2048x1152 - (1.78:1) Capture Resolution | 21 Titles
The Deleted (2016)
| Cinematography by | Steeven Petitteville, Michael Marius Pessah | Editing by | Joe Carugati, Nate Katz
Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Lenses
Operator (2016)
Directed by | Logan Kibens | Cinematography by | Steeven Petitteville | Editing by | Logan Kibens
Cameras | ARRI AMIRA Series Cameras, Sony α7S Camera
Lenses | Zeiss Lenses
Small City (2021)
Directed by | Georgie Curran, Adriano Vilanova | Cinematography by | Mike Simpson
Cameras | ARRI ALEXA Mini Camera, ARRI AMIRA Camera
Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens
The Enchantress of Number (2018)
Directed by | Rebecca Murga | Cinematography by | David Auner
Cameras | Aaton Penelope Camera, ARRI AMIRA Premium Camera
Lenses | Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens
Gipsy Queen (2019)
Directed by | Hüseyin Tabak | Cinematography by | Lukas Gnaiger | Editing by | Christoph Loidl
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera
The Night of the Virgin (2016)
Directed by | Roberto San Sebastián | Cinematography by | Adrián Hernández | Editing by | Ibon Belandia
Cameras | ARRI ALEXA Camera, Sony PXW-FS7 Camera
Hatred of a Minute (2002)
Directed by | Michael Kallio | Cinematography by | George Lieber | Editing by | Paul Hart, Michael Kallio, John W. Walter
Cameras | ARRI Cameras
Lenses | ARRI Lenses
Una Famiglia (2017)
Directed by | Sebastiano Riso | Cinematography by | Piero Basso | Editing by | Ilaria Fraioli
Cameras | ARRI ALEXA Plus Camera
Lenses | Panavision SL10 10 mm T1.9 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens
Somewhere in the Middle (2015)
Directed by | Lanre Olabisi | Cinematography by | Piero Basso | Editing by | Alex Kopit
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens
Don’t Breathe (2016)
Directed by | Fede Alvarez | Cinematography by | Pedro Luque | Editing by | Eric L. Beason, Louise Ford, Gardner Gould
Cameras | ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens
I, Timon (2017)
Directed by | Bramwell Noah, Dan Noah | Cinematography by | David Baldini
Cameras | Canon EOS-C300 Mark II Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 18 mm T3.6 Lens, Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens
Mängelexemplar (2016)
Directed by | Laura Lackmann | Cinematography by | Sten Mende | Editing by | Gergana Voigt
Cameras | ARRI ALEXA Plus Camera, Red Epic Dragon Camera
Più buio di mezzanotte (2014)
Directed by | Sebastiano Riso | Cinematography by | Piero Basso | Editing by | Marco Spoletini
Cameras | ARRI ALEXA Studio Camera
Lenses | Technovision Cooke Anamorphic 100mm T2.8 Lens, Technovision Cooke Anamorphic 32mm T2.3 Lens, Technovision Cooke Anamorphic 40mm T3.0 Lens, Technovision Cooke Anamorphic 50mm T2.5 Lens, Technovision Cooke Anamorphic 75mm T2.5 Lens
Stranger in the House (2015)
Directed by | Devon Gummersall | Cinematography by | David Maurice Gil | Editing by | Jacob Chase
Cameras | ARRI ALEXA Series Cameras
Lenses | Panavision PVintage Prime Lenses
The Heart Machine (2014)
Directed by | Zachary Wigon | Cinematography by | Robert Leitzell | Editing by | Ron Dulin, Louise Ford
Cameras | ARRI ALEXA Camera
Lenses | Cooke Varotal Lenses, Zeiss Lenses
Four Assassins (2011)
Directed by | Stanley J. Orzel | Cinematography by | Wah-Chuen Lam | Editing by | Darren Richter
Cameras | Red One Camera
Tequila (2011)
Directed by | Sergio Sánchez Suárez | Cinematography by | Andronico Gonzalez | Editing by | Alejandro Carrillo Penovi, Dankmar Garcia, Andronico Gonzalez, Mauro Rivera, Sergio Sánchez Suárez
Leaves of Grass (2009)
Directed by | Tim Blake Nelson | Cinematography by | Roberto Schaefer | Editing by | Michelle Botticelli
Cameras | Red One Camera
Drowning Mona (2000)
Directed by | Nick Gomez | Cinematography by | Bruce Douglas Johnson | Editing by | Richard Pearson
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera
Slumdog Millionaire (2008) 
Directed by | Danny Boyle, Loveleen Tandan | Cinematography by | Anthony Dod Mantle | Editing by | Chris Dickens
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 BL4s Camera, Canon EOS-1D Mark III Camera, Silicon Imaging SI-2K Mini Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
