LaserDisc | 174 Titles
Dead Poets Society (1989)
Directed by | Peter Weir | Cinematography by | John Seale | Editing by | William M. Anderson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Rocky (1976)
Directed by | John G. Avildsen | Cinematography by | James Crabe | Editing by | Scott Conrad, Richard Halsey
Lenses | Panavision Lenses
A Prayer for the Dying (1987)
Directed by | Mike Hodges | Cinematography by | Michael Garfath | Editing by | Peter Boyle
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Logan’s Run (1976)
Directed by | Michael Anderson | Cinematography by | Ernest Laszlo | Editing by | Bob Wyman
Cameras | ARRIFLEX Camera, Mitchell Cameras
Rain Man (1988)
Directed by | Barry Levinson | Cinematography by | John Seale | Editing by | Stu Linder
Cameras | Panavision Panaflex Camera
The Last Emperor (1987)
Directed by | Bernardo Bertolucci | Cinematography by | Vittorio Storaro | Editing by | Gabriella Cristiani
Cameras | ARRIFLEX 35 BL Camera
Lenses | Technovision Lenses
Jerry Maguire (1996)
Directed by | Cameron Crowe | Cinematography by | Janusz Kaminski | Editing by | Joe Hutshing, David Moritz
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Evita (1996)
Directed by | Alan Parker | Cinematography by | Darius Khondji | Editing by | Gerry Hambling
Cameras | Moviecam Compact Camera
Lenses | Cooke Xtal Express Lenses
Dumb & Dumber (1994)
Directed by | Peter Farrelly, Bobby Farrelly | Cinematography by | Mark Irwin | Editing by | Christopher Greenbury
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Saving Private Ryan (1998)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Armageddon (1998)
Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Mark Goldblatt, Chris Lebenzon, Glen Scantlebury
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
The Sound of Music (1965)
Directed by | Robert Wise | Cinematography by | Ted D. McCord | Editing by | William Reynolds
Cameras | Mitchell BNC Camera, Modern Cinema Systems MCS-70
Titanic (1997)
Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | Conrad Buff IV, James Cameron, Richard A. Harris
Primary Colors (1998)
Directed by | Mike Nichols | Cinematography by | Michael Ballhaus | Editing by | Arthur Schmidt
Cameras | ARRIFLEX Camera
Se7en (1995)
Directed by | David Fincher | Cinematography by | Darius Khondji | Editing by | Richard Francis-Bruce
Waterworld (1995)
Directed by | Kevin Reynolds | Cinematography by | Dean Semler | Editing by | Peter Boyle
Cameras | Aaton 35-III Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, Cine SL-35 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera
Robin Hood: Prince of Thieves (1991)
Directed by | Kevin Reynolds | Cinematography by | Douglas Milsome | Editing by | Peter Boyle
Cameras | ARRIFLEX Camera
Lenses | ARRI Lenses
The Fifth Element (1997)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Sylvie Landra
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses | Zeiss Lenses
Extreme Justice (1993)
Directed by | Mark L. Lester | Cinematography by | Mark Irwin | Editing by | Donn Aron
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Grand Canyon (1991)
Directed by | Lawrence Kasdan | Cinematography by | Owen Roizman | Editing by | Carol Littleton
Cameras | Panavision Panaflex Gold Camera

























































































