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Death at a Funeral (2010)

Motion Picture | 2D | Color | 2.35:1 | 92 Minutes

Death at a Funeral | ShotOnWhat?

Directed by | Neil LaBute | Cinematography by | Rogier Stoffers | Editing by | Tracey Wadmore-Smith

Starring | Chris Rock, Martin Lawrence, Keith David, Loretta Devine

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Classic Spherical Lenses

Grown Ups (2010)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Grown Ups | ShotOnWhat?

Directed by | Dennis Dugan | Cinematography by | Theo van de Sande | Editing by | Tom Costain

Starring | Adam Sandler, Salma Hayek, Kevin James, Chris Rock

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Anamorphic Lenses

Rampart (2011)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Oren Moverman | Cinematography by | Bobby Bukowski | Editing by | Jay Rabinowitz

Starring | Woody Harrelson, Ben Foster, Sigourney Weaver, Jon Bernthal

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

A Good Year (2006)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Ridley Scott | Cinematography by | Philippe Le Sourd | Editing by | Dody Dorn, Robb Sullivan

Starring | Russell Crowe, Abbie Cornish, Albert Finney, Marion Cotillard

Cameras | ARRICAM Lite (LT) Camera

Lenses | Panavision Primo Primes Spherical Lenses

Clockstoppers (2002)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Directed by | Jonathan Frakes | Cinematography by | Tim Suhrstedt | Editing by | Peter E. Berger, Jeff Canavan

Starring | Jesse Bradford, French Stewart, Paula Garcés, Michael Biehn

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics Cameras

Lenses | Panavision Primo Primes Spherical Lenses

Mesrine Part 2: Public Enemy #1 (2008)

Motion Picture | 2D | Color | 2.39:1 | 133 Minutes

Directed by | Jean-François Richet | Cinematography by | Robert Gantz | Editing by | Stéphane Garnier, Bill Pankow, Hervé Schneid

Starring | Vincent Cassel, Ludivine Sagnier, Mathieu Amalric, Samuel Le Bihan

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Cameras, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Ils se marièrent et eurent beaucoup d’enfants (2004)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Yvan Attal | Cinematography by | Rémy Chevrin | Editing by | Jennifer Augé

Starring | Johnny Depp, Charlotte Gainsbourg, Sébastien Vidal, Yvan Attal

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Standard Speed Prime Lenses

My Name Is Khan (2010)

Motion Picture | 2D | Color | 2.39:1 | 165 Minutes

Directed by | Karan Johar | Cinematography by | Ravi K. Chandran | Editing by | Deepa Bhatia

Starring | Shah Rukh Khan, Kajol, Sheetal Menon, Katie A. Keane

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Advanced Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Once Upon a Time in Mexico (2003)

Motion Picture | 2D | Color | 1.78:1 (16x9), 2.39:1 | 102 Minutes

Once Upon a Time in Mexico | ShotOnWhat?

Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez

Starring | Antonio Banderas, Salma Hayek, Johnny Depp, Willem Dafoe

Cameras | Sony HDW-F900 Camera

Premium Rush (2012)

Motion Picture | 2D | Color | 2.35:1 | 91 Minutes

Premium Rush | ShotOnWhat?

Directed by | David Koepp | Cinematography by | Mitchell Amundsen | Editing by | Derek Ambrosi, Jill Savitt

Starring | Joseph Gordon-Levitt, Michael Shannon, Dania Ramirez, Sean Kennedy

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

The Karate Kid (2010)

Motion Picture | 2D | Color | 2.35:1 | 140 Minutes

The Karate Kid | ShotOnWhat?

Directed by | Harald Zwart | Cinematography by | Roger Pratt | Editing by | Joel Negron

Starring | Jackie Chan, Jaden Smith, Taraji P. Henson, Wenwen Han

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses | Cooke S4 Lenses

Flags of Our Fathers (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 135 Minutes

Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox

Starring | Ryan Phillippe, Barry Pepper, Joseph Cross, Jesse Bradford

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses | Panavision C Series Anamorphic Lenses

The Mummy (1999)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Stephen Sommers | Cinematography by | Adrian Biddle | Editing by | Bob Ducsay

Starring | Brendan Fraser, Rachel Weisz, John Hannah, Arnold Vosloo

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Barbershop (2002)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Tim Story | Cinematography by | Tom Priestley Jr. | Editing by | John Carter

Starring | Ice Cube, Cedric The Entertainer, Eve, Anthony Anderson

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Felicia’s Journey (1999)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton

Starring | Bob Hoskins, Arsinée Khanjian, Elaine Cassidy, Sheila Reid

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

3000 Miles to Graceland (2001)

Motion Picture | 2D | Color | 2.39:1 | 125 Minutes

Directed by | Demian Lichtenstein | Cinematography by | David Franco | Editing by | Michael J. Duthie, Miklos Wright

Starring | Kurt Russell, Kevin Costner, Courteney Cox, Christian Slater

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Sonatine (1993)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Directed by | Takeshi Kitano | Cinematography by | Katsumi Yanagijima | Editing by | Takeshi Kitano

Starring | Takeshi Kitano, Aya Kokumai, Tetsu Watanabe, Masanobu Katsumura

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera

Lenses | Panavision Primo Primes Spherical Lenses

Goodfellas (1990)

Motion Picture | 2D | Color | 1.85:1 | 146 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | James Y. Kwei, Thelma Schoonmaker

Starring | Robert De Niro, Ray Liotta, Joe Pesci, Lorraine Bracco

Cameras | ARRIFLEX 35 BL4s Camera

Lenses | Zeiss Lenses

Harry Brown (2009)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Daniel Barber | Cinematography by | Martin Ruhe | Editing by | Joe Walker

Starring | Michael Caine, Emily Mortimer, David Bradley, Charlie Creed-Miles

Cameras | Sony CineAlta F35 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

What Lies Beneath (2000)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Harrison Ford, Michelle Pfeiffer, Katharine Towne, Miranda Otto

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

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