Louis Kreusel

24 Titles

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A Hidden Life | ShotOnWhat?

Monochrome Artist

A Hidden Life (2019)

Directed by: Terrence Malick

Cinematography by: Jörg Widmer

Edited by: Rehman Nizar Ali, Joe Gleason, Sebastian Jones

Cameras: Red Epic Dragon Camera

Lenses: Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

Life of Pi | ShotOnWhat?

Render I/o: Rhythm & Hues Studios

Life of Pi (2012)

Directed by: Ang Lee

Cinematography by: Claudio Miranda

Edited by: Tim Squyres

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Big Miracle | ShotOnWhat?

Technology Show Coordinator

Big Miracle (2012)

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Cara Silverman

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C360 350 mm T4.0 Lens, Panavision Primo Anamorphic Lenses

X: First Class | ShotOnWhat?

Render I/o Coordinator

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Cabin in the Woods | ShotOnWhat?

Render I/O Coordinator: Rhythm & Hues

The Cabin in the Woods (2011)

Directed by: Drew Goddard

Cinematography by: Peter Deming

Edited by: Lisa Lassek

Hop | ShotOnWhat?

Render I/o Coordinator

Hop (2011)

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot, Gregory Perler

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Moneyball | ShotOnWhat?

Digital Resources Technical Director: Rhythm & Hues Studios

Moneyball (2011)

Directed by: Bennett Miller

Cinematography by: Wally Pfister

Edited by: Christopher Tellefsen

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Mr. Popper's Penguins | ShotOnWhat?

Pipeline: Rhythm & Hues

Mr. Popper's Penguins (2011)

Directed by: Mark Waters

Cinematography by: Florian Ballhaus

Edited by: Bruce Green

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Marmaduke | ShotOnWhat?

Render I/o Coordinator: Rhythm & Hues

Marmaduke (2010)

Directed by: Tom Dey

Cinematography by: Greg Gardiner

Edited by: Don Zimmerman

The Wolfman | ShotOnWhat?

Render I/o Coordinator: Rhythm & Hues

The Wolfman (2010)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Walter Murch, Dennis Virkler, Mark Goldblatt

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Charlie St. Cloud | ShotOnWhat?

Render I/o Coordinator: Rhythm & Hues

Charlie St. Cloud (2010)

Directed by: Burr Steers

Cinematography by: Enrique Chediak

Edited by: Padraic McKinley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Series Lenses

Little Fockers | ShotOnWhat?

Render I/o Coordinator: Rhythm & Hues

Little Fockers (2010)

Directed by: Paul Weitz

Cinematography by: Remi Adefarasin

Edited by: Greg Hayden, Leslie Jones, Myron Kerstein

Cameras: ARRI Cameras

The A-Team | ShotOnWhat?

Render I/o Coordinator: Rhythm & Hues

The A-Team (2010)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Percy Jackson & the Olympians: The Lightning Thief | ShotOnWhat?

Render I/o Coordinator: Rhythm & Hues

Percy Jackson & the Olympians: The Lightning Thief (2010)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Peter Honess

Yogi Bear | ShotOnWhat?

Render I/o Coordinator: Rhythm & Hues

Yogi Bear (2010)

Directed by: Eric Brevig

Cinematography by: Peter James

Edited by: Kent Beyda

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Knight and Day | ShotOnWhat?

Render I/o Coordinator: Rhythm & Hues

Knight and Day (2010)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Quincy Z. Gunderson, Michael McCusker

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Time Traveler's Wife | ShotOnWhat?

Render I/o Coordinator: Rhythm & Hues

The Time Traveler's Wife (2009)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

Render I/o Coordinator: Rhythm & Hues

Night at the Museum: Battle of the Smithsonian (2009)

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

Cirque du Freak: The Vampire's Assistant | ShotOnWhat?

Render I/o Coordinator: Rhythm & Hues

Cirque du Freak: The Vampire's Assistant (2009)

Directed by: Paul Weitz

Cinematography by: James M. Muro

Edited by: Leslie Jones

Ghosts of Girlfriends Past | ShotOnWhat?

Render I/o Coordinator: Rhythm & Hues

Ghosts of Girlfriends Past (2009)

Directed by: Mark Waters

Cinematography by: Daryn Okada

Edited by: Bruce Green

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Land of the Lost | ShotOnWhat?

Render I/o Coordinator: Rhythm & Hues

Land of the Lost (2009)

Directed by: Brad Silberling

Cinematography by: Dion Beebe

Edited by: Peter Teschner

Cameras: Panavision Cameras

Alvin and the Chipmunks: The Squeakquel | ShotOnWhat?

Render I/o Coordinator: Rhythm & Hues

Alvin and the Chipmunks: The Squeakquel (2009)

Directed by: Betty Thomas

Cinematography by: Anthony B. Richmond

Edited by: Matt Friedman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses

State of Play | ShotOnWhat?

Render I/o Coordinator: Rhythm & Hues

State of Play (2009)

Directed by: Kevin Macdonald

Cinematography by: Rodrigo Prieto

Edited by: Justine Wright

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Aliens in the Attic | ShotOnWhat?

Render I/o Coordinator: Rhythm & Hues

Aliens in the Attic (2009)

Directed by: John Schultz

Cinematography by: Don Burgess

Edited by: John Pace

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