Angenieux | 786 Titles
En équilibre (2015)
Directed by | Denis Dercourt | Cinematography by | Julien Hirsch | Editing by | Pauline Gaillard
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Une mère (2015)
Directed by | Christine Carrière | Cinematography by | Jeanne Lapoirie | Editing by | Martine Barraqué
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
The Homesman (2014)
Directed by | Tommy Lee Jones | Cinematography by | Rodrigo Prieto | Editing by | Roberto Silvi
Cameras | ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses
Snowpiercer (2013)
Directed by | Joon-ho Bong | Cinematography by | Kyung-pyo Hong | Editing by | Steve M. Choe, Changju Kim
Nightcrawler (2014)
Directed by | Dan Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
Rosewater (2014)
Directed by | Jon Stewart | Cinematography by | Bobby Bukowski | Editing by | Jay Rabinowitz
Cameras | ARRI ALEXA Plus Camera
Night at the Museum: Secret of the Tomb (2014)
Directed by | Shawn Levy | Cinematography by | Guillermo Navarro | Editing by | Dean Zimmerman
Cameras | Red Epic Dragon Camera
Belle (2013)
Directed by | Amma Asante | Cinematography by | Ben Smithard | Editing by | Victoria Boydell, Pia Di Ciaula
Cameras | Sony CineAlta F65 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Le temps des aveux (2014)
Directed by | Régis Wargnier | Cinematography by | Renaud Chassaing | Editing by | Véronique Lange, Yann Malcor
Cameras | ARRI ALEXA Plus Camera
Vie sauvage (2014)
Directed by | Cédric Kahn | Cinematography by | Yves Cape | Editing by | Simon Jacquet
Cameras | Sony PMW-F55 Camera
Get on Up (2014)
Directed by | Tate Taylor | Cinematography by | Stephen Goldblatt | Editing by | Michael McCusker
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses
RED (2010)
Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Thom Noble
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses
Respire (2014)
Directed by | Mélanie Laurent | Cinematography by | Arnaud Potier | Editing by | Guerric Catala
Cameras | ARRI ALEXA Camera
Les souvenirs (2014)
Directed by | Jean-Paul Rouve | Cinematography by | Christophe Offenstein | Editing by | Christel Dewynter
Cameras | ARRI ALEXA Series Cameras
La belle saison (2015)
Directed by | Catherine Corsini | Cinematography by | Jeanne Lapoirie | Editing by | Frédéric Baillehaiche
Cameras | ARRI ALEXA Series Cameras
L’effet aquatique (2016)
Directed by | Sólveig Anspach, Jean-Luc Gaget | Cinematography by | Isabelle Razavet | Editing by | Anne Riegel
Cameras | ARRI ALEXA Series Cameras
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
Et ta soeur (2015)
Directed by | Marion Vernoux | Cinematography by | Nicolas Gaurin | Editing by | Guerric Catala
Cameras | ARRI AMIRA Camera
La dernière leçon (2015)
Directed by | Pascale Pouzadoux | Cinematography by | Nicolas Brunet | Editing by | Sylvie Gadmer
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens
Ange et Gabrielle (2015)
Directed by | Anne Giafferi | Cinematography by | Stéphane Cami | Editing by | Christine Lucas Navarro
Cameras | ARRI ALEXA XT Plus Camera
The Transporter Refueled (2015)
Directed by | Camille Delamarre | Cinematography by | Christophe Collette, Vincent Richard | Editing by | Julien Rey
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
