Distributed Aspect Ratio » 2.39:1

2.39:1 | 1565 Titles

2.39:1 3.44/5 9 Votes

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Overboard (2018)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Rob Greenberg | Cinematography by | Michael Barrett | Editing by | Lee Haxall

Starring | Eugenio Derbez, Anna Faris, Eva Longoria

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Lenses, Zeiss Master Prime Lenses

Outlaw King (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 121 Minutes

Directed by | David Mackenzie | Cinematography by | Barry Ackroyd | Editing by | Jake Roberts

Starring | Chris Pine, Stephen Dillane, Rebecca Robin

Cameras | Panavision Millennium DXL Camera, Red Weapon Dragon Camera

Lenses | Angenieux Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

Slender Man (2018)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 93 Minutes

Directed by | Sylvain White | Cinematography by | Luca Del Puppo | Editing by | Jake York

Starring | Joey King, Julia Goldani Telles, Jaz Sinclair

Cameras | Sony PMW-F55 Camera, Sony α7S II Camera

Lenses | Hawk Hawk65 Series Lenses, Hawk V-Lite Lenses

Ocean’s Eight (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Gary Ross | Cinematography by | Eigil Bryld | Editing by | Juliette Welfling

Starring | Sandra Bullock, Cate Blanchett, Anne Hathaway

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses | Angenieux Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

The Sun Is Also a Star (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Ry Russo-Young | Cinematography by | Autumn Durald Arkapaw | Editing by | Joe Landauer

Starring | Yara Shahidi, Anais Lee, Charles Melton

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Extremely Wicked, Shockingly Evil and Vile (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Joe Berlinger | Cinematography by | Brandon Trost | Editing by | Josh Schaeffer

Starring | Lily Collins, Zac Efron, Angela Sarafyan

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision C Series Anamorphic Lenses

Hustlers (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Lorene Scafaria | Cinematography by | Todd Banhazl | Editing by | Kayla Emter

Starring | Constance Wu, Jennifer Lopez, Julia Stiles

Cameras | Panavision Millennium DXL2 Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Panaspeed Series Lenses

Us (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Jordan Peele | Cinematography by | Mike Gioulakis | Editing by | Nicholas Monsour

Starring | Lupita Nyong'o, Winston Duke, Elisabeth Moss

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

Wonder Woman (2017)

Motion Picture | 3D | 2K Project | Color | 2.20:1, 2.39:1 | 141 Minutes

Directed by | Patty Jenkins | Cinematography by | Matthew Jensen | Editing by | Martin Walsh

Starring | Gal Gadot, Chris Pine, Robin Wright

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses | ARRI Rental Prime 65 Lenses

Upgrade (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Leigh Whannell | Cinematography by | Stefan Duscio | Editing by | Andy Canny

Starring | Logan Marshall-Green, Melanie Vallejo, Steve Danielsen

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Towering Inferno (1974)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 165 Minutes

Directed by | John Guillermin | Cinematography by | Fred J. Koenekamp | Editing by | Carl Kress, Harold F. Kress

Starring | Paul Newman, Steve McQueen, William Holden, Faye Dunaway

Cameras | Panavision Silent Reflex PSR Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses

The Mummy (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Alex Kurtzman | Cinematography by | Ben Seresin | Editing by | Gina Hirsch, Paul Hirsch, Andrew Mondshein

Starring | Tom Cruise, Sofia Boutella, Annabelle Wallis

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Happy Death Day (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 96 Minutes

Directed by | Christopher Landon | Cinematography by | Toby Oliver | Editing by | Gregory Plotkin

Starring | Jessica Rothe, Israel Broussard, Ruby Modine

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Lenses, Cooke S4/i Lenses

Irreversible (2002)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 97 Minutes

Directed by | Gaspar Noé | Cinematography by | Benoît Debie, Gaspar Noé | Editing by | Gaspar Noé

Starring | Monica Bellucci, Vincent Cassel, Albert Dupontel, Jo Prestia

Cameras | Aaton A-Minima Camera

Geostorm (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Dean Devlin | Cinematography by | Roberto Schaefer | Editing by | Chris Lebenzon, John Refoua, Ron Rosen

Starring | Gerard Butler, Jim Sturgess, Abbie Cornish

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

The Predator (2018)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Shane Black | Cinematography by | Larry Fong | Editing by | Harry B. Miller III

Starring | Boyd Holbrook, Trevante Rhodes, Jacob Tremblay

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses | Panavision Ultra Speed MKII Lenses

Apocalypse Now (1979)

Motion Picture | 2D | Film Project | Color | 2.0:1, 2.20:1, 2.39:1 | 147 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Vittorio Storaro | Editing by | Lisa Fruchtman, Gerald B. Greenberg, Walter Murch

Starring | Martin Sheen, Marlon Brando, Robert Duvall

Cameras | ARRIFLEX 16ST Camera, ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera, Mitchell BNCR Camera

Lenses | Technovision Lenses, Todd-AO Lenses

I Think We’re Alone Now (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Reed Morano | Cinematography by | Reed Morano | Editing by | Madeleine Gavin

Starring | Peter Dinklage, Elle Fanning, Charlotte Gainsbourg

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Anamorphic Lenses

WALL·E (2008)

Motion Picture | 2D, 3D | Color | 2.39:1 | 98 Minutes

Directed by | Andrew Stanton | Cinematography by | Martin Rosenberg | Editing by | Stephen Schaffer

Starring | Ben Burtt, Elissa Knight, Jeff Garlin, Fred Willard

Alien: Covenant (2017)

Motion Picture | 2D | 2K Project | Color | 1.90:1, 2.39:1 | 122 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia

Starring | Michael Fassbender, Katherine Waterston, Billy Crudup

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses | Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses

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