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Panavision Lenses | 1288 Titles

Panavision Lenses 5.00/5 5 Votes

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Royal Pains (2009)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 42 Minutes

| Cinematography by | Joe Collins, David S. Tuttman, Jim Denault, Michael Slovis, David M. Dunlap, Michael Caracciolo, Raphy Molinary | Editing by | Charles McClelland, Daniel A. Valverde, Gary Levy, Deborah Moran, Marnee Meyer, Arge O'Neal, Nancy Morrison, Gregory Perler, Matthew S. Nickelson, Michael Berenbaum, Elizabeth Merrick, Jeffrey Wolf, Thom Zimny, Robert Nassau

Starring | Mark Feuerstein, Paulo Costanzo, Reshma Shetty, Brooke D'Orsay

Cameras | Sony CineAlta F35 Camera

Lenses | Panavision Lenses

Elf (2003)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 97 Minutes

Directed by | Jon Favreau | Cinematography by | Greg Gardiner | Editing by | Dan Lebental

Starring | Will Ferrell, James Caan, Bob Newhart, Zooey Deschanel

Cameras | Panavision Cameras

Lenses | Panavision SL27-M 27 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens

Una Famiglia (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 97 Minutes

Billy’s Hollywood Screen Kiss (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 92 Minutes

Directed by | Tommy O'Haver | Cinematography by | Mark Mervis | Editing by | Jeff Betancourt

Starring | Sean Hayes, Brad Rowe, Armando Valdes-Kennedy, Mr. Dan

Cameras | Panavision Silent Reflex PSR Camera

Lenses | Panavision Auto-Panatar B50 50 mm T2.5, Panavision HS35 35 mm T1.4 Lens

Bright (2017)

Motion Picture | 2D | Color | 117 Minutes

Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Aaron Brock, Geoffrey O'Brien, Michael Tronick

Starring | Will Smith, Joel Edgerton, Noomi Rapace, Edgar Ramírez

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Series Cameras, ARRI Cameras

Lenses | Panavision Lenses

Flock of Four (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 80 Minutes

Directed by | Gregory Caruso | Cinematography by | Gus Bendinelli | Editing by | Vic Brown

Starring | Braeden Lemasters, Uriah Shelton, Isaac Jay, Dylan Riley Snyder

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision B Series Anamorphic Lenses

The Parallax View (1974)

Motion Picture | 2D | Film Project | Color | 102 Minutes

Directed by | Alan J. Pakula | Cinematography by | Gordon Willis | Editing by | John W. Wheeler

Starring | Warren Beatty, Paula Prentiss, William Daniels, Walter McGinn

Cameras | ARRIFLEX 35 IIC Camera, Panavision Silent Reflex PSR Camera

Lenses | Panavision C Series Anamorphic Lenses

Legends of the Hidden Temple: The Movie (2016)

Motion Picture, Television Movie | 2D | HD Project | Color | 65 Minutes

Directed by | Joe Menendez | Cinematography by | Tom Harting | Editing by | Damon Fecht

Starring | Isabela Merced, Colin Critchley, Jet Jurgensmeyer, Kirk Fogg

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera

Lenses | Panavision Lenses, Panavision PMZ 14.5-50 mm T2.2 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens

American Wedding (2003)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 96 Minutes

Directed by | Jesse Dylan | Cinematography by | Lloyd Ahern II | Editing by | Stuart H. Pappé

Starring | Jason Biggs, Alyson Hannigan, Seann William Scott, Eugene Levy

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Suicide Squad (2016)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 123 Minutes

Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | John Gilroy

Starring | Will Smith, Jared Leto, Margot Robbie, Viola Davis

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Jason Bourne (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse

Starring | Matt Damon, Tommy Lee Jones, Alicia Vikander, Vincent Cassel

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Vamps (2012)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 92 Minutes

Directed by | Amy Heckerling | Cinematography by | Tim Suhrstedt | Editing by | Debra Chiate

Starring | Alicia Silverstone, Krysten Ritter, Larry Wilmore, Bettina Bresnan

Cameras | Sony CineAlta F35 Camera

Lenses | Panavision Lenses

Hawthorne (2009)

Television Series | 2D | Color | 1.78:1 (16x9) | 43 Minutes

| Cinematography by | Frank Byers, John Newby, Peter Menzies Jr. | Editing by | Robert Bramwell, Debra Beth Weinfeld, Elizabeth Kling, Kaja Fehr, Monty DeGraff, Alan Baumgarten, Rocky Burnswork

Starring | Jada Pinkett Smith, Suleka Mathew, Hannah Hodson, Michael Vartan

Cameras | ARRIFLEX D-21 Camera, Sony CineAlta F35 Camera

Lenses | ARRI Lenses, Panavision Lenses

Two and a Half Men (2003)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Steven V. Silver, Mark Davison, Tony Askins | Editing by | Joe Bella, Peter Chakos

Starring | Jon Cryer, Ashton Kutcher, Angus T. Jones, Conchata Ferrell

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Lenses

Trust (2010)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | David Schwimmer | Cinematography by | Andrzej Sekula | Editing by | Douglas Crise

Starring | Clive Owen, Catherine Keener, Liana Liberato, Jason Clarke

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Arthur (2011)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Jason Winer | Cinematography by | Uta Briesewitz | Editing by | Brent White

Starring | Russell Brand, Helen Mirren, Jennifer Garner, Greta Gerwig

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Abduction (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | John Singleton | Cinematography by | Peter Menzies Jr. | Editing by | Bruce Cannon

Starring | Taylor Lautner, Lily Collins, Alfred Molina, Jake Andolina

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Old Dogs (2009)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 88 Minutes

Directed by | Walt Becker | Cinematography by | Jeffrey L. Kimball | Editing by | Ryan Folsey, Tom Lewis

Starring | Robin Williams, John Travolta, Seth Green, Kelly Preston

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Secrets & Lies (1996)

Motion Picture | 2D | Color | 1.85:1 | 136 Minutes

Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jon Gregory

Starring | Timothy Spall, Brenda Blethyn, Phyllis Logan, Claire Rushbrook

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Heaven Is for Real (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright

Starring | Greg Kinnear, Kelly Reilly, Thomas Haden Church, Connor Corum

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Primes Spherical Lenses

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