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Laboratoires Éclair, Paris | 55 Titles

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Munich (2005)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 164 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Eric Bana, Daniel Craig, Marie-Josée Croze, Ciarán Hinds

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Tess (1979)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 186 Minutes

Directed by | Roman Polanski | Cinematography by | Ghislain Cloquet, Geoffrey Unsworth | Editing by | Alastair McIntyre, Tom Priestley

Starring | Nastassja Kinski, Peter Firth, Leigh Lawson

Cameras | Panavision Cameras

Amélie (2001)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 122 Minutes

Directed by | Jean-Pierre Jeunet | Cinematography by | Bruno Delbonnel | Editing by | Hervé Schneid

Starring | Audrey Tautou, Mathieu Kassovitz, Rufus

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera, Iwerks Cameras

Lenses | Zeiss Ultra Prime Lenses

A Very Long Engagement (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 133 Minutes

Directed by | Jean-Pierre Jeunet | Cinematography by | Bruno Delbonnel | Editing by | Hervé Schneid

Starring | Audrey Tautou, Gaspard Ulliel, Jodie Foster

Cameras | Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens

Before Sunset (2004)

Motion Picture | 2D | Color | 1.85:1 | 80 Minutes

Directed by | Richard Linklater | Cinematography by | Lee Daniel | Editing by | Sandra Adair

Starring | Ethan Hawke, Julie Delpy, Vernon Dobtcheff

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Diving Bell and the Butterfly (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 112 Minutes

Directed by | Julian Schnabel | Cinematography by | Janusz Kaminski | Editing by | Juliette Welfling

Starring | Mathieu Amalric, Emmanuelle Seigner, Marie-Josée Croze, Anne Consigny

Cameras | ARRIFLEX 435 Camera

Lenses | ARRI Shift & Tilt System Lens, Zeiss Super Speed Lenses

La danza de la realidad (2013)

Motion Picture | 2D | Color | 1.85:1 | 133 Minutes

Directed by | Alejandro Jodorowsky | Cinematography by | Jean-Marie Dreujou | Editing by | Maryline Monthieux

Starring | Brontis Jodorowsky, Pamela Flores, Jeremias Herskovits, Alejandro Jodorowsky

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Avant l’hiver (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Philippe Claudel | Cinematography by | Denis Lenoir | Editing by | Elisa Aboulker

Starring | Daniel Auteuil, Kristin Scott Thomas, Leïla Bekhti, Richard Berry

Cameras | ARRI ALEXA Studio Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses

24 Days (2014)

Motion Picture | 2D | Color | 108 Minutes

Directed by | Alexandre Arcady | Cinematography by | Gilles Henry | Editing by | Manuel De Sousa

Starring | Zabou Breitman, Pascal Elbé, Jacques Gamblin, Sylvie Testud

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Deux jours, une nuit (2014)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Jean-Pierre Dardenne, Luc Dardenne | Cinematography by | Alain Marcoen | Editing by | Marie-Hélène Dozo

Starring | Marion Cotillard, Fabrizio Rongione, Catherine Salée, Baptiste Sornin

Cameras | ARRI ALEXA M Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Zeiss Standard Speed Prime Lenses

Mais qui a re-tué Pamela Rose? (2012)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Olivier Baroux, Kad Merad | Cinematography by | Régis Blondeau | Editing by | Elodie Codaccioni

Starring | Kad Merad, Olivier Baroux, Omar Sy, Laurent Lafitte

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Cloclo (2012)

Motion Picture | 2D | Color | 2.39:1 | 148 Minutes

Directed by | Florent-Emilio Siri | Cinematography by | Giovanni Fiore Coltellacci | Editing by | Olivier Gajan

Starring | Jérémie Renier, Benoît Magimel, Monica Scattini, Sabrina Seyvecou

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

600 kilos d’or pur (2010)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Éric Besnard | Cinematography by | Jean-Marie Dreujou | Editing by | Christophe Pinel

Starring | Clovis Cornillac, Audrey Dana, Patrick Chesnais, Claudio Santamaria

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Léon: The Professional (1994)

Motion Picture | 2D | Color | 2.35:1 | 110 Minutes

Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Sylvie Landra

Starring | Jean Reno, Gary Oldman, Natalie Portman, Danny Aiello

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux HR Zoom Lenses, Technovision Lenses

Le premier homme (2011)

Motion Picture | 2D | Color | 1.85:1 | 101 Minutes

Directed by | Gianni Amelio | Cinematography by | Yves Cape | Editing by | Carlo Simeoni

Starring | Michel Crémadès, Jacques Gamblin, Mickaël Batret, Jean Benoit Souilh

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Bird People (2014)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | Pascale Ferran | Cinematography by | Julien Hirsch | Editing by | Mathilde Muyard

Starring | Josh Charles, Anaïs Demoustier, Roschdy Zem, Radha Mitchell

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses

Les gamins (2013)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Anthony Marciano | Cinematography by | Jean-Paul Agostini | Editing by | Virginie Bruant, Samuel Danési

Starring | Alain Chabat, Max Boublil, Sandrine Kiberlain, Mélanie Bernier

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Denis (2013)

Motion Picture | 2D | Color | 1.85:1 | 85 Minutes

Directed by | Lionel Bailliu | Cinematography by | Stéphane Le Parc | Editing by | Vincent Zuffranieri

Starring | Fabrice Eboué, Jean-Paul Rouve, Audrey Dana, Sara Giraudeau

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Bienvenue parmi nous (2012)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Jean Becker | Cinematography by | Arthur Cloquet | Editing by | Franck Nakache, Jacques Witta

Starring | Patrick Chesnais, Jeanne Lambert, Miou-Miou, Jacques Weber

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Let My People Go! (2011)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Mikael Buch | Cinematography by | Céline Bozon | Editing by | Simon Jacquet

Starring | Nicolas Maury, Carmen Maura, Jean-François Stévenin, Amira Casar

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens

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