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Noah (2014)

Motion Picture | 2D | Color | 1.85:1 | 138 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum

Starring | Russell Crowe, Jennifer Connelly, Anthony Hopkins, Emma Watson

Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk 150-450 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Pursuit of Happiness (2001)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | Vanick Moradian

Starring | Frank Whaley, Annabeth Gish, Amy Jo Johnson, Patrick Van Horn

Cameras | ARRIFLEX 35 Camera

Lenses | Angenieux Lenses, Cooke Lenses

Mojave Phone Booth (2006)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 88 Minutes

Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch

Starring | Annabeth Gish, Steve Guttenberg, Christine Elise, Tinarie van Wyk Loots

Cameras | Sony HVR-Z1U Camera

Demon Within (2012)

Motion Picture | 2D | Color | 8 Minutes

Directed by | Ray Sullivan | Cinematography by | Ray Sullivan | Editing by | Ray Sullivan

Starring | Darryl Kinsella, Natalia Kostrzewa

Cameras | Red Scarlet Camera

Lenses | Canon Lenses, Tokina Lenses

Prisoners (2013)

Motion Picture | 2D | 4K Project | Color | 153 Minutes

Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joel Cox, Gary Roach

Starring | Hugh Jackman, Jake Gyllenhaal, Viola Davis, Melissa Leo

Cameras | ARRI ALEXA Studio Camera

Lenses | Zeiss Master Prime Lenses

Puberty Blues (2012)

Television Series | 2D | Color | 45 Minutes

Puberty Blues | ShotOnWhat?

| Cinematography by | John Brawley | Editing by | Deborah Peart, Dany Cooper, Geoff Hitchins, Nicole La Macchia, Bill Russo

Starring | Brenna Harding, Ashleigh Cummings, Sean Keenan, Charlotte Best

Cameras | ARRI ALEXA Camera, Blackmagic Cinema Camera, Canon EOS-C300 Camera

Lenses | Angenieux HP Zoom Lenses, Zeiss Super Speed Lenses

The Lone Ranger (2013)

Motion Picture | 2D | Color | 2.39:1 | 150 Minutes

Directed by | Gore Verbinski | Cinematography by | Bojan Bazelli | Editing by | James Haygood, Craig Wood

Starring | Johnny Depp, Armie Hammer, William Fichtner, Tom Wilkinson

Cameras | ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

Club 60 (2013)

Motion Picture | 2D | Color | 2.39:1 | 137 Minutes

Directed by | Sanjay Tripathy | Cinematography by | Shyamanand Jha | Editing by | Aditya Joshi, Arunabha Mukherjee

Starring | Farooq Shaikh, Sarika, Raghuvir Yadav, Satish Shah

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Push (2009)

Motion Picture | 2D | Color | 111 Minutes

Push | ShotOnWhat?

Directed by | Paul McGuigan | Cinematography by | Peter Sova | Editing by | Nicolas Trembasiewicz

Starring | Camilla Belle, Dakota Fanning, Chris Evans, Colin Ford

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 16SR3 Camera, Bolex H16 RX5 Camera, Bolex H16 SB Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Julia X (2011)

Motion Picture | 3D | Color | 92 Minutes

Julia X | ShotOnWhat?

Directed by | P.J. Pettiette | Cinematography by | Jason Goodman | Editing by | Rob Neal

Starring | Valerie Azlynn, Kevin Sorbo, Alicia Leigh Willis, Joel David Moore

Cameras | Red One Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens

Se Puder… Dirija! (2013)

Motion Picture | 3D | Color |

Se Puder… Dirija! | ShotOnWhat?

Directed by | Anita Barbosa, Paulo Fontenelle | Cinematography by | Nonato Estrela, Pedro Guimaraes

Starring | Luiz Fernando Guimarães, Leandro Hassum, Lavínia Vlasak, Bárbara Paz

Cameras | Red Epic Camera

Lenses | Zeiss Lenses, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens

Inner City Snow (2009)

Direct to Video | 2D | HD Project | Color | 138 Minutes

Directed by | Bryan Martin | Cinematography by | Chris Leplus, Victor Lou | Editing by | Bryan Martin

Starring | Richard Tyson, Debronna Mainor, Asia Hicks, Bennett Sanders

Cameras | Arritechno 35 Camera, Éclair EX16 Camera

Lenses | Canon Lenses

Mystery Team (2009)

Motion Picture | 2D | Color | 97 Minutes

Mystery Team | ShotOnWhat?

Directed by | Dan Eckman | Cinematography by | Austin F. Schmidt | Editing by | Dan Eckman

Starring | Donald Glover, D.C. Pierson, Dominic Dierkes, Aubrey Plaza

Cameras | Red One Camera

The Big Slice (1991)

Motion Picture | 2D | Other Project Resolution | Color | 86 Minutes

Directed by | John Bradshaw | Cinematography by | Ludek Bogner | Editing by | Nick Rotundo

Starring | Casey Siemaszko, Leslie Hope, Louis Ferreira, Kenneth Welsh

Cameras | ARRI ARRIFLEX Series Cameras

The Expendables 2 (2012)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Simon West | Cinematography by | Shelly Johnson | Editing by | Todd E. Miller

Starring | Sylvester Stallone, Liam Hemsworth, Randy Couture, Jean-Claude Van Damme

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Shark Night 3D (2011)

Motion Picture | 3D | Color | 1.85:1 | 90 Minutes

Shark Night 3D | ShotOnWhat?

Directed by | David R. Ellis | Cinematography by | Gary Capo | Editing by | Dennis Virkler

Starring | Sara Paxton, Dustin Milligan, Chris Carmack, Katharine McPhee

Cameras | Sony CineAlta F35 Camera

Lenses | Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens

A Rat’s Tale (1997)

Motion Picture | 2D | Color | 2.35:1 | 90 Minutes

Directed by | Michael F. Huse | Cinematography by | Piotr Lenar | Editing by | Timothy McLeish

Starring | Josef Ostendorf, Beverly D'Angelo, Lauren Hutton, Jerry Stiller

Cameras | Panavision Panaflex Gold II Camera, Panavision Panastar II Camera

Lenses | Panavision C Anamorphic Flare Lenses, Panavision C Anamorphic Portrait Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Street Life (2007)

Direct to Video | 2D | SD Project | Color | 75 Minutes

Directed by | Timothy Willis | Cinematography by | Matthew Fabian, Timothy Willis | Editing by | Timothy Willis

Starring | Christopher Anderson, D'Army Bailey, Brian Baker, Chrenia Black

Cameras | Canon XL2 Camera, Panasonic AJ-HDC27 Camera

I Killed My Mother (2009)

Motion Picture | 2D | Color, Black and White | 96 Minutes

I Killed My Mother | ShotOnWhat?

Directed by | Xavier Dolan | Cinematography by | Stéphanie Anne Weber Biron | Editing by | Hélène Girard

Starring | Anne Dorval, Xavier Dolan, François Arnaud, Suzanne Clément

Cameras | Red One Camera

Lenses | Zeiss Super Speed Lenses, Zeiss Super Speeds Mk III Lenses

Donnie Darko (2001)

Motion Picture | 2D | Color | 2.39:1 | 113 Minutes

Directed by | Richard Kelly | Cinematography by | Steven Poster | Editing by | Sam Bauer, Eric Strand

Starring | Jake Gyllenhaal, Jena Malone, Mary McDonnell, Holmes Osborne

Cameras | Panavision Panaflex Millennium Camera

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