Visual Effects Artist
Joker (2019)
| USA, Canada
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Editing System: Avid Editing System
Visual Effects: Hollywood VFX
A Star Is Born (2018)
| USA
Directed by: Bradley Cooper
Cinematography by: Matthew Libatique
Edited by: Jay Cassidy
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses
Cg Supervisor
How to Be Single (2016)
| USA
Directed by: Christian Ditter
Cinematography by: Christian Rein
Edited by: Tia Nolan
Compositing Supervisor
Suicide Squad (2016)
| USA
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Fx Artist
The Revenant (2015)
| USA, Hong Kong, Taiwan
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Cg Supervisor
Get Hard (2015)
| USA
Directed by: Etan Cohen
Cinematography by: Tim Suhrstedt
Edited by: Michael L. Sale
Cameras: ARRI ALEXA XT Plus Camera
Pre-visual Artist
The Intern (2015)
| USA
Directed by: Nancy Meyers
Cinematography by: Stephen Goldblatt
Edited by: Robert Leighton
Cameras: ARRI ALEXA XT Camera
Vfx Supervisor
Veronica Mars (2014)
| USA, UK, France, Germany
Directed by: Rob Thomas
Cinematography by: Ben Kutchins
Edited by: Daniel Gabbe
Cameras: ARRI ALEXA Camera
Lenses: Leica Summilux-C Series Lenses
Editing System: Avid Editing System
Cg Supervisor
Horrible Bosses 2 (2014)
| USA
Directed by: Sean Anders
Cinematography by: Julio Macat
Edited by: Eric Kissack
Cameras: ARRI ALEXA XT Camera
Lenses: Leica Summilux-C Series Lenses
Compositing Supervisor
Gangster Squad (2013)
| USA
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Compositing Supervisor
The Incredible Burt Wonderstone (2013)
| USA
Directed by: Don Scardino
Cinematography by: Matthew Clark
Edited by: Lee Haxall
Visual Effects Supervisor
The Baytown Outlaws (2012)
| USA
Directed by: Barry Battles
Cinematography by: David McFarland
Edited by: Sean Valla
Cameras: Red One Camera
Previs Artist
I Am Number Four (2011)
| USA, India
Directed by: D.J. Caruso
Cinematography by: Guillermo Navarro
Digital Compositor
You and I (2011)
| USA, Russia
Directed by: Roland Joffé
Cinematography by: Philip Robertson
Edited by: Richard Nord
Visual Effects Supervisor: Howey Digital
Something Borrowed (2011)
| USA
Directed by: Luke Greenfield
Cinematography by: Charles Minsky
Edited by: John Axelrad
Visual Effects Supervisor
The Switch (2010)
| USA
Cinematography by: Jess Hall
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Pre-visualization Artist: The Third Floor
Iron Man 2 (2010)
| USA
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Visual Effects Supervisor: Howey Digital
Drag Me to Hell (2009)
| USA
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Editing System: Avid Editing System, Final Cut Pro Editing System
Visual Effects Supervisor: Howey Digital
This Is It (2009)
| USA
Directed by: Kenny Ortega
Cameras: Red One Camera
Pre-visualisation Artist
Journey to the Center of the Earth (2008)
| USA
Directed by: Eric Brevig
Cinematography by: Chuck Shuman
Visual Effects Artist: Reality Check Studios
Bangkok Dangerous (2008)
| USA, Czech Republic, Thailand
Cinematography by: Decha Srimantra
Animator: Reality Check Studios
The Grudge 2 (2006)
| USA, Japan
Directed by: Takashi Shimizu
Cinematography by: Katsumi Yanagijima
Edited by: Jeff Betancourt
