Digital Imaging Technician
The Irishman (2019)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras
Editing System: Lightworks Editing System
Digital Imaging Technician: New York, Digital Imaging Technician: NY Unit
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Digital Imaging Technician: New York
Tully (2018)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Stefan Grube
Cameras: ARRI ALEXA Mini Camera
Digital Imaging Technician
Can You Ever Forgive Me? (2018)
Directed by: Marielle Heller
Cinematography by: Brandon Trost
Edited by: Anne McCabe
Cameras: Panavision Millennium DXL Camera
Lenses: Panavision Primo 70 Lenses
Digital Imaging Technician
'Orange Is the New Black' Who Knows Better Than I (2018)
Directed by: Michael Trim
Cinematography by: Ludovic Littee
Edited by: Shannon Mitchell
Digital Imaging Technician
'Orange Is the New Black' Sh*tstorm Coming (2018)
Directed by: Mark A. Burley
Cinematography by: Ludovic Littee
Edited by: Amy M. Fleming
Digital Imaging Technician
'Orange Is the New Black' Look Out for Number One (2018)
Directed by: Erin Feeley
Cinematography by: Ludovic Littee
Edited by: Jennifer Hatton
Digital Imagining Technician
'Orange Is the New Black' Riot FOMO (2017)
Directed by: Andrew McCarthy
Cinematography by: Ludovic Littee
Edited by: Bill Turro
Digital Imagining Technician
'Orange Is the New Black' F*ck, Marry, Frieda (2017)
Directed by: Constantine Makris
Cinematography by: Ludovic Littee
Edited by: Amy M. Fleming
Digital Imagining Technician
'Orange Is the New Black' Pissters! (2017)
Directed by: Phil Abraham
Cinematography by: Ludovic Littee
Edited by: Shannon Mitchell
Digital Imagining Technician
'Orange Is the New Black' Litchfield's Got Talent (2017)
Directed by: Nick Sandow
Cinematography by: Ludovic Littee
Edited by: Bill Turro
Digital Imagining Technician
'Orange Is the New Black' Flaming Hot Cheetos, Literally (2017)
Directed by: Andrew McCarthy
Cinematography by: Ludovic Littee
Edited by: Shannon Mitchell
Digital Imagining Technician
'Orange Is the New Black' Full Bush, Half Snickers (2017)
Directed by: Uta Briesewitz
Cinematography by: Ludovic Littee
Edited by: W. Kale Whorton
Digital Imagining Technician
'Orange Is the New Black' Tied to the Tracks (2017)
Directed by: Michael Trim
Cinematography by: Ludovic Littee
Edited by: Amy M. Fleming
Digital Imagining Technician
'Orange Is the New Black' The Tightening (2017)
Directed by: Erin Feeley
Cinematography by: Ludovic Littee
Edited by: Shannon Mitchell
Digital Imagining Technician
'Orange Is the New Black' Breaking the Fiberboard Ceiling (2017)
Directed by: Wendey Stanzler
Cinematography by: Ludovic Littee
Edited by: Amy M. Fleming
Digital Imagining Technician
'Orange Is the New Black' The Reverse Midas Touch (2017)
Directed by: Laura Prepon
Cinematography by: Ludovic Littee
Edited by: Bill Turro
Digital Imagining Technician
'Orange Is the New Black' Storm-y Weather (2017)
Directed by: Jesse Peretz
Cinematography by: Ludovic Littee
Edited by: Bill Turro
Digital Imagining Technician
'Orange Is the New Black' Tattoo You (2017)
Directed by: Mark A. Burley
Cinematography by: Ludovic Littee
Edited by: Shannon Mitchell
Digital Imagining Technician
'Orange Is the New Black' Sing It, White Effie (2017)
Directed by: Phil Abraham
Cinematography by: Ludovic Littee
Edited by: Amy M. Fleming
Digital Imaging Technician
How to Be Single (2016)
Directed by: Christian Ditter
Cinematography by: Christian Rein
Edited by: Tia Nolan
