Carmen Flores De Tanis

32 Titles

Is this you? Add a Profile

Crazy, Stupid, Love. | ShotOnWhat?

Assistant Sound Editor

Crazy, Stupid, Love. (2011)

Directed by: Glenn Ficarra, John Requa

Cinematography by: Andrew Dunn

Edited by: Lee Haxall

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Uninvited | ShotOnWhat?

Assistant Sound Editor

The Uninvited (2009)

Directed by: Charles Guard, Thomas Guard

Cinematography by: Daniel Landin

Edited by: Jim Page, Christian Wagner

Cameras: Panavision Cameras

Public Enemies | ShotOnWhat?

Assistant Sound Editor

Public Enemies (2009)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Jeffrey Ford, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses: Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

Get Smart | ShotOnWhat?

Assistant Sound Editor

Get Smart (2008)

Directed by: Peter Segal

Cinematography by: Dean Semler

Edited by: Richard Pearson

Cameras: Panavision Genesis Camera, Panavision Panastar Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Henry Poole Is Here | ShotOnWhat?

First Assistant Sound Editor

Henry Poole Is Here (2008)

Directed by: Mark Pellington

Cinematography by: Eric Schmidt

Edited by: Lisa Zeno Churgin

Fred Claus | ShotOnWhat?

Assistant Sound Editor

Fred Claus (2007)

Directed by: David Dobkin

Cinematography by: Remi Adefarasin

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

Disturbia | ShotOnWhat?

Assistant Sound Editor

Disturbia (2007)

Directed by: D.J. Caruso

Cinematography by: Rogier Stoffers

Edited by: Jim Page

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

World Trade Center | ShotOnWhat?

Assistant Sound Editor

World Trade Center (2006)

Directed by: Oliver Stone

Cinematography by: Seamus McGarvey

Edited by: David Brenner, Julie Monroe

Mission: Impossible III | ShotOnWhat?

Assistant Sound Editor

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Æon Flux | ShotOnWhat?

Assistant Sound Editor

Æon Flux (2005)

Directed by: Karyn Kusama

Cinematography by: Stuart Dryburgh

Edited by: Jeff Gullo, Peter Honess, Plummy Tucker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

The Interpreter | ShotOnWhat?

First Assistant Sound Editor

The Interpreter (2005)

Directed by: Sydney Pollack

Cinematography by: Darius Khondji

Edited by: William Steinkamp

Dawn of the Dead | ShotOnWhat?

First Assistant Sound Editor

Dawn of the Dead (2004)

Directed by: Zack Snyder

Cinematography by: Matthew F. Leonetti

Edited by: Niven Howie

Team America: World Police | ShotOnWhat?

Assistant Sound Editor

Team America: World Police (2004)

Directed by: Trey Parker

Cinematography by: Bill Pope

Edited by: Thomas M. Vogt

Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera

Lenses: Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

Road to Perdition | ShotOnWhat?

Assistant Sound Editor

Road to Perdition (2002)

Directed by: Sam Mendes

Cinematography by: Conrad L. Hall

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Lightworks Editing System

Rollerball | ShotOnWhat?

Assistant Sound Editor

Rollerball (2002)

Directed by: John McTiernan

Cinematography by: Steve Mason

Edited by: Robert K. Lambert, John Wright

Hollow Man | ShotOnWhat?

Assistant Sound Editor

Hollow Man (2000)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Ron Vignone

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Standard Speed Prime Lenses

How the Grinch Stole Christmas | ShotOnWhat?

Assistant Sound Editor

How the Grinch Stole Christmas (2000)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

Meet Joe Black | ShotOnWhat?

Assistant Sound Editor

Meet Joe Black (1998)

Directed by: Martin Brest

Cinematography by: Emmanuel Lubezki

Edited by: Joe Hutshing, Michael Tronick

Alien: Resurrection | ShotOnWhat?

Assistant Sound Editor

Alien Resurrection (1997)

Directed by: Jean-Pierre Jeunet

Cinematography by: Darius Khondji

Edited by: Hervé Schneid

Cameras: Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Leave It to Beaver | ShotOnWhat?

Assistant Sound Editor

Leave It to Beaver (1997)

Directed by: Andy Cadiff

Cinematography by: Thomas Del Ruth

Edited by: Alan Heim

That Thing You Do! | ShotOnWhat?

Assistant Sound Editor

That Thing You Do! (1996)

Directed by: Tom Hanks

Cinematography by: Tak Fujimoto

Edited by: Richard Chew

Diabolique | ShotOnWhat?

Assistant Sound Editor

Diabolique (1996)

Directed by: Jeremiah S. Chechik

Cinematography by: Peter James

Edited by: Carol Littleton

Ghosts of Mississippi | ShotOnWhat?

Assistant Sound Editor

Ghosts of Mississippi (1996)

Directed by: Rob Reiner

Cinematography by: John Seale

Edited by: Robert Leighton

Waterworld | ShotOnWhat?

Assistant Sound Editor

Waterworld (1995)

Directed by: Kevin Reynolds

Cinematography by: Dean Semler

Edited by: Peter Boyle

Cameras: Aaton 35-III Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, Cine SL-35 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Canon Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Wild Bill | ShotOnWhat?

Assistant Sound Editor

Wild Bill (1995)

Directed by: Walter Hill

Cinematography by: Lloyd Ahern II

Edited by: Freeman A. Davies

Tall Tale | ShotOnWhat?

Assistant Sound Editor

Tall Tale (1995)

Directed by: Jeremiah S. Chechik

Cinematography by: Janusz Kaminski

Edited by: Richard Chew

Renaissance Man | ShotOnWhat?

Assistant Sound Editor

Renaissance Man (1994)

Directed by: Penny Marshall

Cinematography by: Adam Greenberg

Edited by: George Bowers, Battle Davis

Blown Away | ShotOnWhat?

Adr Assistant Sound Editor

Blown Away (1994)

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Tim Wellburn

The Firm | ShotOnWhat?

Assistant Sound Editor

The Firm (1993)

Directed by: Sydney Pollack

Cinematography by: John Seale

Edited by: Fredric Steinkamp, William Steinkamp

Cameras: Panavision Cameras

A League of Their Own | ShotOnWhat?

Adr Assistant

A League of Their Own (1992)

Directed by: Penny Marshall

Cinematography by: Miroslav Ondrícek

Edited by: Adam Bernardi, George Bowers

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Robin Hood: Prince of Thieves | ShotOnWhat?

Assistant Sound Editor

Robin Hood: Prince of Thieves (1991)

Directed by: Kevin Reynolds

Cinematography by: Douglas Milsome

Edited by: Peter Boyle

Cameras: ARRIFLEX Camera

Lenses: ARRI Lenses

Grand Canyon | ShotOnWhat?

Assistant Sound Editor

Grand Canyon (1991)

Directed by: Lawrence Kasdan

Cinematography by: Owen Roizman

Edited by: Carol Littleton

Cameras: Panavision Panaflex Gold Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

©2012 - 2025 ShotOnWhat?

20254.20