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Panavision Lenses | 1288 Titles

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A Cinderella Story (2004)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Mark Rosman | Cinematography by | Anthony B. Richmond | Editing by | Cara Silverman

Starring | Hilary Duff, Chad Michael Murray, Jennifer Coolidge, Dan Byrd

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses | Panavision Lenses

Klute (1971)

Motion Picture | 2D | Color | 114 Minutes

Klute | ShotOnWhat?

Directed by | Alan J. Pakula | Cinematography by | Gordon Willis | Editing by | Carl Lerner

Starring | Jane Fonda, Donald Sutherland, Charles Cioffi, Roy Scheider

Cameras | Panavision Cameras

Lenses | Panavision C Series Anamorphic Lenses

Videodrome (1983)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | David Cronenberg | Cinematography by | Mark Irwin | Editing by | Ronald Sanders

Starring | James Woods, Debbie Harry, Sonja Smits, Peter Dvorsky

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

A Nightmare on Elm Street (2010)

Motion Picture | 2D | Color | 95 Minutes

A Nightmare on Elm Street | ShotOnWhat?

Directed by | Samuel Bayer | Cinematography by | Jeff Cutter | Editing by | Glen Scantlebury

Starring | Jackie Earle Haley, Rooney Mara, Kyle Gallner, Katie Cassidy

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Mothman Prophecies (2002)

Motion Picture | Color | 119 Minutes

Directed by | Mark Pellington | Cinematography by | Fred Murphy | Editing by | Brian Berdan

Starring | Richard Gere, Laura Linney, David Eigenberg, Bob Tracey

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Lenses

Drowning Mona (2000)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Drowning Mona | ShotOnWhat?

Directed by | Nick Gomez | Cinematography by | Bruce Douglas Johnson | Editing by | Richard Pearson

Starring | Danny DeVito, Bette Midler, Neve Campbell, Jamie Lee Curtis

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Zooms Spherical Lenses

Hotel for Dogs (2009)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 100 Minutes

Directed by | Thor Freudenthal | Cinematography by | Michael Grady | Editing by | Sheldon Kahn

Starring | Emma Roberts, Jake T. Austin, Lisa Kudrow, Don Cheadle

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Nine (2009)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 118 Minutes

Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Claire Simpson, Wyatt Smith

Starring | Daniel Day-Lewis, Marion Cotillard, Penélope Cruz, Sandro Dori

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Lost World: Jurassic Park (1997)

Motion Picture | 2D | Color | 1.85:1 | 129 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Jeff Goldblum, Julianne Moore, Pete Postlethwaite, Vince Vaughn

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses | Panavision Primo Primes Spherical Lenses

A Man Apart (2003)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Directed by | F. Gary Gray | Cinematography by | Jack N. Green | Editing by | Robert Brown, William Hoy

Starring | Vin Diesel, Timothy Olyphant, Larenz Tate, Geno Silva

Cameras | Panavision Cameras

Lenses | Panavision Lenses

A Shock to the System (1990)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Jan Egleson | Cinematography by | Paul Goldsmith | Editing by | William M. Anderson, Peter C. Frank

Starring | Michael Caine, Elizabeth McGovern, Peter Riegert, Swoosie Kurtz

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Dances with Wolves (1990)

Motion Picture | 2D | Film Project | Color | 181 Minutes

Directed by | Kevin Costner | Cinematography by | Dean Semler | Editing by | William Hoy, Chip Masamitsu, Steve Potter, Neil Travis

Starring | Kevin Costner, Mary McDonnell, Graham Greene, Rodney A. Grant

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Where the Truth Lies (2005)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton

Starring | Kevin Bacon, Colin Firth, Alison Lohman, David Hayman

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Willow (1988)

Motion Picture | 2D | Color | 126 Minutes

Directed by | Ron Howard | Cinematography by | Adrian Biddle | Editing by | Daniel P. Hanley, Mike Hill, Richard Hiscott

Starring | Val Kilmer, Joanne Whalley, Warwick Davis, Jean Marsh

Cameras | Panavision Panaflex Gold Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses

Your Highness (2011)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert

Starring | Danny McBride, Natalie Portman, James Franco, Rasmus Hardiker

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Bourne Legacy (2012)

Motion Picture | 2D | Color | 2.35:1 | 135 Minutes

The Bourne Legacy | ShotOnWhat?

Directed by | Tony Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy

Starring | Jeremy Renner, Rachel Weisz, Edward Norton, Scott Glenn

Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

The Descendants (2011)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent

Starring | George Clooney, Shailene Woodley, Amara Miller, Nick Krause

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Bad Teacher (2011)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 92 Minutes

Bad Teacher | ShotOnWhat?

Directed by | Jake Kasdan | Cinematography by | Alar Kivilo | Editing by | Tara Timpone

Starring | Cameron Diaz, Jason Segel, Justin Timberlake, Lucy Punch

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Get Smart (2008)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Get Smart | ShotOnWhat?

Directed by | Peter Segal | Cinematography by | Dean Semler | Editing by | Richard Pearson

Starring | Steve Carell, Anne Hathaway, Alan Arkin, Dwayne Johnson

Cameras | Panavision Genesis Camera, Panavision Panastar Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

American Splendor (2003)

Motion Picture | 2D | Color | 1.85:1 | 101 Minutes

Directed by | Shari Springer Berman, Robert Pulcini | Cinematography by | Terry Stacey | Editing by | Robert Pulcini

Starring | Paul Giamatti, Shari Springer Berman, Harvey Pekar, Chris Ambrose

Cameras | Panavision Panaflex Millennium Camera, Sony HDW-F900 Camera

Lenses | Panavision Primo Classic Spherical Lenses

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