Kodak Vision 3 Film Neg. Film | 397 Titles
Faust (2011)
Directed by | Aleksandr Sokurov | Cinematography by | Bruno Delbonnel | Editing by | Jörg Hauschild
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses
Mauvaise fille (2012)
Directed by | Patrick Mille | Cinematography by | Jérôme Alméras | Editing by | Yann Dedet
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke 5/i Lenses, Cooke S4 Lenses
Renoir (2012)
Directed by | Gilles Bourdos | Cinematography by | Ping Bin Lee | Editing by | Yannick Kergoat
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses
Populaire (2012)
Directed by | Régis Roinsard | Cinematography by | Guillaume Schiffman | Editing by | Laure Gardette, Sophie Reine
The Monuments Men (2014)
Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Mafiosa (2006)
| Cinematography by | Aleksander Kaufmann, Pierre Novion, Patrick Blossier | Editing by | Pascale Fenouillet, Isabelle Laclau, Sylvie Pontoizeau, Peggy Koretzky, Eric Armbruster, Camille Toubkis, Jean-Paul Husson
Lenses | Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke CXX 15-40mm T2.0 Lens, Cooke S4 Lenses, Zeiss Super Speed Lenses
Day of the Falcon (2011)
Directed by | Jean-Jacques Annaud | Cinematography by | Jean-Marie Dreujou | Editing by | Hervé Schneid
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Let My People Go! (2011)
Directed by | Mikael Buch | Cinematography by | Céline Bozon | Editing by | Simon Jacquet
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens
Les aventures de Philibert, capitaine puceau (2011)
Requiem pour une tueuse (2011)
Je n’ai rien oublié (2010)
Directed by | Bruno Chiche | Cinematography by | Thomas Hardmeier | Editing by | Marion Monnier
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Cooke S4 Lenses
La brindille (2011)
Directed by | Emmanuelle Millet | Cinematography by | Antoine Héberlé | Editing by | Emmanuelle Castro, Anny Danché
Cameras | Aaton Penelope Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses
Les hommes libres (2011)
Directed by | Ismaël Ferroukhi | Cinematography by | Jérôme Alméras | Editing by | Annette Dutertre
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
On ne choisit pas sa famille (2011)
Directed by | Christian Clavier | Cinematography by | Pascal Ridao | Editing by | Christophe Pinel
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Un baiser papillon (2011)
Directed by | Karine Silla | Cinematography by | Thomas Hardmeier | Editing by | Anny Danché
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Master Prime Lenses
Sur la piste du Marsupilami (2012)
Directed by | Alain Chabat | Cinematography by | Laurent Dailland | Editing by | Maryline Monthieux
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
Lore (2012)
Directed by | Cate Shortland | Cinematography by | Adam Arkapaw | Editing by | Veronika Jenet
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Plus Camera
Lenses | Canon Lenses, Zeiss Ultra 16 Lenses
Runner Runner (2013)
Directed by | Brad Furman | Cinematography by | Mauro Fiore | Editing by | Jeff McEvoy
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens
The Family (2013)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Julien Rey
Lenses | Angenieux Optimo Zoom Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Je vais te manquer (2009)
Directed by | Amanda Sthers | Cinematography by | Régis Blondeau | Editing by | Elise Fievet
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
