Distributed Aspect Ratio » 2.39:1

2.39:1 | 1409 Titles

2.39:1 3.57/5 7 Votes

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Million Dollar Baby (2004)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 132 Minutes

Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox

Starring | Hilary Swank, Clint Eastwood, Morgan Freeman, Jay Baruchel

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

The Departed (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 151 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Matt Damon, Jack Nicholson, Mark Wahlberg

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

The Social Network (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 120 Minutes

Directed by | David Fincher | Cinematography by | Jeff Cronenweth | Editing by | Kirk Baxter, Angus Wall

Starring | Jesse Eisenberg, Andrew Garfield, Justin Timberlake, Rooney Mara

Cameras | Red One MX Camera

JCVD (2008)

Motion Picture | 2D | Color | 2.39:1 | 97 Minutes

Directed by | Mabrouk El Mechri | Cinematography by | Pierre-Yves Bastard | Editing by | Kako Kelber

Starring | Jean-Claude Van Damme, Valérie Bodson, Hervé Sogne, Rock Chen

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Lenses

The Rookie (1990)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 120 Minutes

The Rookie | ShotOnWhat?

Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox

Starring | Clint Eastwood, Charlie Sheen, Raul Julia, Sonia Braga

Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses | Panavision Super Speed Lenses

TRON (2010)

Motion Picture | 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 125 Minutes

Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | James Haygood

Starring | Jeff Bridges, Garrett Hedlund, Olivia Wilde, Bruce Boxleitner

Cameras | Phantom HD Camera, Sony CineAlta F35 Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Prometheus (2012)

Motion Picture | 3D | Color | 1.66:1, 2.39:1 | 124 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia

Starring | Noomi Rapace, Logan Marshall-Green, Michael Fassbender, Charlize Theron

Cameras | ARRI ALEXA Camera, Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses

Phoenix (1998)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Danny Cannon | Cinematography by | James L. Carter | Editing by | Zach Staenberg

Starring | Ray Liotta, Anthony LaPaglia, Daniel Baldwin, Jeremy Piven

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Miss Potter (2006)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Miss Potter | ShotOnWhat?

Directed by | Chris Noonan | Cinematography by | Andrew Dunn | Editing by | Robin Sales

Starring | Renée Zellweger, Ewan McGregor, Emily Watson, Barbara Flynn

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Divine Secrets of the Ya-Ya Sisterhood (2002)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Callie Khouri | Cinematography by | John Bailey | Editing by | Andrew Marcus

Starring | Sandra Bullock, Ellen Burstyn, Fionnula Flanagan, James Garner

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

The Hard Way (1991)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

The Hard Way | ShotOnWhat?

Directed by | John Badham | Cinematography by | Donald McAlpine, Robert Primes | Editing by | Tony Lombardo, Frank Morriss

Starring | Michael J. Fox, James Woods, Stephen Lang, Annabella Sciorra

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Alamo (2004)

Motion Picture | 2D | Color | 2.39:1 | 137 Minutes

The Alamo | ShotOnWhat?

Directed by | John Lee Hancock | Cinematography by | Dean Semler | Editing by | Eric L. Beason

Starring | Dennis Quaid, Billy Bob Thornton, Emilio Echevarría, Jason Patric

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The 13th Warrior (1999)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | John McTiernan, Michael Crichton | Cinematography by | Peter Menzies Jr. | Editing by | John Wright

Starring | Antonio Banderas, Diane Venora, Dennis Storhøi, Vladimir Kulich

Cameras | Panavision Cameras

Lenses | Panavision Lenses

I’m Reed Fish (2006)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 93 Minutes

Directed by | Zackary Adler | Cinematography by | Doug Chamberlain | Editing by | Yuka Ruell

Starring | Jay Baruchel, Alexis Bledel, Victor Rasuk, Schuyler Fisk

Cameras | Panavision Panaflex Millennium Camera

Straw Dogs (2011)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Rod Lurie | Cinematography by | Alik Sakharov | Editing by | Sarah Boyd

Starring | James Marsden, Kate Bosworth, Alexander Skarsgård, James Woods

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

The General’s Daughter (1999)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

The General’s Daughter | ShotOnWhat?

Directed by | Simon West | Cinematography by | Peter Menzies Jr. | Editing by | Glen Scantlebury

Starring | John Travolta, Madeleine Stowe, James Cromwell, Timothy Hutton

Cameras | Pan-Arri III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

Harry Potter and the Half-Blood Prince (2009)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 153 Minutes

Directed by | David Yates | Cinematography by | Bruno Delbonnel | Editing by | Mark Day

Starring | Daniel Radcliffe, Emma Watson, Rupert Grint, Michael Gambon

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Gainsbourg: A Heroic Life (2010)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 135 Minutes

Directed by | Joann Sfar | Cinematography by | Guillaume Schiffman | Editing by | Maryline Monthieux

Starring | Eric Elmosnino, Lucy Gordon, Laetitia Casta, Doug Jones

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Cooke S4 Lenses

Page Eight (2011)

Television Movie | 2D | Color | 2.39:1 | 99 Minutes

Page Eight | ShotOnWhat?

Directed by | David Hare | Cinematography by | Martin Ruhe | Editing by | Jinx Godfrey

Starring | Bill Nighy, Rachel Weisz, Tom Hughes, Michael Gambon

Cameras | ARRI ALEXA Camera

Lenses | Hawk V-Lite Lenses

Austin Powers: The Spy Who Shagged Me (1999)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Jay Roach | Cinematography by | Ueli Steiger | Editing by | Debra Neil-Fisher, Jon Poll

Starring | Mike Myers, Heather Graham, Michael York, Robert Wagner

Cameras | Panavision Cameras

Lenses | Panavision Lenses

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