Digital Imaging Technician
Billions (2016)
Directed by: Colin Bucksey, Neil Burger, John Dahl, Anna Boden, Ryan Fleck, Karyn Kusama, James Foley, Noah Emmerich, Jessica Yu, Adam Bernstein, Matthew McLoota, Michael Cuesta, Stephen Gyllenhaal, Scott Hornbacher, Neil LaBute, Susanna White, Adam Arkin, Ed Bianchi, Alex Gibney, Steph Green, Oliver Hirschbiegel, Reed Morano, John Singleton, Mike Binder, Michael Morris, Stacie Passon, Jake Polonsky, Matt Shakman, Laurie Collyer, Naomi Geraghty, Clement Virgo
Cinematography by: Jake Polonsky, Radium Cheung, Giorgio Scali, Alexander Dynan, Eric Steelberg, Joseph E. Gallagher
Digital Imaging Technician
'Orange Is the New Black' Turn Table Turn (2016)
Directed by: Constantine Makris
Cinematography by: Ludovic Littee
Edited by: Bill Turro
Digital Imaging Technician
'Orange Is the New Black' Bunny, Skull, Bunny, Skull (2016)
Directed by: Phil Abraham
Cinematography by: Ludovic Littee
Edited by: Shannon Mitchell
Digital Imaging Technician
'Orange Is the New Black' People Persons (2016)
Directed by: Lev L. Spiro
Cinematography by: Ludovic Littee
Edited by: Michael Stern
Digital Imaging Technician
'Orange Is the New Black' The Animals (2016)
Directed by: Matthew Weiner
Cinematography by: Ludovic Littee
Edited by: Bill Turro
Digital Imaging Technician
'Orange Is the New Black' Toast Can't Never Be Bread Again (2016)
Directed by: Adam Bernstein
Cinematography by: Ludovic Littee
Edited by: Shannon Mitchell
Digital Imaging Technician
'Orange Is the New Black' Hugs Can Be Deceiving (2014)
Directed by: Michael Trim
Cinematography by: Michael Trim
Edited by: Michael Stern
Digital Imaging Technician
'Orange Is the New Black' Looks Blue, Tastes Red (2014)
Directed by: Michael Trim
Cinematography by: Michael Trim
Edited by: Bill Turro
Digital Imaging Technician: Aerial Unit
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Second Assistant Camera: New York
Jack Ryan: Shadow Recruit (2014)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Editing System: Avid Editing System
Digital Imaging Technician: Aerial Unit - NYC
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Additional Digital Imaging Technician
Sex Tape (2014)
Directed by: Jake Kasdan
Cinematography by: Tim Suhrstedt
Cameras: ARRI ALEXA XT Camera
Digital Imaging Technician: Second Unit
Teenage Mutant Ninja Turtles (2014)
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Additional Digital Imaging Technician / Camera Utility
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Digital Imaging Technician
'Orange Is the New Black' Lesbian Request Denied (2013)
Directed by: Jodie Foster
Cinematography by: Vanja Cernjul
Edited by: Tim Boettcher
Digital Imaging Technician
'Orange Is the New Black' Imaginary Enemies (2013)
Directed by: Michael Trim
Cinematography by: Vanja Cernjul
Edited by: Bill Turro
Digital Imaging Technician
'Orange Is the New Black' The Chickening (2013)
Directed by: Andrew McCarthy
Cinematography by: Vanja Cernjul
Edited by: Michael Stern
Digital Imaging Technician
'Orange Is the New Black' WAC Pack (2013)
Directed by: Michael Trim
Cinematography by: Vanja Cernjul
Edited by: Tim Boettcher
Digital Imaging Technician
'Orange Is the New Black' Blood Donut (2013)
Directed by: Matthew Penn
Cinematography by: Vanja Cernjul
Edited by: Bill Turro
Digital Imaging Technician
'Orange Is the New Black' Moscow Mule (2013)
Directed by: Phil Abraham
Cinematography by: Vanja Cernjul
Edited by: Michael Stern
