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ARRISCAN Film Scanner | 15 Titles

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Munich (2005)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 164 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Eric Bana, Daniel Craig, Marie-Josée Croze, Ciarán Hinds

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Divergence (2007)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 114 Minutes

Directed by | Patrick J. Donnelly | Cinematography by | Patrick J. Donnelly | Editing by | Patrick J. Donnelly, Robert Mead

Starring | Traci Ann Wolfe, Jakob Hawkins, Marci Adilman

Lenses | ARRI / Fujinon Lenses

Beginning (2020)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3) | 130 Minutes

Directed by | Dea Kulumbegashvili | Cinematography by | Arseni Khachaturan | Editing by | Matthieu Taponier

Starring | Ia Sukhitashvili, Rati Oneli, Kakha Kintsurashvili

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera

Lenses | Cooke 5/i Prime 25mm T1.4 Lens

The Wave (2008)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Dennis Gansel | Cinematography by | Torsten Breuer | Editing by | Ueli Christen

Starring | Jürgen Vogel, Frederick Lau, Max Riemelt, Jennifer Ulrich

Cameras | ARRI Cameras

Lenses | ARRI Lenses

This Is My Desire (2020)

Motion Picture | 2D | 2K Project | Color | 1.66:1 | 116 Minutes

Directed by | Arie Esiri, Chuko Esiri | Cinematography by | Arseni Khachaturan | Editing by | Andrew Stephen Lee

Starring | Emmanuel Adeji, Mary Agholor, Kemi Lala Akindoju, Lala Akindoju

Cameras | ARRIFLEX 16SR3 Advanced Camera, ARRIFLEX 16SR3 HS Camera

Lenses | Zeiss Lenses, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk III Lenses

Ava (2017)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 105 Minutes

Directed by | Léa Mysius | Cinematography by | Paul Guilhaume | Editing by | Pierre Deschamps

Starring | Noée Abita, Laure Calamy, Juan Cano, Tamara Cano

Cameras | ARRICAM Lite (LT) Camera

Lenses | Hawk V-Lite Lenses

The Godfather (1972)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 175 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | William Reynolds, Peter Zinner

Starring | Marlon Brando, Al Pacino, James Caan, Diane Keaton

Cameras | Mitchell BNCR Camera

Lenses | Bausch & Lomb Super Baltar Lenses

Sette opere di misericordia (2011)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 100 Minutes

Directed by | Gianluca De Serio, Massimiliano De Serio | Cinematography by | Piero Basso | Editing by | Stefano Cravero

Starring | Roberto Herlitzka, Ignazio Oliva, Olimpia Melinte, Stefano Cassetti

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

American Hustle (2013)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 138 Minutes

Directed by | David O. Russell | Cinematography by | Linus Sandgren | Editing by | Alan Baumgarten, Jay Cassidy, Crispin Struthers

Starring | Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Canon K35 Prime Lenses, Zeiss Standard Speed Prime Lenses

The Impossible (2012)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | J.A. Bayona | Cinematography by | Oscar Faura | Editing by | Elena Ruiz, Bernat Vilaplana

Starring | Naomi Watts, Ewan McGregor, Tom Holland, Oaklee Pendergast

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Phantom HD Camera

Lenses | Zeiss Master Prime Lenses

Habermann (2010)

Motion Picture | Color | 104 Minutes

Habermann | ShotOnWhat?

Directed by | Juraj Herz | Cinematography by | Alexander Surkala | Editing by | Melanie Werwie

Starring | Mark Waschke, Karel Roden, Ben Becker, Hannah Herzsprung

Cameras | ARRI Cameras

The Black Balloon (2008)

Motion Picture | 2D | Color | 2.35:1 | 97 Minutes

Directed by | Elissa Down | Cinematography by | Denson Baker | Editing by | Veronika Jenet

Starring | Rhys Wakefield, Luke Ford, Toni Collette, Erik Thomson

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

King Kong (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 187 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk

Starring | Naomi Watts, Jack Black, Adrien Brody, Thomas Kretschmann

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Get Low (2009)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Get Low | ShotOnWhat?

Directed by | Aaron Schneider | Cinematography by | David Boyd | Editing by | Aaron Schneider

Starring | Robert Duvall, Bill Murray, Sissy Spacek, Lucas Black

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision C Series Anamorphic Lenses

Männerherzen (2009)

Motion Picture | 2D | Color | 107 Minutes

Männerherzen | ShotOnWhat?

Directed by | Simon Verhoeven | Cinematography by | Jo Heim | Editing by | Stefan Essl

Starring | Christian Ulmen, Nadja Uhl, Wotan Wilke Möhring, Maxim Mehmet

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

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