Kodak Vision 3 Film Neg. Film | 398 Titles
Quartet (2012)
Mauvaise fille (2012)
 Directed by | Patrick Mille | Cinematography by | Jérôme Alméras | Editing by | Yann Dedet 
 
  Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera 
  Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke 5/i Lenses, Cooke S4 Lenses 
Renoir (2012)
 Directed by | Gilles Bourdos | Cinematography by | Ping Bin Lee | Editing by | Yannick Kergoat  
 
  Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses 
Populaire (2012)
 Directed by | Régis Roinsard | Cinematography by | Guillaume Schiffman | Editing by | Laure Gardette, Sophie Reine  
 
 The Monuments Men (2014)
 Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione  
 
  Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens 
Mafiosa (2006)
  | Cinematography by | Aleksander Kaufmann, Pierre Novion, Patrick Blossier | Editing by | Pascale Fenouillet, Isabelle Laclau, Sylvie Pontoizeau, Peggy Koretzky, Eric Armbruster, Camille Toubkis, Jean-Paul Husson  
 
  Lenses | Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke CXX 15-40mm T2.0 Lens, Cooke S4 Lenses, Zeiss Super Speed Lenses 
Day of the Falcon (2011)
 Directed by | Jean-Jacques Annaud | Cinematography by | Jean-Marie Dreujou | Editing by | Hervé Schneid 
 
  Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera 
  Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses 
Let My People Go! (2011)
 Directed by | Mikael Buch | Cinematography by | Céline Bozon | Editing by | Simon Jacquet 
 
  Cameras | ARRICAM Lite (LT) Camera 
  Lenses | Angenieux Optimo 15-40 mm T2.6 Lens 
Requiem pour une tueuse (2011)
Je n’ai rien oublié (2010)
 Directed by | Bruno Chiche | Cinematography by | Thomas Hardmeier | Editing by | Marion Monnier  
 
  Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Cooke S4 Lenses 
La brindille (2011)
 Directed by | Emmanuelle Millet | Cinematography by | Antoine Héberlé | Editing by | Emmanuelle Castro, Anny Danché 
 
  Cameras | Aaton Penelope Camera 
  Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses 
Les hommes libres (2011)
 Directed by | Ismaël Ferroukhi | Cinematography by | Jérôme Alméras | Editing by | Annette Dutertre 
 
  Cameras | ARRICAM Lite (LT) Camera 
  Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses 
On ne choisit pas sa famille (2011)
 Directed by | Christian Clavier | Cinematography by | Pascal Ridao | Editing by | Christophe Pinel  
 
  Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses 
Un baiser papillon (2011)
 Directed by | Karine Silla | Cinematography by | Thomas Hardmeier | Editing by | Anny Danché 
 
  Cameras | ARRICAM Lite (LT) Camera 
  Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Master Prime Lenses 
Sur la piste du Marsupilami (2012)
 Directed by | Alain Chabat | Cinematography by | Laurent Dailland | Editing by | Maryline Monthieux 
 
  Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera 
 Lore (2012)
 Directed by | Cate Shortland | Cinematography by | Adam Arkapaw | Editing by | Veronika Jenet 
 
  Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Plus Camera 
  Lenses | Canon Lenses, Zeiss Ultra 16 Lenses 
Runner Runner (2013)
 Directed by | Brad Furman | Cinematography by | Mauro Fiore | Editing by | Jeff McEvoy  
 
  Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens 
The Family (2013)
 Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Julien Rey  
 
  Lenses | Angenieux Optimo Zoom Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses 
 



















































