Vertical Film Print Orientation | 1284 Titles
The Last Castle (2001)
Directed by | Rod Lurie | Cinematography by | Shelly Johnson | Editing by | Michael Jablow, Kevin Stitt
Cameras | Panavision Cameras
Lenses | Panavision Lenses
12 Rounds (2009)
The Getaway (1994)
Directed by | Roger Donaldson | Cinematography by | Peter Menzies Jr. | Editing by | Conrad Buff IV
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Three Musketeers (1993)
Directed by | Stephen Herek | Cinematography by | Dean Semler | Editing by | John F. Link
Cameras | Panavision Cameras
Lenses | Panavision Lenses
French Kiss (1995)
Directed by | Lawrence Kasdan | Cinematography by | Owen Roizman | Editing by | Joe Hutshing
Cameras | Panavision Panaflex Camera
Simon (2004)
Directed by | Eddy Terstall | Cinematography by | Willem Nagtglas | Editing by | Ben Isaacs
Cameras | Aaton Cameras
The Sorcerer’s Apprentice (2010)
Trouble with the Curve (2012)
Directed by | Robert Lorenz | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | Panavision Panaflex Platinum Camera
Tinker Tailor Soldier Spy (2011)
Directed by | Tomas Alfredson | Cinematography by | Hoyte Van Hoytema | Editing by | Dino Jonsäter
Cameras | Panavision Panaflex Millennium Camera
All or Nothing (2002)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Lesley Walker
Lenses | Angenieux Lenses, Zeiss Lenses
La guerre est déclarée (2011)
Directed by | Valérie Donzelli | Cinematography by | Sébastien Buchmann | Editing by | Pauline Gaillard
Cameras | Canon EOS-5D Mark II Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Di Renjie: Tong tian di guo (2010)
Directed by | Hark Tsui | Cinematography by | Chi-Ying Chan, Chor Keung Chan | Editing by | Chi Wai Yau
Cameras | Red One Camera
Lenses | Angenieux Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Lenses
Blood Work (2002)
Gunjô: Ai ga shizunda umi no iro (2009)
Directed by | Yosuke Nakagawa | Cinematography by | Hiro'o Yanagida | Editing by | Hiroaki Morishita
Lenses | Fujinon E Series Lenses, Panavision Lenses
The Imaginarium of Doctor Parnassus (2009)
Directed by | Terry Gilliam | Cinematography by | Nicola Pecorini | Editing by | Mick Audsley
Lenses | Zeiss Ultra Prime Lenses
Albert Nobbs (2011)
Directed by | Rodrigo García | Cinematography by | Michael McDonough | Editing by | Steven Weisberg
Cameras | Red One MX Camera
Date Night (2010)
Directed by | Shawn Levy | Cinematography by | Dean Semler | Editing by | Dean Zimmerman
Cameras | Panavision Genesis Camera
J. Edgar (2011)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Lenses | Panavision C Series Anamorphic Lenses, Panavision C100 100 mm T2.8 Lens, Panavision C75 75 mm T2.5 Lens, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens
Easy A (2010)
Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Susan Littenberg
Cameras | Panavision Genesis Camera
The Final Destination (2009)
Directed by | David R. Ellis | Cinematography by | Glen MacPherson | Editing by | Mark Stevens
Cameras | Sony CineAlta F23 Camera, Sony HDC-F950 Camera
