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Press (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 |

Human (2015)

Documentary | 2D | HD Project | Color | 1.85:1 | 190 Minutes

Directed by | Yann Arthus-Bertrand | Editing by | Françoise Bernard, Anne-Marie Sangla

Starring | Luis Cancu, Atman, Berthony, Bruno

Cameras | ARRI ALEXA M Camera, Canon EOS-C300 Camera, Red Epic Camera, Sony HDC-1500 Camera

Lenses | Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Style 25-250 mm T3.5 Lens, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon EF 70-200 mm f2.8 L IS II Lens

Pan (2015)

Motion Picture | 3D | Color | 2.39:1 | 111 Minutes

Directed by | Joe Wright | Cinematography by | John Mathieson, Seamus McGarvey | Editing by | William Hoy, Paul Tothill

Starring | Levi Miller, Hugh Jackman, Garrett Hedlund, Rooney Mara

Cameras | ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

Mahler on the Couch (2010)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Felix O. Adlon, Percy Adlon | Cinematography by | Benedict Neuenfels | Editing by | Jochen Kunstler

Starring | Johannes Silberschneider, Barbara Romaner, Karl Markovics, Friedrich Mücke

Cameras | Red Digital Cinema Cameras

It Follows (2014)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | David Robert Mitchell | Cinematography by | Mike Gioulakis | Editing by | Julio Perez IV

Starring | Maika Monroe, Keir Gilchrist, Olivia Luccardi, Lili Sepe

Cameras | ARRI ALEXA Plus Camera, Red Epic Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Fujinon Lenses

Jurassic World (2015)

Motion Picture | 3D | Color | 2.0:1 | 124 Minutes

Directed by | Colin Trevorrow | Cinematography by | John Schwartzman | Editing by | Kevin Stitt

Starring | Chris Pratt, Bryce Dallas Howard, Ty Simpkins, Judy Greer

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Avengers: Age of Ultron (2015)

Motion Picture | 2D, 3D | Color | 2.39:1 | 141 Minutes

Directed by | Joss Whedon | Cinematography by | Ben Davis | Editing by | Jeffrey Ford, Lisa Lassek

Starring | Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth

Cameras | ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses | Panavision Primo Anamorphic Lenses

The Gunman (2015)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Pierre Morel | Cinematography by | Flavio Martínez Labiano | Editing by | Frédéric Thoraval

Starring | Sean Penn, Idris Elba, Jasmine Trinca, Javier Bardem

Cameras | ARRI ALEXA XT Camera, Red Epic Camera

Lenses | Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Danish Girl (2015)

Motion Picture | 2D | Color | 1.85:1 | 119 Minutes

Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Melanie Oliver

Starring | Eddie Redmayne, Alicia Vikander, Amber Heard, Ben Whishaw

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Rubinrot (2013)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Felix Fuchssteiner | Cinematography by | Sonja Rom | Editing by | Wolfgang Weigl

Starring | Josefine Preuß, Florian Bartholomäi, Uwe Kockisch, Johannes Silberschneider

Cameras | Red Epic Camera, Red One MX Camera

Chappie (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 120 Minutes

Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Mark Goldblatt

Starring | Sharlto Copley, Dev Patel, Hugh Jackman, Sigourney Weaver

Cameras | Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, Red Epic Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Mai wei (2011)

Motion Picture | 2D | Color | 2.39:1 | 137 Minutes

Directed by | Je-kyu Kang | Cinematography by | Mo-gae Lee | Editing by | Gok-ji Park

Starring | Dong-Gun Jang, Joe Odagiri, Bingbing Fan, In-kwon Kim

Cameras | Red One Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Mi-seu-teo Go (2013)

Motion Picture | 3D | Color | 1.85:1 | 132 Minutes

Directed by | Yong-hwa Kim | Cinematography by | Dae-seong Jeon, Hyeon-cheol Park | Editing by | Zino Kim

Starring | Dong-il Sung, Jiao Xu, Hee-won Kim, Kang-woo Kim

Cameras | Red Epic Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Sinsegye (2013)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | Hoon-jung Park | Cinematography by | Chung-hoon Chung, Eok Yu | Editing by | Sae-kyoung Moon

Starring | Jung-jae Lee, Min-sik Choi, Jung-min Hwang, Sung-woong Park

Cameras | Red One Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

La danza de la realidad (2013)

Motion Picture | 2D | Color | 1.85:1 | 133 Minutes

Directed by | Alejandro Jodorowsky | Cinematography by | Jean-Marie Dreujou | Editing by | Maryline Monthieux

Starring | Brontis Jodorowsky, Pamela Flores, Jeremias Herskovits, Alejandro Jodorowsky

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

9 mois ferme (2013)

Motion Picture | 2D | Color | 2.39:1 | 82 Minutes

Directed by | Albert Dupontel | Cinematography by | Vincent Mathias | Editing by | Christophe Pinel

Starring | Albert Dupontel, Sandrine Kiberlain, Nicolas Marié, Philippe Uchan

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Labor Day (2013)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman

Starring | Kate Winslet, Josh Brolin, Gattlin Griffith, Clark Gregg

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses

Anything for Alice (2014)

Motion Picture | 2D | Color | 2.39:1 | 99 Minutes

Directed by | Nicolas Cuche | Cinematography by | Guillaume Deffontaines | Editing by | Thierry Rouden

Starring | Max Boublil, Aïssa Maïga, Patrick Timsit, Chantal Lauby

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Maintenant ou jamais (2014)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Serge Frydman | Cinematography by | Pierre-Hugues Galien | Editing by | Céline Kélépikis

Starring | Leïla Bekhti, Nicolas Duvauchelle, Arthur Dupont, Léo Lorléac'h

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Fishing Without Nets (2014)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Directed by | Cutter Hodierne | Cinematography by | Alex Disenhof | Editing by | Cutter Hodierne, Dominic LaPerriere

Starring | Abdiwali Farrah, Eric Godon, Abdikhadir Hassan, Idil Ibrahim

Cameras | Red Epic Camera, Red Scarlet Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Super Speed Lenses

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