Lauren Shuler Donner

32 Titles

Is this you? Add a Profile

Logan | ShotOnWhat?

Producer

Logan (2017)

Directed by: James Mangold

Cinematography by: John Mathieson

Edited by: Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

X-Men: Apocalypse | ShotOnWhat?

Producer

X-Men: Apocalypse (2016)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

Deadpool | ShotOnWhat?

Producer

Deadpool (2016)

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System

X-Men: Days of Future Past | ShotOnWhat?

Producer

X-Men: Days of Future Past (2014)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: ARRI / Fujinon Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses

The Wolverine | ShotOnWhat?

Producer

The Wolverine (2013)

Directed by: James Mangold

Cinematography by: Ross Emery

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera

X: First Class | ShotOnWhat?

Producer

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

X-Men Origins: Wolverine | ShotOnWhat?

Producer

X-Men Origins: Wolverine (2009)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Hotel for Dogs | ShotOnWhat?

Producer

Hotel for Dogs (2009)

Directed by: Thor Freudenthal

Cinematography by: Michael Grady

Edited by: Sheldon Kahn

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Cirque du Freak: The Vampire's Assistant | ShotOnWhat?

Producer

Cirque du Freak: The Vampire's Assistant (2009)

Directed by: Paul Weitz

Cinematography by: James M. Muro

Edited by: Leslie Jones

The Secret Life of Bees | ShotOnWhat?

Producer

The Secret Life of Bees (2008)

Directed by: Gina Prince-Bythewood

Cinematography by: Rogier Stoffers

Edited by: Terilyn A. Shropshire

Semi-Pro | ShotOnWhat?

Executive Producer

Semi-Pro (2008)

Directed by: Kent Alterman

Cinematography by: Shane Hurlbut

Edited by: Debra Neil-Fisher, Peter Teschner

X-Men: The Last Stand | ShotOnWhat?

Producer

X-Men: The Last Stand (2006)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Goldblatt, Mark Helfrich, Julia Wong

Unaccompanied Minors | ShotOnWhat?

Producer

Unaccompanied Minors (2006)

Directed by: Paul Feig

Cinematography by: Christopher Baffa

Edited by: George Folsey Jr., Brad Wilhite

She's the Man | ShotOnWhat?

Producer

She's the Man (2006)

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: Michael Jablow

Constantine | ShotOnWhat?

Producer - Produced By

Constantine (2005)

Directed by: Francis Lawrence

Cinematography by: Philippe Rousselot

Edited by: Wayne Wahrman

Timeline | ShotOnWhat?

Producer

Timeline (2003)

Directed by: Richard Donner

Cinematography by: Caleb Deschanel

Edited by: Richard Marks

X2 | ShotOnWhat?

Producer

X2: X-Men United (2003)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Out Cold | ShotOnWhat?

Executive Producer

Out Cold (2001)

Directed by: Brendan Malloy, Emmett Malloy

Cinematography by: Richard Crudo

Edited by: Jeffrey Wolf

X-Men | ShotOnWhat?

Producer

X-Men (2000)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Steven Rosenblum, Kevin Stitt, John Wright

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Any Given Sunday | ShotOnWhat?

Producer

Any Given Sunday (1999)

Directed by: Oliver Stone

Cinematography by: Salvatore Totino

Edited by: Stuart Levy, Thomas J. Nordberg, Keith Salmon, Stuart Waks

Bulworth | ShotOnWhat?

Executive Producer

Bulworth (1998)

Directed by: Warren Beatty

Cinematography by: Vittorio Storaro

Edited by: Robert C. Jones, Billy Weber

You've Got Mail | ShotOnWhat?

Producer

You've Got Mail (1998)

Directed by: Nora Ephron

Cinematography by: John Lindley

Edited by: Richard Marks

Volcano | ShotOnWhat?

Executive Producer

Volcano (1997)

Directed by: Mick Jackson

Cinematography by: Theo van de Sande

Edited by: Don Brochu, Michael Tronick

Assassins | ShotOnWhat?

Executive Producer

Assassins (1995)

Directed by: Richard Donner

Cinematography by: Vilmos Zsigmond

Edited by: Lawrence Jordan, Richard Marks

Cameras: Panavision Panaflex Gold II Camera, Panavision Panastar Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Favor | ShotOnWhat?

Producer

The Favor (1994)

Directed by: Donald Petrie

Cinematography by: Tim Suhrstedt

Edited by: Harry Keramidas

Maverick | ShotOnWhat?

Mrs. D., Bathhouse Maid

Maverick (1994)

Directed by: Richard Donner

Cinematography by: Vilmos Zsigmond

Edited by: Stuart Baird, Michael Kelly

Free Willy | ShotOnWhat?

Producer

Free Willy (1993)

Directed by: Simon Wincer

Cinematography by: Robbie Greenberg

Edited by: O. Nicholas Brown

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Radio Flyer | ShotOnWhat?

Producer

Radio Flyer (1992)

Directed by: Richard Donner, David Mickey Evans

Cinematography by: László Kovács

Edited by: Stuart Baird, Dallas Puett

Cameras: Panavision Cameras

Lethal Weapon 3 | ShotOnWhat?

Nurse

Lethal Weapon 3 (1992)

Directed by: Richard Donner

Cinematography by: Jan de Bont

Edited by: Robert Brown, Battle Davis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Three Fugitives | ShotOnWhat?

Producer

Three Fugitives (1989)

Directed by: Francis Veber

Cinematography by: Haskell Wexler

Edited by: Bruce Green

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses: Angenieux HP Zoom Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses

St. Elmo's Fire | ShotOnWhat?

Producer

St. Elmo's Fire (1985)

Directed by: Joel Schumacher

Cinematography by: Stephen H. Burum

Edited by: Richard Marks

Mr. Mom | ShotOnWhat?

Producer

Mr. Mom (1983)

Directed by: Stan Dragoti

Cinematography by: Victor J. Kemper

Edited by: Patrick Kennedy

©2012 - 2024 ShotOnWhat?

20254.20