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[REC] 3: Genesis (2012)

Motion Picture | 2D | Color | 1.78:1 (16x9), 2.39:1 | 80 Minutes

[REC] 3: Genesis | ShotOnWhat?

Directed by | Paco Plaza | Cinematography by | Pablo Rosso | Editing by | David Gallart

Starring | Leticia Dolera, Diego Martín, Ismael Martínez, Àlex Monner

Cameras | ARRI ALEXA Camera

Lenses | Hawk V-Lite Lenses

A Night at the Roxbury (1998)

Motion Picture | 2D | Color | 1.85:1 | 82 Minutes

Directed by | John Fortenberry | Cinematography by | Francis Kenny | Editing by | Jay Kamen

Starring | Chris Kattan, Will Ferrell, Raquel Gardner, Viveca Paulin

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Hubble 3D (2010)

Motion Picture | 3D | Color | 1.44:1, 1.78:1 (16x9) | 44 Minutes

Hubble 3D | ShotOnWhat?

Directed by | Toni Myers | Cinematography by | James Neihouse | Editing by | Toni Myers

Starring | Leonardo DiCaprio, Scott D. Altman, Megan McArthur, Andrew J. Feustel

Cameras | Canon Cameras, IMAX 3D-15 Solido Camera, IMAX 3D-30 Camera

30 Days of Night: Dark Days (2010)

Direct to Video | 2D | Color | 1.85:1 | 92 Minutes

Directed by | Ben Ketai | Cinematography by | Eric Maddison | Editing by | Darrin Navarro

Starring | Kiele Sanchez, Rhys Coiro, Diora Baird, Harold Perrineau

Cameras | Sony CineAlta F35 Camera

24 7: Twenty Four Seven (1997)

Motion Picture | 2D | Black & White | 1.85:1 | 96 Minutes

Directed by | Shane Meadows | Cinematography by | Ashley Rowe | Editing by | William Diver

Starring | Bob Hoskins, Danny Nussbaum, Toby, Bruce Jones

Cameras | ARRIFLEX 535 B Camera

Lenses | Zeiss Lenses

Leap Year (2010)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Anand Tucker | Cinematography by | Newton Thomas Sigel | Editing by | Nick Moore

Starring | Amy Adams, Matthew Goode, Adam Scott, John Lithgow

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision G Series Anamorphic Lenses

Hit and Run (2012)

Motion Picture | 2D | Color | 2.35:1 | 100 Minutes

Hit and Run | ShotOnWhat?

Directed by | David Palmer, Dax Shepard | Cinematography by | Bradley Stonesifer | Editing by | Keith Croket, Dax Shepard

Starring | Dax Shepard, Kristen Bell, Bradley Cooper, Kristin Chenoweth

Cameras | ARRI Cameras

A Guide to Recognizing Your Saints (2006)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Dito Montiel | Cinematography by | Eric Gautier | Editing by | Jake Pushinsky, Christopher Tellefsen

Starring | Robert Downey Jr., Rosario Dawson, Shia LaBeouf, Dianne Wiest

Cameras | Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Brooklyn Rules (2007)

Motion Picture | 2D | Color | 2.39:1 | 99 Minutes

Directed by | Michael Corrente | Cinematography by | Richard Crudo | Editing by | Kate Sanford

Starring | Paulo Araujo, Daniel Tay, Ty Thomas Reed, Brian O'Neill

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera

Lenses | Panavision C Series Anamorphic Lenses

My Sister’s Keeper (2009)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

My Sister’s Keeper | ShotOnWhat?

Directed by | Nick Cassavetes | Cinematography by | Caleb Deschanel | Editing by | Jim Flynn, Alan Heim

Starring | Cameron Diaz, Abigail Breslin, Alec Baldwin, Walter Raney

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Amateur (1994)

Motion Picture | 2D | Color | 1.66:1 | 105 Minutes

Directed by | Hal Hartley | Cinematography by | Michael Spiller | Editing by | Steve Hamilton

Starring | Isabelle Huppert, Martin Donovan, Elina Löwensohn, Damian Young

Cameras | Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

Twin Peaks: Fire Walk with Me (1992)

Motion Picture | 2D | Color | 1.85:1 | 134 Minutes

Directed by | David Lynch | Cinematography by | Ronald Víctor García | Editing by | Mary Sweeney

Starring | Sheryl Lee, Ray Wise, Mädchen Amick, Dana Ashbrook

Cameras | Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

Hellboy II: The Golden Army (2008)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 120 Minutes

Directed by | Guillermo del Toro | Cinematography by | Guillermo Navarro | Editing by | Bernat Vilaplana

Starring | Ron Perlman, Selma Blair, Doug Jones, John Alexander

Cameras | ARRIFLEX 235 Camera, Moviecam Compact Camera

Lenses | Zeiss Ultra Prime Lenses

Once Upon a Time in China III (1992)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Once Upon a Time in China III | ShotOnWhat?

Directed by | Hark Tsui | Cinematography by | Andrew Lau Wai-Keung | Editing by | Angie Lam, Marco Mak

Starring | Jet Li, Rosamund Kwan, Siu Chung Mok, Xin Xin Xiong

Cameras | Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

3 Ninjas Kick Back (1994)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Charles T. Kanganis | Cinematography by | Christopher Faloona | Editing by | Jeffrey Reiner, David Rennie

Starring | Victor Wong, Max Elliott Slade, Sean Fox, J. Evan Bonifant

Cameras | ARRI Cameras

Cowboys & Aliens (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 119 Minutes

Directed by | Jon Favreau | Cinematography by | Matthew Libatique | Editing by | Dan Lebental, Jim May

Starring | Daniel Craig, Harrison Ford, Olivia Wilde, Abigail Spencer

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Letters from Iwo Jima (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 141 Minutes

Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach

Starring | Ken Watanabe, Kazunari Ninomiya, Tsuyoshi Ihara, Ryo Kase

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Playing by Heart (1998)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | Willard Carroll | Cinematography by | Vilmos Zsigmond | Editing by | Pietro Scalia

Starring | Gillian Anderson, Ellen Burstyn, Sean Connery, Anthony Edwards

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

The Score (2001)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

The Score | ShotOnWhat?

Directed by | Frank Oz | Cinematography by | Rob Hahn | Editing by | Richard Pearson

Starring | Robert De Niro, Edward Norton, Marlon Brando, Angela Bassett

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Coco Before Chanel (2009)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Anne Fontaine | Cinematography by | Christophe Beaucarne | Editing by | Luc Barnier

Starring | Audrey Tautou, Benoît Poelvoorde, Alessandro Nivola, Marie Gillain

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

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