Angenieux Optimo Zoom Lenses | 645 Titles
The Fighter (2010)
X-Men Origins: Wolverine (2009)
Directed by | Gavin Hood | Cinematography by | Donald McAlpine | Editing by | Nicolas De Toth, Megan Gill
Green Lantern (2011)
Directed by | Martin Campbell | Cinematography by | Dion Beebe | Editing by | Stuart Baird
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Pars vite et reviens tard (2007)
Directed by | Régis Wargnier | Cinematography by | Laurent Dailland | Editing by | Yann Malcor
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
A Better Life (2011)
Directed by | Chris Weitz | Cinematography by | Javier Aguirresarobe | Editing by | Peter Lambert
Cameras | ARRICAM Lite (LT) Camera
La conquête (2011)
Directed by | Xavier Durringer | Cinematography by | Gilles Porte | Editing by | Catherine Schwartz
Cameras | Moviecam Compact Camera
Le code a changé (2009)
Directed by | Danièle Thompson | Cinematography by | Jean-Marc Fabre | Editing by | Sylvie Landra
Cameras | Moviecam Compact MK2 Camera
Oldeuboi (2003)
Directed by | Chan-wook Park | Cinematography by | Chung-hoon Chung | Editing by | Sang-beom Kim
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Colombiana (2011)
Directed by | Olivier Megaton | Cinematography by | Romain Lacourbas | Editing by | Camille Delamarre
The Adjustment Bureau (2011)
Directed by | George Nolfi | Cinematography by | John Toll | Editing by | Jay Rabinowitz
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
The American (2010)
Directed by | Anton Corbijn | Cinematography by | Martin Ruhe | Editing by | Andrew Hulme
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Seeking a Friend for the End of the World (2012)
Directed by | Lorene Scafaria | Cinematography by | Tim Orr | Editing by | Zene Baker
Cameras | ARRI ALEXA Plus Camera
I Am Number Four (2011)
Directed by | D.J. Caruso | Cinematography by | Guillermo Navarro | Editing by | Vince Filippone, Jim Page
Jane Eyre (2011)
Directed by | Cary Joji Fukunaga | Cinematography by | Adriano Goldman | Editing by | Melanie Oliver
Cameras | ARRICAM Lite (LT) Camera
L’enfant d’en haut (2012)
Directed by | Ursula Meier | Cinematography by | Agnès Godard | Editing by | Nelly Quettier
Cameras | ARRI ALEXA Camera
New Year’s Eve (2011)
Directed by | Garry Marshall | Cinematography by | Charles Minsky | Editing by | Michael Tronick
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Struck by Lightning (2012)
Directed by | Brian Dannelly | Cinematography by | Bobby Bukowski | Editing by | Tia Nolan
Cameras | ARRI ALEXA Camera
Five (2011)
Directed by | Jennifer Aniston, Patty Jenkins, Alicia Keys, Demi Moore, Penelope Spheeris | Cinematography by | Eric Alan Edwards, Guy Livneh, Jim Orr, Christopher Popp, Tami Reiker | Editing by | Zene Baker, Adrienne Gits, Lynzee Klingman, Byron Smith, Tom Wilson
Cameras | ARRI ALEXA Camera, Red One Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Maiden Heist (2009)
Directed by | Peter Hewitt | Cinematography by | Ueli Steiger | Editing by | Carole Kravetz Aykanian
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by | Rob Marshall | Cinematography by | Dariusz Wolski | Editing by | David Brenner, Wyatt Smith
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses