20th Century Fox Home Entertainment | 78 Titles
Sunrise (1927)
Directed by | F.W. Murnau | Cinematography by | Charles Rosher, Karl Struss | Editing by | Harold D. Schuster
Cameras | Mitchell Standard Camera
Ocean’s Eight (2018)
Directed by | Gary Ross | Cinematography by | Eigil Bryld | Editing by | Juliette Welfling
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera
The Grapes of Wrath (1940)
Directed by | John Ford | Cinematography by | Gregg Toland | Editing by | Robert L. Simpson
Cameras | Mitchell Cameras
The Black Swan (1942)
Directed by | Henry King | Cinematography by | Leon Shamroy | Editing by | Barbara McLean
Cameras | Technicolor Cameras
The Towering Inferno (1974)
Directed by | John Guillermin | Cinematography by | Fred J. Koenekamp | Editing by | Carl Kress, Harold F. Kress
Cameras | Panavision Silent Reflex PSR Camera
Geostorm (2017)
Directed by | Dean Devlin | Cinematography by | Roberto Schaefer | Editing by | Chris Lebenzon, John Refoua, Ron Rosen
Cameras | Red Epic Dragon Camera
The Predator (2018)
Directed by | Shane Black | Cinematography by | Larry Fong | Editing by | Harry B. Miller III
Lenses | Panavision Ultra Speed MKII Lenses
The Big Sleep (1946)
Alien: Covenant (2017)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia
Lenses | Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses
The Post (2017)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn
Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses
Red Sparrow (2018)
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Around the World in Eighty Days (1956) 
Directed by | Michael Anderson, John Farrow | Cinematography by | Lionel Lindon | Editing by | Howard Epstein, Gene Ruggiero, Paul Weatherwax
Cameras | Todd-AO 65mm Camera
Lenses | Todd-AO Lenses
A River Runs Through It (1992)
Directed by | Robert Redford | Cinematography by | Philippe Rousselot | Editing by | Robert Estrin, Lynzee Klingman
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Hitman’s Bodyguard (2017)
Directed by | Patrick Hughes | Cinematography by | Jules O'Loughlin | Editing by | Jake Roberts
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera
Lenses | Angenieux Lenses, Hawk V-Lite Vintage´74 Lens
The Greatest Showman (2017)
Directed by | Michael Gracey | Cinematography by | Seamus McGarvey | Editing by | Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses
The Shape of Water (2017)
Directed by | Guillermo del Toro | Cinematography by | Dan Laustsen | Editing by | Sidney Wolinsky
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Zeiss Master Prime Lenses
Battle of the Sexes (2017)
Directed by | Jonathan Dayton, Valerie Faris | Cinematography by | Linus Sandgren | Editing by | Pamela Martin
The Maltese Falcon (1941)
Directed by | John Huston | Cinematography by | Arthur Edeson | Editing by | Thomas Richards
Cameras | Mitchell BNC Camera
