Scott Ledbetter

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The Accountant | ShotOnWhat?

DC Bureaucrat

The Accountant (2016)

Directed by: Gavin O'Connor

Cinematography by: Seamus McGarvey

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Term Life | ShotOnWhat?

Stunt Driver

Term Life (2016)

Directed by: Peter Billingsley

Cinematography by: Roberto Schaefer

Edited by: Dan Lebental, Kevin Stermer

Cameras: ARRI ALEXA Camera, Red Epic Dragon Camera

The Nice Guys | ShotOnWhat?

Deputy Couey

The Nice Guys (2016)

Directed by: Shane Black

Cinematography by: Philippe Rousselot

Edited by: Joel Negron

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Boss | ShotOnWhat?

Cowboy

The Boss (2016)

Directed by: Ben Falcone

Cinematography by: Julio Macat

Edited by: Craig Alpert

Cameras: ARRI ALEXA 65 Camera

Lenses: Leitz Summilux-C Series Lenses

The 5th Wave | ShotOnWhat?

Officer Henry

The 5th Wave (2016)

Directed by: J Blakeson

Cinematography by: Enrique Chediak

Edited by: Paul Rubell

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Allegiant | ShotOnWhat?

Bureau Army

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Need for Speed | ShotOnWhat?

Prison Guard, Stunt Driver

Need for Speed (2014)

Directed by: Scott Waugh

Cinematography by: Shane Hurlbut

Edited by: Paul Rubell, Scott Waugh

Cameras: ARRI ALEXA Camera, Canon EOS-1D C Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE

Sabotage | ShotOnWhat?

Police Officer, Stunt Driver

Sabotage (2014)

Directed by: David Ayer

Cinematography by: Bruce McCleery

Edited by: Dody Dorn

Temptation: Confessions of a Marriage Counselor | ShotOnWhat?

Millionaire

Temptation: Confessions of a Marriage Counselor (2013)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Anchorman 2: The Legend Continues | ShotOnWhat?

Stunt Driver

Anchorman 2: The Legend Continues (2013)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Last Vegas | ShotOnWhat?

Cab Driver

Last Vegas (2013)

Directed by: Jon Turteltaub

Cinematography by: David Hennings

Edited by: David Rennie

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Primes Spherical Lenses

42 | ShotOnWhat?

Townsman

42 (2013)

Directed by: Brian Helgeland

Cinematography by: Don Burgess

Edited by: Peter McNulty, Kevin Stitt

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Prisoners | ShotOnWhat?

Detective, Stunt Driver

Prisoners (2013)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA Studio Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Identity Thief | ShotOnWhat?

Detective

Identity Thief (2013)

Directed by: Seth Gordon

Cinematography by: Javier Aguirresarobe

Edited by: Peter Teschner

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Madea's Witness Protection | ShotOnWhat?

Stunt Driver

Madea's Witness Protection (2012)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Anamorphic Lenses

Wanderlust | ShotOnWhat?

Stockbroker

Wanderlust (2012)

Directed by: David Wain

Cinematography by: Michael Bonvillain

Edited by: David Moritz, Robert Nassau

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

What to Expect When You're Expecting | ShotOnWhat?

Lawyer

What to Expect When You're Expecting (2012)

Directed by: Kirk Jones

Cinematography by: Xavier Grobet

Edited by: Michael Berenbaum

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Odd Life of Timothy Green | ShotOnWhat?

Soccer Coach

The Odd Life of Timothy Green (2012)

Directed by: Peter Hedges

Cinematography by: John Toll

Edited by: Andrew Mondshein

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

American Reunion | ShotOnWhat?

Jilly

American Reunion (2012)

Directed by: Jon Hurwitz, Hayden Schlossberg

Cinematography by: Daryn Okada

Edited by: Jeff Betancourt

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Trouble with the Curve | ShotOnWhat?

Townsman

Trouble with the Curve (2012)

Directed by: Robert Lorenz

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Three Stooges | ShotOnWhat?

Lawyer

The Three Stooges (2012)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Sam Seig

Joyful Noise | ShotOnWhat?

Theater Goer

Joyful Noise (2012)

Directed by: Todd Graff

Cinematography by: David Boyd

Edited by: Kathryn Himoff

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Good Deeds | ShotOnWhat?

Party Guest

Good Deeds (2012)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

The Change-Up | ShotOnWhat?

Concerned Parent

The Change-Up (2011)

Directed by: David Dobkin

Cinematography by: Eric Alan Edwards

Edited by: Lee Haxall, Greg Hayden

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

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