Transformers: Revenge of the Fallen (2009)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects Supervisor: Meteor Studios
Journey to the Center of the Earth (2008)
Directed by: Eric Brevig
Cinematography by: Chuck Shuman
CG Supervisor: Meteor Studios
300 (2006)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
CG Supervisor: SPI
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
CG Supervisor
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Digital Model/texture Supervisor
Eight Legged Freaks (2002)
Directed by: Ellory Elkayem
Cinematography by: John S. Bartley
Edited by: David Siegel
CG Supervisor
The Scorpion King (2002)
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Technical Director
Black Hawk Down (2001)
Directed by: Ridley Scott
Cinematography by: Slawomir Idziak
Edited by: Pietro Scalia
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
CG Supervisor: CFX
Vanilla Sky (2001)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Technical Director
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Computer Graphics Supervisor: CFX
61* (2001)
Directed by: Billy Crystal
Cinematography by: Haskell Wexler
Edited by: Michael Jablow
Cameras: ARRIFLEX 435 ES Camera
3D Texture/model Supervisor , Digital Model Lead
The Patriot (2000)
Directed by: Roland Emmerich
Cinematography by: Caleb Deschanel
Cameras: Panavision Cameras
Lenses: Panavision Lenses
CG Supervisor
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Lead Digital Texture Artist
The Thirteenth Floor (1999)
Directed by: Josef Rusnak
Cinematography by: Wedigo von Schultzendorff
Edited by: Henry Richardson
