Color | 3927 Titles
Apocalypto (2006)
Directed by | Mel Gibson | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | Aaton A-Minima Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Ikonoskop Cameras, Panavision Genesis Camera
Vera Drake (2004)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jim Clark
Cameras | Aaton XTR Prod Camera
Lenses | Cooke S4 Lenses
30,000 Leagues Under the Sea (2007)
Directed by | Gabriel Bologna | Cinematography by | Mark Atkins | Editing by | Matthew Alson Thornbury
Cameras | Sony HDW-F900 Camera
Red State (2011)
Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Kevin Smith
Cameras | Canon EOS-7D Camera, Red One MX Camera
La guerre est déclarée (2011)
Directed by | Valérie Donzelli | Cinematography by | Sébastien Buchmann | Editing by | Pauline Gaillard
Cameras | Canon EOS-5D Mark II Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Di Renjie: Tong tian di guo (2010)
Directed by | Hark Tsui | Cinematography by | Chi-Ying Chan, Chor Keung Chan | Editing by | Chi Wai Yau
Cameras | Red One Camera
Lenses | Angenieux Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Lenses
Gunjô: Ai ga shizunda umi no iro (2009)
Directed by | Yosuke Nakagawa | Cinematography by | Hiro'o Yanagida | Editing by | Hiroaki Morishita
Lenses | Fujinon E Series Lenses, Panavision Lenses
The Imaginarium of Doctor Parnassus (2009)
Directed by | Terry Gilliam | Cinematography by | Nicola Pecorini | Editing by | Mick Audsley
Lenses | Zeiss Ultra Prime Lenses
Albert Nobbs (2011)
Directed by | Rodrigo García | Cinematography by | Michael McDonough | Editing by | Steven Weisberg
Cameras | Red One MX Camera
Capote (2005)
Directed by | Bennett Miller | Cinematography by | Adam Kimmel | Editing by | Christopher Tellefsen
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses
The Last King of Scotland (2006)
Directed by | Kevin Macdonald | Cinematography by | Anthony Dod Mantle | Editing by | Justine Wright
Lenses | Panavision Lenses
Boxers and Ballerinas (2004)
Directed by | Mike Cahill, Brit Marling | Cinematography by | Mike Cahill, Brit Marling | Editing by | Mike Cahill, Brit Marling
Cameras | Sony DSR-PD150 Camera
The Next Three Days (2010)
Directed by | Paul Haggis | Cinematography by | Stéphane Fontaine | Editing by | Jo Francis
Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Super (2010)
Directed by | James Gunn | Cinematography by | Steve Gainer | Editing by | Cara Silverman
Cameras | Red One Camera
2 Coelhos (2012)
Directed by | Afonso Poyart | Cinematography by | Carlos André Zalasik | Editing by | Lucas Gonzaga, Afonso Poyart, André Vidigal
Cameras | Phantom HD Gold Camera, Red One MX Camera
Death Note: The Last Name (2006)
Directed by | Shûsuke Kaneko | Cinematography by | Kenji Takama | Editing by | Yôsuke Yafune
Cameras | Sony HDW-F900 Camera
Lenses | Angenieux Lenses, Zeiss DigiPrime Lenses
Pearl Harbor (2001)
Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Secret défense (2008)
Directed by | Philippe Haïm | Cinematography by | Jérôme Alméras | Editing by | Sylvie Landra
Cameras | ARRICAM Lite (LT) Camera
Crazy Heart (2009)
Directed by | Scott Cooper | Cinematography by | Barry Markowitz | Editing by | John Axelrad, Jeffrey Ford
