2.39:1 | 1565 Titles
Les Kaïra (2012)
Directed by | Franck Gastambide | Cinematography by | Antoine Marteau
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Les hommes libres (2011)
Directed by | Ismaël Ferroukhi | Cinematography by | Jérôme Alméras | Editing by | Annette Dutertre
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
On ne choisit pas sa famille (2011)
Directed by | Christian Clavier | Cinematography by | Pascal Ridao | Editing by | Christophe Pinel
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Un baiser papillon (2011)
Directed by | Karine Silla | Cinematography by | Thomas Hardmeier | Editing by | Anny Danché
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Master Prime Lenses
Paris-Manhattan (2012)
Directed by | Sophie Lellouche | Cinematography by | Laurent Machuel | Editing by | Monica Coleman
Cameras | ARRICAM Lite (LT) Camera
Le moine (2011)
Directed by | Dominik Moll | Cinematography by | Patrick Blossier | Editing by | François Gédigier, Sylvie Lager
Sur la piste du Marsupilami (2012)
Directed by | Alain Chabat | Cinematography by | Laurent Dailland | Editing by | Maryline Monthieux
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
Switch (2011)
Directed by | Thomas Hefferon | Cinematography by | Jj Rolfe | Editing by | Eamonn Cleary
Cameras | Aaton 35-III Camera, ARRIFLEX 535 B Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses
Anchorman 2: The Legend Continues (2013)
Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Melissa Bretherton, Brent White
Cameras | ARRI ALEXA Camera
Skate or Die (2008)
Directed by | Miguel Courtois
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
American Hustle (2013)
Directed by | David O. Russell | Cinematography by | Linus Sandgren | Editing by | Alan Baumgarten, Jay Cassidy, Crispin Struthers
Fashion Victim (2009)
Big Sur (2013)
Directed by | Michael Polish | Cinematography by | M. David Mullen | Editing by | Geraud Brisson, Robert Frazen
Cameras | Red Epic Camera, Red One Camera
The Best Man Holiday (2013)
Directed by | Malcolm D. Lee | Cinematography by | Greg Gardiner | Editing by | Paul Millspaugh
Cameras | ARRI ALEXA Plus 4:3 Camera
Last Vegas (2013)
Directed by | Jon Turteltaub | Cinematography by | David Hennings | Editing by | David Rennie
Cameras | ARRI ALEXA Camera
Runner Runner (2013)
Directed by | Brad Furman | Cinematography by | Mauro Fiore | Editing by | Jeff McEvoy
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens
Le capital (2012)
Directed by | Costa-Gavras | Cinematography by | Eric Gautier | Editing by | Yannick Kergoat, Yorgos Lamprinos
Cameras | Aaton Penelope Camera
All Is Lost (2013)
Directed by | J.C. Chandor | Cinematography by | Frank G. DeMarco, Peter Zuccarini | Editing by | Pete Beaudreau
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
The Fifth Estate (2013)
Directed by | Bill Condon | Cinematography by | Tobias A. Schliessler | Editing by | Virginia Katz
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Zeiss Master Prime Lenses
One for the Road (2009)
