Panavision Lenses | 1288 Titles
Parental Guidance (2012)
Directed by | Andy Fickman | Cinematography by | Dean Semler | Editing by | Kent Beyda
Cameras | Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Think Like a Man Too (2014)
Directed by | Tim Story | Cinematography by | Christopher Duskin | Editing by | Peter S. Elliot
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses | Panavision Super Speed Lenses
In & Out (1997)
Directed by | Frank Oz | Cinematography by | Rob Hahn | Editing by | Daniel P. Hanley, John Jympson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Ayn Rand: A Sense of Life (1997)
Directed by | Michael Paxton | Cinematography by | Alik Sakharov | Editing by | Christopher Earl, Lauren A. Schaffer
Cameras | Panavision Panaflex Platinum Camera
The Ridiculous 6 (2015)
Directed by | Frank Coraci | Cinematography by | Dean Semler | Editing by | Tom Costain
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Doctor Strange (2016)
Directed by | Scott Derrickson | Cinematography by | Ben Davis | Editing by | Sabrina Plisco, Wyatt Smith
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
Guardians of the Galaxy Vol. 2 (2017)
Directed by | James Gunn | Cinematography by | Henry Braham | Editing by | Fred Raskin, Craig Wood
Cameras | Red Weapon Dragon Camera
Lenses | Panavision Primo 70 Lenses
Clouds of Sils Maria (2014)
Ride Along 2 (2016)
Directed by | Tim Story | Cinematography by | Mitchell Amundsen | Editing by | Peter S. Elliot
Cameras | Red Epic Dragon Camera
Lenses | Panavision Primo 70 Lenses
The Nice Guys (2016)
Directed by | Shane Black | Cinematography by | Philippe Rousselot | Editing by | Joel Negron
Cameras | ARRI ALEXA XT Camera
Triple 9 (2016)
Directed by | John Hillcoat | Cinematography by | Nicolas Karakatsanis | Editing by | Dylan Tichenor
Gods of Egypt (2016)
Directed by | Alex Proyas | Cinematography by | Peter Menzies Jr. | Editing by | Richard Learoyd
Cameras | Red Epic Dragon Camera
Lenses | Panavision Primo 70 Lenses
Jane Got a Gun (2015)
Directed by | Gavin O'Connor | Cinematography by | Mandy Walker | Editing by | Alan Cody
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Neighbors 2: Sorority Rising (2016)
Directed by | Nicholas Stoller | Cinematography by | Brandon Trost | Editing by | Zene Baker, Michael A. Webber
Cameras | ARRI ALEXA XT Plus Camera
Barbershop: The Next Cut (2016)
Directed by | Malcolm D. Lee | Cinematography by | Greg Gardiner | Editing by | Paul Millspaugh
Cameras | Sony PMW-F55 Camera
The Huntsman: Winter’s War (2016)
Directed by | Cedric Nicolas-Troyan | Cinematography by | Phedon Papamichael | Editing by | Conrad Buff IV
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses
The Jungle Book (2016)
Directed by | Jon Favreau | Cinematography by | Bill Pope | Editing by | Adam Gerstel, Mark Livolsi
Cameras | ARRI ALEXA XT M Camera
Dope (2015)
Directed by | Rick Famuyiwa | Cinematography by | Rachel Morrison | Editing by | Lee Haugen
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera
The 5th Wave (2016)
Directed by | J Blakeson | Cinematography by | Enrique Chediak | Editing by | Paul Rubell
Cameras | ARRI ALEXA XT Plus Camera
Rogue One: A Star Wars Story (2016)
Directed by | Gareth Edwards | Cinematography by | Greig Fraser | Editing by | John Gilroy, Colin Goudie, Jabez Olssen
Cameras | ARRI ALEXA 65 Camera
Lenses | Panavision APO Panatar Lenses