Film Print | 1319 Titles
Last Action Hero (1993)
Directed by | John McTiernan | Cinematography by | Dean Semler | Editing by | Richard A. Harris, John Wright
Cameras | Panavision Panaflex Gold II Camera
Twister (1996)
Directed by | Jan de Bont | Cinematography by | Jack N. Green | Editing by | Michael Kahn
Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera
Lethal Weapon 4 (1998)
Directed by | Richard Donner | Cinematography by | Andrzej Bartkowiak | Editing by | Dallas Puett, Kevin Stitt, Eric Strand, Frank J. Urioste
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Rookie (2002)
Directed by | John Lee Hancock | Cinematography by | John Schwartzman | Editing by | Eric L. Beason
Cameras | Panavision Panaflex Platinum Camera
Pinocchio (2002)
Directed by | Roberto Benigni | Cinematography by | Dante Spinotti | Editing by | Simona Paggi
Cameras | Panavision Panaflex Platinum Camera
Belle épine (2010)
Directed by | Rebecca Zlotowski | Cinematography by | Georges Lechaptois | Editing by | Julien Lacheray
Anna Karenina (2012)
Directed by | Joe Wright | Cinematography by | Seamus McGarvey | Editing by | Melanie Oliver
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Before Night Falls (2000)
Directed by | Julian Schnabel | Cinematography by | Xavier Grobet, Guillermo Rosas | Editing by | Michael Berenbaum
Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Super Speed Lenses
I Heart Huckabees (2004)
Directed by | David O. Russell | Cinematography by | Peter Deming | Editing by | Robert K. Lambert
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
28 Days (2000)
Directed by | Betty Thomas | Cinematography by | Declan Quinn | Editing by | Peter Teschner
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Punch-Drunk Love (2002)
Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Leslie Jones
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Uninvited (2009)
Directed by | Charles Guard, Thomas Guard | Cinematography by | Daniel Landin | Editing by | Jim Page, Christian Wagner
Cameras | Panavision Cameras
The Truman Show (1998)
Directed by | Peter Weir | Cinematography by | Peter Biziou | Editing by | William M. Anderson, Lee Smith
Cameras | Panavision Panaflex Platinum Camera
Carlito’s Way (1993)
Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Kristina Boden, Bill Pankow
Cameras | Panavision Panaflex Gold II Camera
Sommersturm (2004)
Directed by | Marco Kreuzpaintner | Cinematography by | Daniel Gottschalk | Editing by | Hansjörg Weißbrich
Cameras | ARRI Cameras
Rush Hour (1998)
Directed by | Brett Ratner | Cinematography by | Adam Greenberg | Editing by | Mark Helfrich
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Biutiful (2010)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione
Lenses | Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
A Lot Like Love (2005)
Directed by | Nigel Cole | Cinematography by | John de Borman | Editing by | Susan Littenberg
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Peter Pan (2003)
Directed by | P.J. Hogan | Cinematography by | Donald McAlpine | Editing by | Garth Craven, Michael Kahn
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

































































