Vertical Film Print Orientation | 1284 Titles
Hanna (2011)
Directed by | Joe Wright | Cinematography by | Alwin H. Küchler | Editing by | Paul Tothill
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera
Yes Man (2008)
Directed by | Peyton Reed | Cinematography by | Robert D. Yeoman | Editing by | Craig Alpert
Cameras | Panavision Cameras
Taking Woodstock (2009)
Directed by | Ang Lee | Cinematography by | Eric Gautier | Editing by | Tim Squyres
Cameras | Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera, Bolex Cameras, Eclair Cameras
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
My Week with Marilyn (2011)
Directed by | Simon Curtis | Cinematography by | Ben Smithard | Editing by | Adam Recht
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
Double Jeopardy (1999)
Directed by | Bruce Beresford | Cinematography by | Peter James | Editing by | Mark Warner
Cameras | Panavision Cameras
Lenses | Panavision Lenses
20th Century Boys 1: Beginning of the End (2008)
Directed by | Yukihiko Tsutsumi | Cinematography by | Satoru Karasawa | Editing by | Nobuyuki Ito
Lenses | Fujinon E Series Lenses
Water for Elephants (2011)
Se7en (1995)
Directed by | David Fincher | Cinematography by | Darius Khondji | Editing by | Richard Francis-Bruce
Hancock (2008)
Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr., Paul Rubell
Lenses | Panavision Primo Anamorphic Lenses
La source des femmes (2011)
Directed by | Radu Mihaileanu | Cinematography by | Glynn Speeckaert
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke Speed Panchro Lenses, Schneider Lenses
Dark Shadows (2012)
Directed by | Tim Burton | Cinematography by | Bruno Delbonnel | Editing by | Chris Lebenzon
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Last Airbender (2010)
Cyclo (1995)
Directed by | Anh Hung Tran | Cinematography by | Benoît Delhomme | Editing by | Nicole Dedieu, Claude Ronzeau
Due Date (2010)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Debra Neil-Fisher
Lenses | Panavision Primo Anamorphic Lenses
Win a Date with Tad Hamilton! (2004)
Directed by | Robert Luketic | Cinematography by | Peter Lyons Collister | Editing by | Scott Hill
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Knowing (2009)
Directed by | Alex Proyas | Cinematography by | Simon Duggan | Editing by | Richard Learoyd
Cameras | Red One Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Murder in the First (1995)
Gangster No. 1 (2000)
Directed by | Paul McGuigan | Cinematography by | Peter Sova | Editing by | Andrew Hulme
Cameras | Aaton Cameras, Panavision Cameras
Priest (2011)
Directed by | Scott Stewart | Cinematography by | Don Burgess | Editing by | Lisa Zeno Churgin, Rebecca Weigold
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
1408 (2007)
Directed by | Mikael Håfström | Cinematography by | Benoît Delhomme | Editing by | Peter Boyle
Cameras | Panavision Panaflex Millennium XL Camera
