2.39:1 | 1565 Titles
Master and Commander: The Far Side of the World (2003)
Directed by | Peter Weir | Cinematography by | Russell Boyd | Editing by | Lee Smith
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
In Love and War (1996)
Directed by | Richard Attenborough | Cinematography by | Roger Pratt | Editing by | Lesley Walker
Lenses | Panavision Primo Anamorphic Lenses
Get Low (2009)
Directed by | Aaron Schneider | Cinematography by | David Boyd | Editing by | Aaron Schneider
Cameras | Panavision Panaflex Gold II Camera
The Taste of Others (2000)
Directed by | Agnès Jaoui | Cinematography by | Laurent Dailland | Editing by | Hervé de Luze
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
Space Truckers (1996)
Directed by | Stuart Gordon | Cinematography by | Mac Ahlberg | Editing by | John Victor Smith
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Killer Inside Me (2010)
Directed by | Michael Winterbottom | Cinematography by | Marcel Zyskind | Editing by | Mags Arnold
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses
In Bruges (2008)
Down with Love (2003)
Directed by | Peyton Reed | Cinematography by | Jeff Cronenweth | Editing by | Larry Bock
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Real Steel (2011)
Directed by | Shawn Levy | Cinematography by | Mauro Fiore | Editing by | Dean Zimmerman
Cameras | Sony CineAlta F35 Camera
Lenses | Cooke Lenses, Cooke S4 Lenses
Gods and Monsters (1998)
Directed by | Bill Condon | Cinematography by | Stephen M. Katz | Editing by | Virginia Katz
Cameras | ARRIFLEX Camera
Finding Neverland (2004)
The Royal Tenenbaums (2001)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Dylan Tichenor
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Primary Colors (1998)
Directed by | Mike Nichols | Cinematography by | Michael Ballhaus | Editing by | Arthur Schmidt
Cameras | ARRIFLEX Camera
Gods and Generals (2003)
Directed by | Ron Maxwell | Cinematography by | Kees Van Oostrum | Editing by | Corky Ehlers
Cameras | Mitchell Cameras, Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses
A Few Good Men (1992)
Directed by | Rob Reiner | Cinematography by | Robert Richardson | Editing by | Robert Leighton, Steven Nevius
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Stay Tuned (1992)
Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Peter E. Berger
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Hunger Games (2012)
Directed by | Gary Ross | Cinematography by | Tom Stern | Editing by | Christopher S. Capp, Stephen Mirrione, Juliette Welfling
The Aviator (2004)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Rust and Bone (2012)
Directed by | Jacques Audiard | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling
Cameras | Red Epic Camera
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by | David Yates | Cinematography by | Eduardo Serra | Editing by | Mark Day
Lenses | Cooke S4 Lenses