Color | 3627 Titles
One from the Heart (1981)
Directed by | Francis Ford Coppola | Cinematography by | Ronald Víctor García, Vittorio Storaro | Editing by | Rudi Fehr, Anne Goursaud, Randy Roberts
Cameras | ARRIFLEX 35 BL Camera
Revanche (2008)
Directed by | Götz Spielmann | Cinematography by | Martin Gschlacht | Editing by | Karina Ressler
Cameras | ARRI ARRIFLEX Series Cameras
Assassins (1995)
Directed by | Richard Donner | Cinematography by | Vilmos Zsigmond | Editing by | Lawrence Jordan, Richard Marks
GoldenEye (1995)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Terry Rawlings
Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Panavision Primo Anamorphic Lenses
Les acteurs (2000)
Directed by | Bertrand Blier | Cinematography by | François Catonné | Editing by | Claudine Merlin
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Sai chiu (2006)
Directed by | Kin-Lung Lam | Cinematography by | Chiu-Lam Ko | Editing by | Wing-Ming Wong
Cameras | ARRIFLEX 535 B Camera
Tamara Drewe (2010)
Directed by | Stephen Frears | Cinematography by | Ben Davis | Editing by | Mick Audsley
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Heir Apparent: Largo Winch (2008)
Field of Dreams (1989)
Directed by | Phil Alden Robinson | Cinematography by | John Lindley | Editing by | Ian Crafford
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Dead Poets Society (1989)
Directed by | Peter Weir | Cinematography by | John Seale | Editing by | William M. Anderson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Hannibal (1959)
Directed by | Carlo Ludovico Bragaglia, Edgar G. Ulmer | Cinematography by | Raffaele Masciocchi | Editing by | Renato Cinquini
127 Hours (2010)
Directed by | Danny Boyle | Cinematography by | Enrique Chediak, Anthony Dod Mantle | Editing by | Jon Harris
Cameras | Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera
Qi ji (1989)
Directed by | Jackie Chan | Cinematography by | Arthur Wong | Editing by | Peter Cheung
Cameras | ARRIFLEX 35 III Camera
Loverboy (2005)
Rise of the Planet of the Apes (2011)
Directed by | Rupert Wyatt | Cinematography by | Andrew Lesnie | Editing by | Conrad Buff IV, Mark Goldblatt
Cameras | ARRICAM Lite (LT) Camera
Wonder Boys (2000)
Directed by | Curtis Hanson | Cinematography by | Dante Spinotti | Editing by | Dede Allen
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses
Naked Weapon (2002)
Directed by | Siu-Tung Ching | Cinematography by | Sung Fai Choi | Editing by | Angie Lam
Lenses | Angenieux Lenses, Zeiss Lenses
Mr. Bean’s Holiday (2007)
Directed by | Steve Bendelack | Cinematography by | Baz Irvine | Editing by | Tony Cranstoun
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
District 13: Ultimatum (2009)
Directed by | Patrick Alessandrin | Cinematography by | Jean-François Hensgens | Editing by | Stéphane Garnier, Julien Rey
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Iron Man (2008)
Directed by | Jon Favreau | Cinematography by | Matthew Libatique | Editing by | Dan Lebental
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
