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In a Better World (2010)

Motion Picture | 2D | 2K Project | Color | 118 Minutes

Directed by | Susanne Bier | Cinematography by | Morten Søborg | Editing by | Pernille Bech Christensen, Morten Egholm

Starring | Mikael Persbrandt, Trine Dyrholm, Markus Rygaard, Wil Johnson

Cameras | Red One Camera

Lenses | Angenieux Lenses

Winged Migration (2001)

Documentary | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Jacques Perrin, Jacques Cluzaud, Michel Debats | Cinematography by | Olli Barbé, Michel Benjamin, Sylvie Carcedo, Laurent Charbonnier, Luc Drion, Laurent Fleutot, Philippe Garguil, Dominique Gentil, Bernard Lutic, Thierry Machado, Stéphane Martin, Fabrice Moindrot, Ernst Sasse, Michel Terrasse, Thierry Thomas | Editing by | Marie-Josèphe Yoyotte

Starring | Jacques Perrin, Philippe Labro

Cameras | Aaton 35-III Camera, Eclair Cameras, Panavision Cameras, Technovision Cameras

Lenses | Panavision Lenses

The Wings of the Dove (1997)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Iain Softley | Cinematography by | Eduardo Serra | Editing by | Tariq Anwar

Starring | Helena Bonham Carter, Linus Roache, Alex Jennings, Charlotte Rampling

Cameras | ARRIFLEX 535 Camera

Lenses | Zeiss Super Speed Lenses

Johnny English Reborn (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | Oliver Parker | Cinematography by | Danny Cohen | Editing by | Guy Bensley

Starring | Rowan Atkinson, Rosamund Pike, Dominic West, Roger Barclay

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Phantom Flex Camera, Phantom HD Gold Camera

Lenses | Zeiss Master Prime Lenses

Lord of the Dance in 3D (2011)

Motion Picture | 3D | 2K Project | Color | 95 Minutes

Directed by | Marcus Viner | Cinematography by | Nick Wheeler | Editing by | Tom Palliser

Cameras | Red One MX Camera, Silicon Imaging SI-2K Mini Camera

Lenses | Cooke Lenses

Salem’s Lot (2004)

Miniseries | 2D | Color | 1.78:1 (16x9) | 181 Minutes

| Cinematography by | Ben Nott | Editing by | Robert A. Ferretti

Starring | Rob Lowe, Andre Braugher, Donald Sutherland, Samantha Mathis

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses

Rampart (2011)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Oren Moverman | Cinematography by | Bobby Bukowski | Editing by | Jay Rabinowitz

Starring | Woody Harrelson, Ben Foster, Sigourney Weaver, Jon Bernthal

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Hot Fuzz (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 121 Minutes

Directed by | Edgar Wright | Cinematography by | Jess Hall | Editing by | Chris Dickens

Starring | Simon Pegg, Nick Frost, Martin Freeman, Bill Nighy

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

A Good Year (2006)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Ridley Scott | Cinematography by | Philippe Le Sourd | Editing by | Dody Dorn, Robb Sullivan

Starring | Russell Crowe, Abbie Cornish, Albert Finney, Marion Cotillard

Cameras | ARRICAM Lite (LT) Camera

Lenses | Panavision Primo Primes Spherical Lenses

Clockstoppers (2002)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Directed by | Jonathan Frakes | Cinematography by | Tim Suhrstedt | Editing by | Peter E. Berger, Jeff Canavan

Starring | Jesse Bradford, French Stewart, Paula Garcés, Michael Biehn

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics Cameras

Lenses | Panavision Primo Primes Spherical Lenses

Mesrine Part 2: Public Enemy #1 (2008)

Motion Picture | 2D | Color | 2.39:1 | 133 Minutes

Directed by | Jean-François Richet | Cinematography by | Robert Gantz | Editing by | Stéphane Garnier, Bill Pankow, Hervé Schneid

Starring | Vincent Cassel, Ludivine Sagnier, Mathieu Amalric, Samuel Le Bihan

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Cameras, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Equilibrium (2002)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Kurt Wimmer | Cinematography by | Dion Beebe | Editing by | Tom Rolf, William Yeh

Starring | Christian Bale, Sean Bean, Emily Watson, Taye Diggs

Cameras | Panavision Cameras, Panavision Panaflex Lightweight Camera

Lenses | Panavision Lenses

Ils se marièrent et eurent beaucoup d’enfants (2004)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Yvan Attal | Cinematography by | Rémy Chevrin | Editing by | Jennifer Augé

Starring | Johnny Depp, Charlotte Gainsbourg, Sébastien Vidal, Yvan Attal

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Standard Speed Prime Lenses

My Name Is Khan (2010)

Motion Picture | 2D | Color | 2.39:1 | 165 Minutes

Directed by | Karan Johar | Cinematography by | Ravi K. Chandran | Editing by | Deepa Bhatia

Starring | Shah Rukh Khan, Kajol, Sheetal Menon, Katie A. Keane

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Advanced Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Adaptation. (2002)

Motion Picture | 2D | Color | 1.85:1 | 115 Minutes

Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | Eric Zumbrunnen

Starring | Nicolas Cage, Meryl Streep, Chris Cooper, Tilda Swinton

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Battleship (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 131 Minutes

Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr., Billy Rich, Paul Rubell

Starring | Alexander Skarsgård, Brooklyn Decker, Liam Neeson, Rihanna

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

About the Bells (2008)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 85 Minutes

Directed by | Alexander Manshel, Woodrow Travers | Cinematography by | Rahn Kim, Matthew Leoanard, Alexander Manshel, Woodrow Travers | Editing by | Woodrow Travers

Starring | Alan K. Moore, Noni Stuart, Oliver Singer, Rachel Feldman

Cameras | Panasonic AG-DVX100 Camera

Never Let Me Go (2010)

Motion Picture | 2D | Color | 103 Minutes

Directed by | Mark Romanek | Cinematography by | Adam Kimmel | Editing by | Barney Pilling

Starring | Keira Knightley, Carey Mulligan, Andrew Garfield, Izzy Meikle-Small

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

2038: El futuro de ellas (2008)

Motion Picture | 2D | Color | 2.39:1 | 24 Minutes

Directed by | Rubén Arnaiz | Cinematography by | Isabela T. Herrero | Editing by | Rubén Arnaiz, Andrew Dasz, Sergio Muñoz

Starring | Aranzazu Diez, Blanca Berdejo, Cristina Rojas, Maribel Paradela

Cameras | Canon XL2 Camera

Something’s Gotta Give (2003)

Motion Picture | 2D | Color | 1.85:1 | 128 Minutes

Directed by | Nancy Meyers | Cinematography by | Michael Ballhaus | Editing by | Joe Hutshing

Starring | Jack Nicholson, Diane Keaton, Keanu Reeves, Amanda Peet

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Lenses, Zeiss Lenses

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