Red Raw | 334 Titles
Xi you ji: Da nao tian gong (2014)
Directed by | Soi Cheang | Cinematography by | Man Po Cheung, Tao Yang | Editing by | Ka-Fai Cheung
Cameras | Red One MX Camera
Four Assassins (2011)
Directed by | Stanley J. Orzel | Cinematography by | Wah-Chuen Lam | Editing by | Darren Richter
Cameras | Red One Camera
Concussion (2013)
Directed by | Stacie Passon | Cinematography by | David Kruta | Editing by | Anthony Cupo
Cameras | Red Epic Camera
Lenses | Zeiss Lenses
Brick Mansions (2014)
Directed by | Camille Delamarre | Cinematography by | Christophe Collette | Editing by | Carlo Rizzo, Arthur Tarnowski
Cameras | Red Epic Camera
Lenses | Hawk V-Lite Lenses
Rue Mandar (2012)
Directed by | Idit Cebula | Cinematography by | Rémy Chevrin | Editing by | Célia Lafitedupont
Cameras | Red Epic Camera
Lone Survivor (2013)
Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr.
Cameras | Phantom Flex Camera, Red Epic Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens
En solitaire (2013)
Directed by | Christophe Offenstein | Cinematography by | Guillaume Schiffman | Editing by | Ruy Diaz, Véronique Lange
Cameras | Red Epic Camera, Red Scarlet Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
Don-eui mat (2012)
Directed by | Sang-soo Im | Cinematography by | Woo-hyung Kim | Editing by | Eun Soo Lee
Cameras | Red One Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Neighbors (2014)
Directed by | Nicholas Stoller | Cinematography by | Brandon Trost | Editing by | Zene Baker
Cameras | ARRI ALEXA Camera, Red Epic Camera
The Expendables 3 (2014)
Directed by | Patrick Hughes | Cinematography by | Peter Menzies Jr. | Editing by | Sean Albertson, Paul Harb
Shameless (2011)
| Cinematography by | Kevin McKnight, Rodney Charters, Anthony Hardwick, Loren S. Yaconelli, James M. Muro | Editing by | John M. Valerio, Regis Kimble, Tim Tommasino, Russell Denove, Mark Strand, Gregg Featherman, Kelley Dixon, Finnian Murray, Michael Stern, Thomas M. Bolger, Robert Bramwell, Omar Hassan-Reep, Shannon Mitchell, Kevin D. Ross, Mark Sadlek, Toby Yates, Julie Monroe, Jeffrey M. Werner, Sam Bollinger, David Moritz, Brent McReynolds, Chetin Chabuk
Cameras | ARRI ALEXA Camera, Red One MX Camera
The Raid 2 (2014)
Directed by | Gareth Evans | Cinematography by | Matt Flannery, Dimas Imam Subhono | Editing by | Gareth Evans
Lenses | Zeiss Ultra Prime Lenses
The Legend of Hercules (2014)
Directed by | Renny Harlin | Cinematography by | Sam McCurdy | Editing by | Vincent Tabaillon
Cameras | Red Epic Camera
Transformers: Age of Extinction (2014)
Directed by | Michael Bay | Cinematography by | Amir Mokri | Editing by | Roger Barton, William Goldenberg, Paul Rubell
Cameras | Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
The Mob Doctor (2012)
| Cinematography by | Arthur Albert | Editing by | John Duffy, Augie Hess, John Axness, Bill Johnson, Lisa Bromwell
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens
Stranger Within (2013)
Directed by | Adam Neutzsky-Wulff | Cinematography by | Michael Sauer Christensen | Editing by | Niels Ostenfeld
Cameras | Canon EOS-5D Mark II Camera, Red One Camera
Lenses | Zeiss Ultra Prime Lenses
Madeleine (2015)
Directed by | Lorenzo Ceva Valla, Mario Garofalo | Cinematography by | Federico Torres
Cameras | Red Epic Camera
Lenses | Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Big Sur (2013)
Directed by | Michael Polish | Cinematography by | M. David Mullen | Editing by | Geraud Brisson, Robert Frazen
Cameras | Red Epic Camera, Red One Camera
We Are What We Are (2013)
Directed by | Jim Mickle | Cinematography by | Ryan Samul | Editing by | Jim Mickle
Cameras | Red Epic Camera
Lenses | Red Pro Prime Lenses, Red Pro Zoom Lenses
Drinking Buddies (2013)
Directed by | Joe Swanberg | Cinematography by | Ben Richardson | Editing by | Joe Swanberg
Cameras | Red Scarlet Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 18 mm T3.6 Lens, Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 25 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Makro-Planar 100 mm T2.1 CF Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens, Zeiss Compact Prime Lenses
