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Eat Pray Love (2010)

Motion Picture | 2D | Color | 1.85:1 | 133 Minutes

Directed by | Ryan Murphy | Cinematography by | Robert Richardson | Editing by | Bradley Buecker

Starring | Julia Roberts, Javier Bardem, Richard Jenkins, Viola Davis

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Green Hornet (2011)

Motion Picture | 3D | Color | 2.35:1 | 119 Minutes

The Green Hornet | ShotOnWhat?

Directed by | Michel Gondry | Cinematography by | John Schwartzman | Editing by | Michael Tronick

Starring | Seth Rogen, Jay Chou, Christoph Waltz, Cameron Diaz

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

61* (2001)

Television Movie | 2D | Color | 1.85:1 | 129 Minutes

Directed by | Billy Crystal | Cinematography by | Haskell Wexler | Editing by | Michael Jablow

Starring | Barry Pepper, Thomas Jane, Anthony Michael Hall, Richard Masur

Cameras | ARRIFLEX 435 ES Camera

Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Hawk 150-450 mm T2.8 Lens

The General’s Daughter (1999)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

The General’s Daughter | ShotOnWhat?

Directed by | Simon West | Cinematography by | Peter Menzies Jr. | Editing by | Glen Scantlebury

Starring | John Travolta, Madeleine Stowe, James Cromwell, Timothy Hutton

Cameras | Pan-Arri III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

Superbad (2007)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

Superbad | ShotOnWhat?

Directed by | Greg Mottola | Cinematography by | Russ T. Alsobrook | Editing by | William Kerr

Starring | Michael Cera, Jonah Hill, Christopher Mintz-Plasse, Bill Hader

Cameras | Phantom HD Camera

Friday Night (2002)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Friday Night | ShotOnWhat?

Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Nelly Quettier

Starring | Valérie Lemercier, Vincent Lindon, Hélène de Saint-Père, Hélène Fillières

Cameras | Aaton 35-III Camera, Aaton A-Minima Camera

Lenses | Zeiss Standard Speed Prime Lenses, Zeiss Ultra Prime Lenses

Funny People (2009)

Motion Picture | 2D | Color | 1.85:1 | 146 Minutes

Funny People | ShotOnWhat?

Directed by | Judd Apatow | Cinematography by | Janusz Kaminski | Editing by | Craig Alpert, Brent White

Starring | Adam Sandler, Seth Rogen, Leslie Mann, Eric Bana

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

All the Real Girls (2003)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Zene Baker, Steven Gonzales

Starring | Zooey Deschanel, Paul Schneider, Patricia Clarkson, Shea Whigham

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Moviecam SuperAmerica Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Identity (2003)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Identity | ShotOnWhat?

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | David Brenner

Starring | John Cusack, Ray Liotta, Amanda Peet, John Hawkes

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Moonlight Mile (2002)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Brad Silberling | Cinematography by | Phedon Papamichael | Editing by | Lisa Zeno Churgin

Starring | Jake Gyllenhaal, Dustin Hoffman, Susan Sarandon, Alexia Landeau

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses

Clash of the Titans (2010)

Motion Picture | 3D | Color | 2.35:1 | 106 Minutes

Clash of the Titans | ShotOnWhat?

Directed by | Louis Leterrier | Cinematography by | Peter Menzies Jr. | Editing by | David Freeman, Vincent Tabaillon, Martin Walsh

Starring | Sam Worthington, Liam Neeson, Ralph Fiennes, Jason Flemyng

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Cold Mountain (2003)

Motion Picture | 2D | Color | 2.39:1 | 154 Minutes

Directed by | Anthony Minghella | Cinematography by | John Seale | Editing by | Walter Murch

Starring | Jude Law, Nicole Kidman, Renée Zellweger, Eileen Atkins

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Hours (2002)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Stephen Daldry | Cinematography by | Seamus McGarvey | Editing by | Peter Boyle

Starring | Meryl Streep, Nicole Kidman, Julianne Moore, Stephen Dillane

Cameras | Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Primes Spherical Lenses

Days of Thunder (1990)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 107 Minutes

Directed by | Tony Scott | Cinematography by | Ward Russell | Editing by | Robert C. Jones, Chris Lebenzon, Bert Lovitt, Michael Tronick, Stuart Waks, Billy Weber

Starring | Tom Cruise, Nicole Kidman, Robert Duvall, Randy Quaid

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Almost Famous (2000)

Motion Picture | 2D | Color | 1.85:1 | 122 Minutes

Directed by | Cameron Crowe | Cinematography by | John Toll | Editing by | Joe Hutshing, Saar Klein

Starring | Billy Crudup, Patrick Fugit, Kate Hudson, Frances McDormand

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Passion in the Desert (1997)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Directed by | Lavinia Currier | Cinematography by | Aleksey Rodionov | Editing by | Nicolas Gaster

Starring | Ben Daniels, Michel Piccoli, Paul M. Meston, Kenneth Collard

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera

Lenses | Cooke Cinetal Lenses, Zeiss Standard Speed Prime Lenses

Great Expectations (1998)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Great Expectations | ShotOnWhat?

Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Steven Weisberg

Starring | Ethan Hawke, Gwyneth Paltrow, Hank Azaria, Chris Cooper

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Interlocked: Thrilled to Death (1998)

Motion Picture | 2D | Color | 93 Minutes

Directed by | Rick Jacobson | Cinematography by | Jesse Weathington | Editing by | Jeffrey Schwarz

Starring | Jeff Trachta, Schae Harrison, Sandra Dee Robinson, Howard Mungo

Cameras | ARRIFLEX Camera

…And Then She Was Gone (1991)

Television Movie | 2D | Color | 1.33:1 (4x3) | 100 Minutes

Directed by | David Greene | Cinematography by | Stevan Larner | Editing by | Michael D. Ornstein

Starring | Robert Urich, Megan Gallagher, Brett Cullen, Vondie Curtis-Hall

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Ghost and the Darkness (1996)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

The Ghost and the Darkness | ShotOnWhat?

Directed by | Stephen Hopkins | Cinematography by | Vilmos Zsigmond | Editing by | Roger Bondelli, Robert Brown, Steve Mirkovich, Bert Lovitt

Starring | Michael Douglas, Val Kilmer, Tom Wilkinson, John Kani

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

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