23.976 fps Distribution | 184 Titles
The New Avengers (1976)
| Cinematography by | Michael Reed, Ernest Steward, Henri Fiks, Gilbert Sarthre, Ian Wilson, James Allen, Jack Atcheler, Karol Ike, Dennis Miller | Editing by | Robert C. Dearberg, Ralph Sheldon, Alan Killick, Graeme Clifford, Eric Wrate, Eric Boyd-Perkins, Stephen Lawrence
Sanatorium (2013)
Directed by | Brant Sersen | Cinematography by | Daniel Sharnoff | Editing by | Chris Lechler
Cameras | Canon EOS-7D Camera, Canon VIXIA HF10 Camera, GoPro HD Hero2 Camera, Sony Other Camera, Sony PMW-EX1 Camera
Leverage (2008)
| Cinematography by | David Connell, Neil Holcomb, Alan Caso | Editing by | Sonny Baskin, Brian Gonosey, David Siegel, Chris A. Peterson
Kvadrat (2013)
Directed by | Anatoly K. Ivanov | Cinematography by | Anatoly K. Ivanov | Editing by | Anatoly K. Ivanov
Cameras | Canon EOS-1D Mark IV Camera
Lenses | Canon EF 24-105 mm f4.0 L IS Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon EF Series Lenses
Léon: The Professional (1994)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Sylvie Landra
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Angenieux HR Zoom Lenses, Technovision Lenses
Fargo (2014)
| Cinematography by | Dana Gonzales, Craig Wrobleski, Matthew J. Lloyd | Editing by | Regis Kimble, Skip Macdonald, Bridget Durnford, Curtis Thurber, Henk Van Eeghen, Andrew Seklir
Cameras | ARRI ALEXA Plus Camera
Four Assassins (2011)
Directed by | Stanley J. Orzel | Cinematography by | Wah-Chuen Lam | Editing by | Darren Richter
Cameras | Red One Camera
Le grand soir (2012)
Directed by | Benoît Delépine, Gustave Kervern | Cinematography by | Hugues Poulain | Editing by | Stéphane Elmadjian
Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Bienvenue parmi nous (2012)
Directed by | Jean Becker | Cinematography by | Arthur Cloquet | Editing by | Franck Nakache, Jacques Witta
Cameras | ARRI ALEXA Camera
That Awkward Moment (2014)
Directed by | Tom Gormican | Cinematography by | Brandon Trost | Editing by | Shawn Paper, Greg Tillman
Cameras | ARRI ALEXA Plus Camera
Four Kinds of Love (2014)
Directed by | Timothy David Mitchell | Cinematography by | Sam Ward | Editing by | Timothy David Mitchell
Cameras | Canon EOS-7D Camera
Romans Road (2013)
Directed by | Helen Gibson | Cinematography by | Miguel Gonzalez, Steve Wargo | Editing by | Geoff McClelland
Cameras | Sony PMW-F3 Camera
Poison Sky (0)
Directed by | Steve Wargo | Cinematography by | Dustinn Craig, Jay Lee, Steve Wargo | Editing by | Steve Wargo
Cameras | Sony PMW-F3 Camera, Sony PMW-F55 Camera
Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Red Digital Cinema Lenses, Zeiss ZE Prime Lenses
Death to Prom (2014)
Directed by | Matthew Stenerson, Jeremy Wilker | Cinematography by | Jeremy Wilker | Editing by | Cassie Wentlandt
Cameras | Sony NEX-FS100 Camera
Lenses | Zeiss Lenses
Drinking Buddies (2013)
Directed by | Joe Swanberg | Cinematography by | Ben Richardson | Editing by | Joe Swanberg
Cameras | Red Scarlet Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 18 mm T3.6 Lens, Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 25 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Makro-Planar 100 mm T2.1 CF Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens, Zeiss Compact Prime Lenses
Behind Me (2013)
Directed by | Rebecca Pugh | Cinematography by | Joseph Walker | Editing by | Joseph Walker
Cameras | Red Epic Camera
Molly’s Theory of Relativity (2013)
Directed by | Jeff Lipsky | Cinematography by | Jendra Jarnagin | Editing by | Patricfia Burgess, Patricia Burgess
Cameras | Red One MX Camera
Gimme the Loot (2012)
Directed by | Adam Leon | Cinematography by | Jonathan Miller | Editing by | Morgan Faust
Cameras | Sony Cameras, Sony HDW-F900R Camera
Lenses | Canon Lenses
































