Digital Imaging Technician
'Orange Is the New Black' Fucksgiving (2013)
Directed by: Michael Trim
Cinematography by: Vanja Cernjul
Edited by: Shannon Mitchell
Digital Imaging Technician
'Orange Is the New Black' Bora Bora Bora (2013)
Directed by: Andrew McCarthy
Cinematography by: Vanja Cernjul
Edited by: Michael Stern
Digital Imaging Technician
'Orange Is the New Black' Tall Men with Feelings (2013)
Directed by: Constantine Makris
Cinematography by: Vanja Cernjul
Edited by: Shannon Mitchell
Digital Imaging Technician
'Orange Is the New Black' Fool Me Once (2013)
Directed by: Andrew McCarthy
Cinematography by: Vanja Cernjul
Edited by: Bill Turro
Digital Imaging Technician
'Orange Is the New Black' Can't Fix Crazy (2013)
Directed by: Michael Trim
Cinematography by: Vanja Cernjul
Edited by: Michael Stern
Digital Imaging Technician / Digital Imagining Technician - 34 Episodes, 2013-2018
Orange Is the New Black (2013)
Directed by: Andrew McCarthy, Phil Abraham, Michael Trim, Constantine Makris, Mark A. Burley, Nick Sandow, Uta Briesewitz, Erin Feeley, Laura Prepon, Jodie Foster, Jesse Peretz, Ludovic Littee, Matthew Penn, Allison Anders, S.J. Clarkson, Jennifer Getzinger, Daisy von Scherler Mayer, Anthony Hemingway, Nicole Holofcener, Julie Anne Robinson, Adam Bernstein, Tricia Brock, Lev L. Spiro, Matthew Weiner, Wendey Stanzler, Sian Heder, Clark Johnson, Natasha Lyonne, Diego Velasco
Cinematography by: Ludovic Littee, Vanja Cernjul, Yaron Orbach, Manuel Billeter, Michael Trim, David M. Dunlap, Wylda Bayron, Andrew Voegeli, William Newell
Edited by: Bill Turro, Shannon Mitchell, Michael Stern, Amy M. Fleming, Tim Boettcher, W. Kale Whorton, Jennifer Hatton, James A. Brewer, Liza Cardinale, Rockie Stephens
Cameras: ARRI ALEXA Camera, Panasonic VariCam 35
Lenses: Cooke 5/i Lenses
Editing System: Avid Editing System
Digital Imaging Technician: Aerial Unit
Anchorman 2: The Legend Continues (2013)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Cameras: ARRI ALEXA Camera
Digital Imaging Technician: Additional Photography / Second Assistant Camera
The Secret Life of Walter Mitty (2013)
Directed by: Ben Stiller
Cinematography by: Stuart Dryburgh
Edited by: Greg Hayden
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Additional Second Assistant Camera
Premium Rush (2012)
Directed by: David Koepp
Cinematography by: Mitchell Amundsen
Second Assistant Photographer: "b" Camera
The Dictator (2012)
Directed by: Larry Charles
Cinematography by: Lawrence Sher
Digital Utility
Young Adult (2011)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Second Assistant Camera
Mr. Popper's Penguins (2011)
Directed by: Mark Waters
Cinematography by: Florian Ballhaus
Edited by: Bruce Green
Cameras: ARRI ALEXA Camera
Second Assistant Photographer
Justin Bieber: Never Say Never (2011)
Directed by: Jon M. Chu
Cinematography by: Reed Smoot
Digital Utility
A Very Harold & Kumar 3D Christmas (2011)
Directed by: Todd Strauss-Schulson
Cinematography by: Michael Barrett
Edited by: Eric Kissack
Cameras: Panavision Genesis Camera
Digital Utility
The Smurfs (2011)
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Additional Digital Imaging Technician / Camera Utility
New Year's Eve (2011)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Michael Tronick
Cameras: ARRI ALEXA Camera
Second Assistant Camera
Stake Land (2010)
Directed by: Jim Mickle
Cinematography by: Ryan Samul
Edited by: Jim Mickle
Cameras: Red One Camera
Lenses: Zeiss Super Speed Lenses
