23.976 fps Distribution | 184 Titles
Down and Dangerous (2013)
Directed by | Zak Forsman | Cinematography by | Zak Forsman, Sam Krueger | Editing by | Jamie Cobb
Cameras | Panasonic AG-AF100 Camera
Love Simple (2009)
Directed by | Mark von Sternberg | Cinematography by | Lance Kaplan | Editing by | Dave Buchwald
Cameras | Panasonic AG-HVX200 Camera, Panasonic Cameras
Lenses | Canon Lenses
Reparando (2010)
Directed by | Scott Owen Moore | Cinematography by | Bobby Marko, Scott Owen Moore | Editing by | Scott Owen Moore
Hawaii Five-0 (2010)
| Cinematography by | James L. Carter, Krishna Rao, Michael Martinez, Kurt Jones, Alan Caso, Newton TerMeer, Ronald Víctor García, Donald E. Thorin Jr., Gabriel Beristain | Editing by | Roderick Davis, Maja Vrvilo, John A. Keris, James Wilcox, Johnathon Pensky, Scott Powell, Harry B. Miller III, Casey O. Rohrs, Peter Basinski, Scott Gamzon, Andrew Charlton, Paul Fontaine, Roy C. Poole, Douglas Clark, Nicolas De Toth, Elisa Cohen, Felicia Mignon Livingston, Christopher Oakes, John Gilbert
Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera
4 Points (2012)
| Cinematography by | Robert Christopher Webb, Jesse Bactat | Editing by | Joe Rubalcaba
Cameras | Canon Cameras, Canon EOS-7D Camera, Canon XF305 Camera, Sony Cameras, Sony PMW-EX1 Camera, Sony PMW-EX3 Camera
Sick Boy (2012)
Directed by | Tim T. Cunningham | Cinematography by | Sean C. Cunningham
Cameras | Canon EOS-7D Camera
Zero 2 (2010)
Directed by | Emilis Velyvis | Cinematography by | Robertas Pileckas | Editing by | Jonas Sunklodas
Cameras | Red One Camera
Atlas Shrugged II: The Strike (2012)
Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | John Gilbert
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens
Katy Perry: Part of Me (2012)
Directed by | Dan Cutforth, Jane Lipsitz | Editing by | Scott Evans, Brian David Lazarte, Scott Richter, Hans van Riet
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
The Sons of Tennessee Williams (2010)
Directed by | Tim Wolff | Cinematography by | Eric Adkins | Editing by | Matt Bucy, Tim Wolff
Cameras | Sony CineAlta F23 Camera, Sony PMW-EX1 Camera
Além de Ti (2013)
Directed by | João Marco | Cinematography by | João Marco | Editing by | João Marco
Cameras | Canon EOS 550D Camera
Lenses | Canon Lenses
Hard Boiled Sweets (2012)
Directed by | David L.G. Hughes | Cinematography by | Sara Deane | Editing by | Lloyd George
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon L Series Lenses
Splinterheads (2009)
Directed by | Brant Sersen | Cinematography by | Michael Simmonds | Editing by | Chris Lechler
Cameras | Red One Camera
Dark Shadows (2012)
Directed by | Tim Burton | Cinematography by | Bruno Delbonnel | Editing by | Chris Lebenzon
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
AfterThought (2007)
Directed by | Douglas Elford-Argent | Cinematography by | Marc Menet | Editing by | Wendy Elford-Argent
Cameras | Sony HDW-F900 Camera
Desire Street (2011)
Directed by | Roberto F. Canuto, Xiaoxi Xu | Cinematography by | Roberto F. Canuto, Xiaoxi Xu | Editing by | Roberto F. Canuto, Xiaoxi Xu
Cameras | ARRIFLEX 16mm Cameras
The Weather Man (2005)
Barmy (2012)
Directed by | Russell Bailey | Cinematography by | Alan Vidali | Editing by | Russell Bailey
Cameras | Red One MX Camera
Lenses | Zeiss Ultra Prime Lenses