Cooke Spherical Lenses | 471 Titles
Lars and the Real Girl (2007)
Directed by | Craig Gillespie | Cinematography by | Adam Kimmel | Editing by | Tatiana S. Riegel
Lenses | Cooke S4 Lenses
Return (2011)
Directed by | Liza Johnson | Cinematography by | Anne Etheridge | Editing by | Paul Zucker
Cameras | ARRIFLEX 416 Camera
Lenses | Cooke S4 Lenses
Midnight in Paris (2011)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke 5/i Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses
Hugo (2011)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Camera
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
Friends with Kids (2011)
Directed by | Jennifer Westfeldt | Cinematography by | William Rexer | Editing by | Tara Timpone
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Alvin and the Chipmunks: The Squeakquel (2009)
Directed by | Betty Thomas | Cinematography by | Anthony B. Richmond | Editing by | Matt Friedman
Lenses | Cooke S4 Lenses
American Animal (2011)
Directed by | Matt D'Elia | Cinematography by | Julian King | Editing by | Matt D'Elia, Julian King
Cameras | Red One MX Camera
Lenses | Cooke Zoom Lenses, Red Pro Prime 18 mm T1.8 Lens, Red Pro Prime 25 mm T1.8 Lens, Red Pro Prime 35 mm T1.8 Lens, Red Pro Prime 50 mm T1.8 Lens, Red Pro Prime 85 mm T1.8 Lens
Centurion (2010)
Directed by | Neil Marshall | Cinematography by | Sam McCurdy | Editing by | Chris Gill
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Illusionist (2006)
Directed by | Neil Burger | Cinematography by | Dick Pope | Editing by | Naomi Geraghty
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
District 9 (2009)
Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke
Cameras | Phantom HD Gold Camera, Red One Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera, Sony PMW-EX3 Camera
Lenses | Angenieux Lenses, Cooke S4 Lenses
Max Payne (2008)
Directed by | John Moore | Cinematography by | Jonathan Sela | Editing by | Dan Zimmerman
Cameras | ARRIFLEX 435 Camera, Phantom HD Camera
Lenses | Cooke S4 Lenses
Adam Resurrected (2008)
ParaNorman (2012)
Directed by | Chris Butler, Sam Fell | Cinematography by | Tristan Oliver | Editing by | Christopher Murrie
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon Tilt-Shift Lenses, Cooke Varotal Lenses
OSS 117: Lost in Rio (2009)
Directed by | Michel Hazanavicius | Cinematography by | Guillaume Schiffman | Editing by | Reynald Bertrand
Notes on a Scandal (2006)
Directed by | Richard Eyre | Cinematography by | Chris Menges | Editing by | John Bloom, Antonia Van Drimmelen
Lenses | Cooke S4 Lenses
Stranger Than Fiction (2006)
New Kids Nitro (2011)
Directed by | Steffen Haars, Flip Van der Kuil | Cinematography by | Joris Kerbosch | Editing by | Brian Ent, Flip Van der Kuil
Cameras | Red One MX Camera
Lenses | Angenieux Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Angenieux Optimo DP Zoom Lenses, Cooke Lenses, Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens, Cooke miniS4/i Lenses
St George’s Day (2012)
Directed by | Frank Harper | Cinematography by | Mike Southon | Editing by | Nick McCahearty
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Agent Crush (2008)
Directed by | Sean Robinson | Cinematography by | Peter Field | Editing by | David Freemantle
Cameras | ARRIFLEX 435 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Place Beyond the Pines (2012)
Directed by | Derek Cianfrance | Cinematography by | Sean Bobbitt | Editing by | Jim Helton, Ron Patane
