Special Effects Senior Technician: New Deal Studios
Interstellar (2014)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects: New Deal Studios
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Mechanical Effects Supervisor: New Deal Studios
The Dark Knight (2008)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Mechanical Effects Supervisor: New Deal Studios
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Model Crew Chief: New Deal Studios
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Mechanical Effects Supervisor: New Deal Studios
Shooter (2007)
Directed by: Antoine Fuqua
Cinematography by: Peter Menzies Jr.
Mechanical Effects Supervisor: New Deal Studios
Trick 'r Treat (2007)
Directed by: Michael Dougherty
Cinematography by: Glen MacPherson
Edited by: Robert Ivison
Mechanical Effects Supervisor: New Deal Studios
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Mechanical Effects Technician: New Deal Studios
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Mechanical Effects Supervisor: New Deal Studios
The Forgotten (2004)
Directed by: Joseph Ruben
Cinematography by: Anastas N. Michos
Edited by: Richard Francis-Bruce
Mechanical Effects Supervisor: New Deal Studios
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Effects Supervisor: New Deal Studios
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Mechanical Effects Supervisor: New Deal Studios
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Mechanical Crew Chief
Stuart Little 2 (2002)
Directed by: Rob Minkoff
Cinematography by: Steven Poster
Edited by: Priscilla Nedd-Friendly
Effects Supervisor: Hunter/Gratzner Industries, Inc.
Don't Say a Word (2001)
Directed by: Gary Fleder
Cinematography by: Amir Mokri
Mechanical Crew Chief: Hunter/Gratzner Industries Inc.
Ghosts of Mars (2001)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Paul C. Warschilka
Mechanical Crew Chief: Hunter/GratznerIndustries
Pitch Black (2000)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Rick Shaine
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Mechanical Effects Supervisor: New Deal Studios
End of Days (1999)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Effects Engineer: Fantasy II Film Effects
Snow White: A Tale of Terror (1997)
Directed by: Michael Cohn
Cinematography by: Mike Southon
Edited by: Ian Crafford
Rigging: Fantasy II Film Effects
The Crow: City of Angels (1996)
Directed by: Tim Pope
Cinematography by: Jean-Yves Escoffier
Bridge Consultant: Fantasy II Film Effects
Johnny Mnemonic (1995)
Directed by: Robert Longo
Cinematography by: François Protat
Edited by: Ronald Sanders
Mechanical Effects Technician
Dracula (1992)
Directed by: Francis Ford Coppola
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 535 Camera
Production Assistant: Fantasy II Film Effects
Terminator 2: Judgment Day (1991)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Production Associate: Fantasy II Film Effects
The Abyss (1989)
Directed by: James Cameron
Cinematography by: Mikael Salomon
