Sony Cameras | 442 Titles
AfterThought (2007)
Directed by | Douglas Elford-Argent | Cinematography by | Marc Menet | Editing by | Wendy Elford-Argent
Cameras | Sony HDW-F900 Camera
Monsters (2004)
Directed by | Robert Morgan | Cinematography by | Marcus Waterloo | Editing by | Nicolas Chaudeurge
Cameras | Sony HDW-750 Camera
Bare Bea (2004)
Directed by | Petter Næss | Cinematography by | Marius Johansen Hansen | Editing by | Jon Endre Mørk
Cameras | Sony HDW-F900 Camera
Apollo 18 (2011)
Directed by | Gonzalo López-Gallego | Cinematography by | José David Montero | Editing by | Patrick Lussier
Cameras | ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera
Lenses | Panavision Primo Digital Lenses
The Down Home Alien Blues (2012)
Directed by | C. Duke Marsh | Cinematography by | Bob Fox | Editing by | Steven Fook Yuan Wong
Cameras | Sony PMW-F3 Camera
30,000 Leagues Under the Sea (2007)
Directed by | Gabriel Bologna | Cinematography by | Mark Atkins | Editing by | Matthew Alson Thornbury
Cameras | Sony HDW-F900 Camera
Spy Kids 2: Island of Lost Dreams (2002)
Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | Sony HDW-F900 Camera
Gunjô: Ai ga shizunda umi no iro (2009)
Directed by | Yosuke Nakagawa | Cinematography by | Hiro'o Yanagida | Editing by | Hiroaki Morishita
Lenses | Fujinon E Series Lenses, Panavision Lenses
Boxers and Ballerinas (2004)
Directed by | Mike Cahill, Brit Marling | Cinematography by | Mike Cahill, Brit Marling | Editing by | Mike Cahill, Brit Marling
Cameras | Sony DSR-PD150 Camera
The Final Destination (2009)
Directed by | David R. Ellis | Cinematography by | Glen MacPherson | Editing by | Mark Stevens
Cameras | Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Death Note: The Last Name (2006)
Directed by | Shûsuke Kaneko | Cinematography by | Kenji Takama | Editing by | Yôsuke Yafune
Cameras | Sony HDW-F900 Camera
Lenses | Angenieux Lenses, Zeiss DigiPrime Lenses
A Single Woman (2008)
Directed by | Kamala Lopez | Cinematography by | Gabriel Diniz | Editing by | Kamala Lopez
Cameras | Sony HDW-F900 Camera
Once Upon a Time in Mexico (2003)
Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | Sony HDW-F900 Camera
Flags of Our Fathers (2006)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera
Made in New Mexico (2012)
Directed by | Brent Morris, David J. Schweitzer | Cinematography by | David J. Schweitzer | Editing by | David Aubrey, Brent Morris
Cameras | Red Digital Cinema Cameras, Sony PMW-EX3 Camera
Lenses | Cooke S4 Lenses
Harry Brown (2009)
Directed by | Daniel Barber | Cinematography by | Martin Ruhe | Editing by | Joe Walker
Cameras | Sony CineAlta F35 Camera
Le renard et l’enfant (2007)
Directed by | Luc Jacquet | Cinematography by | Eric Dumage, Gérard Simon | Editing by | Sabine Emiliani
Tristram Shandy: A Cock and Bull Story (2005)
Directed by | Michael Winterbottom | Cinematography by | Marcel Zyskind | Editing by | Peter Christelis
Cameras | Sony HDC-750 Camera
Lenses | Canon HJ Series Lenses, Zeiss DigiPrime Lenses
Rachel Getting Married (2008)
Directed by | Jonathan Demme | Cinematography by | Declan Quinn | Editing by | Tim Squyres
Cameras | Sony HDW-F900R Camera
Public Enemies (2009)
Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Jeffrey Ford, Paul Rubell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera