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Kodak Vision 500T 5279 Neg. Film | 226 Titles

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The Hours (2002)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Stephen Daldry | Cinematography by | Seamus McGarvey | Editing by | Peter Boyle

Starring | Meryl Streep, Nicole Kidman, Julianne Moore, Stephen Dillane

Cameras | Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Primes Spherical Lenses

L.A. Confidential (1997)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Curtis Hanson | Cinematography by | Dante Spinotti | Editing by | Peter Honess

Starring | Kevin Spacey, Russell Crowe, Guy Pearce, Kim Basinger

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Bicentennial Man (1999)

Motion Picture | 2D | Color | 1.85:1 | 132 Minutes

Directed by | Chris Columbus | Cinematography by | Phil Meheux | Editing by | Nicolas De Toth, Neil Travis

Starring | Robin Williams, Embeth Davidtz, Sam Neill, Oliver Platt

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Primo Classic Spherical Lenses

In the Mood for Love (2000)

Motion Picture | 2D | Color | 1.66:1 | 98 Minutes

In the Mood for Love | ShotOnWhat?

Directed by | Kar-Wai Wong | Cinematography by | Christopher Doyle, Pung-Leung Kwan, Ping Bin Lee | Editing by | William Chang

Starring | Tony Chiu-Wai Leung, Maggie Cheung, Ping Lam Siu, Tung Cho 'Joe' Cheung

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera, NAC Image Technology Cameras

Lenses | Zeiss Lenses

American Beauty (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 122 Minutes

Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Tariq Anwar, Christopher Greenbury

Starring | Kevin Spacey, Annette Bening, Thora Birch, Wes Bentley

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Kinsey (2004)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 118 Minutes

Directed by | Bill Condon | Cinematography by | Frederick Elmes | Editing by | Virginia Katz

Starring | Liam Neeson, Laura Linney, Chris O'Donnell, Peter Sarsgaard

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Letters from Iwo Jima (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 141 Minutes

Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach

Starring | Ken Watanabe, Kazunari Ninomiya, Tsuyoshi Ihara, Ryo Kase

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Playing by Heart (1998)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | Willard Carroll | Cinematography by | Vilmos Zsigmond | Editing by | Pietro Scalia

Starring | Gillian Anderson, Ellen Burstyn, Sean Connery, Anthony Edwards

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

The Score (2001)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

The Score | ShotOnWhat?

Directed by | Frank Oz | Cinematography by | Rob Hahn | Editing by | Richard Pearson

Starring | Robert De Niro, Edward Norton, Marlon Brando, Angela Bassett

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Frida (2002)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 123 Minutes

Directed by | Julie Taymor | Cinematography by | Rodrigo Prieto | Editing by | Françoise Bonnot

Starring | Salma Hayek, Alfred Molina, Geoffrey Rush, Mía Maestro

Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses | Zeiss Ultra Prime Lenses

The Haunting (1999)

Motion Picture | 2D | Color | 2.39:1 | 113 Minutes

Directed by | Jan de Bont | Cinematography by | Karl Walter Lindenlaub | Editing by | Michael Kahn

Starring | Liam Neeson, Catherine Zeta-Jones, Owen Wilson, Lili Taylor

Cameras | Panavision Cameras, VistaVision Cameras

Lenses | Panavision Lenses

Brokeback Mountain (2005)

Motion Picture | 2D | Color | 1.85:1 | 134 Minutes

Directed by | Ang Lee | Cinematography by | Rodrigo Prieto | Editing by | Geraldine Peroni, Dylan Tichenor

Starring | Jake Gyllenhaal, Heath Ledger, Michelle Williams, Randy Quaid

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses

A Murder of Crows (1998)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Rowdy Herrington | Cinematography by | Robert Primes | Editing by | Harry B. Miller III

Starring | Cuba Gooding Jr., Tom Berenger, Marianne Jean-Baptiste, Eric Stoltz

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Kundun (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 134 Minutes

Directed by | Martin Scorsese | Cinematography by | Roger Deakins | Editing by | Thelma Schoonmaker

Starring | Tenzin Thuthob Tsarong, Gyurme Tethong, Tulku Jamyang Kunga Tenzin, Tenzin Yeshi Paichang

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke Lenses, Cooke Super Cine Varotal 25-250mm f2.8 Lens, Zeiss Standard Speed Prime Lenses

Hollow Man (2000)

Motion Picture | 2D | Color | 1.85:1 | 112 Minutes

Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Mark Goldblatt, Ron Vignone

Starring | Kevin Bacon, Elisabeth Shue, Josh Brolin, Kim Dickens

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses | Zeiss Standard Speed Prime Lenses

The Cider House Rules (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 126 Minutes

Directed by | Lasse Hallström | Cinematography by | Oliver Stapleton | Editing by | Lisa Zeno Churgin

Starring | Tobey Maguire, Charlize Theron, Michael Caine, Delroy Lindo

Cameras | Moviecam Compact Camera

Lenses | Cooke S4 Lenses

Babel (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 143 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Douglas Crise, Stephen Mirrione

Starring | Brad Pitt, Cate Blanchett, Gael García Bernal, Mohamed Akhzam

Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Tailor of Panama (2001)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Directed by | John Boorman | Cinematography by | Philippe Rousselot | Editing by | Ron Davis

Starring | Pierce Brosnan, Geoffrey Rush, Jamie Lee Curtis, Leonor Varela

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

War of the Worlds (2005)

Motion Picture | 2D | Color | 1.85:1 | 116 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Cruise, Dakota Fanning, Tim Robbins, Miranda Otto

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Affair of the Necklace (2001)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | Charles Shyer | Cinematography by | Ashley Rowe | Editing by | David Moritz

Starring | Hilary Swank, Simon Baker, Jonathan Pryce, Adrien Brody

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux HR Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Ultra Prime Lenses

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